Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... begin with information on a work's literary and intellectual background, and other guidance designed to help the reader to an informed understanding. This is followed by an extended critical discussion of the work itself, and each ...
... begin with information on a work's literary and intellectual background, and other guidance designed to help the reader to an informed understanding. This is followed by an extended critical discussion of the work itself, and each ...
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... begins: Miracle of the world I never will denye That former poets prayse the beautie of theyre dayes But all those beauties were but figures of thy prayse And all those poets did of thee but prophecye. So Shakespeare, reading ...
... begins: Miracle of the world I never will denye That former poets prayse the beautie of theyre dayes But all those beauties were but figures of thy prayse And all those poets did of thee but prophecye. So Shakespeare, reading ...
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... begins: The other two, slight air and purging fire. ... The two sonnets are indivisible; and XLV repeats rhyme-words from the previous sonnet ('thee' and 'gone'). In the same way CXXXV and CXXXVI share the rhymes 'still' and 'Will ...
... begins: The other two, slight air and purging fire. ... The two sonnets are indivisible; and XLV repeats rhyme-words from the previous sonnet ('thee' and 'gone'). In the same way CXXXV and CXXXVI share the rhymes 'still' and 'Will ...
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... begins 'Shee smild', and to pacify Cupid she agrees to let him have his revenge. In Sonnet 4, Cupid fails to wound the Poet, until in Sonnet 6 'he coucht himselfe within my Ladies eies' and the Poet duly falls a victim. Some of the ...
... begins 'Shee smild', and to pacify Cupid she agrees to let him have his revenge. In Sonnet 4, Cupid fails to wound the Poet, until in Sonnet 6 'he coucht himselfe within my Ladies eies' and the Poet duly falls a victim. Some of the ...
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... than to fix upon 'sources'. ... Spenser ... was an imitator, but not a translator like Wyatt or Watson, was right inside the convention and used it freely. He rarely takes more than a hint. Even where he begins from another man's.
... than to fix upon 'sources'. ... Spenser ... was an imitator, but not a translator like Wyatt or Watson, was right inside the convention and used it freely. He rarely takes more than a hint. Even where he begins from another man's.
Зміст
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV