Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... arguments to Adonis which are not unlike those used by Shakespeare in the first seventeen sonnets. It is noticeable that some plays written in these same years – Titus Andronicus, The Taming of the Shrew and Richard II – have very few ...
... arguments to Adonis which are not unlike those used by Shakespeare in the first seventeen sonnets. It is noticeable that some plays written in these same years – Titus Andronicus, The Taming of the Shrew and Richard II – have very few ...
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... arguments about what Baldwin called the 'literary genetics' of the Sonnets are much more convincing than Baldwin's own. I accept Schaar's dating as the most probable. It is true that many of the Sonnets seem maturer in style than the ...
... arguments about what Baldwin called the 'literary genetics' of the Sonnets are much more convincing than Baldwin's own. I accept Schaar's dating as the most probable. It is true that many of the Sonnets seem maturer in style than the ...
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... argument makes a number of assumptions for which proof is inevitably lacking. First, that the Sonnets are autobiographical; secondly, that the first 126 sonnets are addressed to one, and only one, man; thirdly, that the poet had only ...
... argument makes a number of assumptions for which proof is inevitably lacking. First, that the Sonnets are autobiographical; secondly, that the first 126 sonnets are addressed to one, and only one, man; thirdly, that the poet had only ...
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... arguments. In the first place, it should be mentioned that there are no less than fourteen adjacent sonnets in the Quarto with identical pairs of rhymes (I, II 'eyes'/'lies'; III, IV 'be'/'thee'; XVI, XVII 'rhyme'/'time'; XXXIII, XXXIV ...
... arguments. In the first place, it should be mentioned that there are no less than fourteen adjacent sonnets in the Quarto with identical pairs of rhymes (I, II 'eyes'/'lies'; III, IV 'be'/'thee'; XVI, XVII 'rhyme'/'time'; XXXIII, XXXIV ...
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... argument – including a numerological defence of the authenticity of 'A Lover's Complaint' – but we are concerned here only with the justification of the 1609 order. It may be added that the first seventeen sonnets – those concerned with ...
... argument – including a numerological defence of the authenticity of 'A Lover's Complaint' – but we are concerned here only with the justification of the 1609 order. It may be added that the first seventeen sonnets – those concerned with ...
Зміст
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV