Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. |
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... poet's punctuation or spelling has survived.13 One bibliographical fact has aroused controversy. Thirty-five words in the volume are printed in italics. 'Will' is italicised eleven times to call attention to the quibbles on ...
... poet's punctuation or spelling has survived.13 One bibliographical fact has aroused controversy. Thirty-five words in the volume are printed in italics. 'Will' is italicised eleven times to call attention to the quibbles on ...
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... poet's experience – that he loved and lusted – the order of events, the line, as Lady Bracknell said, is immaterial. However much we shuffle the pack, we have the same basic facts: that the poet loved a younger man, probably of ...
... poet's experience – that he loved and lusted – the order of events, the line, as Lady Bracknell said, is immaterial. However much we shuffle the pack, we have the same basic facts: that the poet loved a younger man, probably of ...
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... poets shared his friend's patronage and favour; that at some time the poet's dark-haired mistress seduced the friend; that the young man's character had serious faults, as the poet was reluctantly forced to acknowledge. Sonnet sequences ...
... poets shared his friend's patronage and favour; that at some time the poet's dark-haired mistress seduced the friend; that the young man's character had serious faults, as the poet was reluctantly forced to acknowledge. Sonnet sequences ...
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... poet's own confession, no sonnets were being written, there should be gaps; the remarkable thing is that so many of the sonnets as printed in 1609 are closely linked. The second defence of the Quarto order is numerological. Alastair ...
... poet's own confession, no sonnets were being written, there should be gaps; the remarkable thing is that so many of the sonnets as printed in 1609 are closely linked. The second defence of the Quarto order is numerological. Alastair ...
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... Poet's own De profundis, in which he laments his slavery to lust, is surely CXXIX, 'Th'expense of spirit in a waste of shame'. Professor Fowler suggests that Shakespeare may have used the links with the Psalms as an initial scaffolding ...
... Poet's own De profundis, in which he laments his slavery to lust, is surely CXXIX, 'Th'expense of spirit in a waste of shame'. Professor Fowler suggests that Shakespeare may have used the links with the Psalms as an initial scaffolding ...
Зміст
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV