Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... Hotson was right in thinking that they were addressed to William Hatcliffe, some at least of the Sonnets were written as early as 15881 ; if Southampton was the recipient, they must have been composed, for the most part, in the early ...
... Hotson was right in thinking that they were addressed to William Hatcliffe, some at least of the Sonnets were written as early as 15881 ; if Southampton was the recipient, they must have been composed, for the most part, in the early ...
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... (Hotson, it should be said, was not guilty of this error of method.) iv. A method which appears to be more promising is by the listing of parallels between the Sonnets and Shakespeare's other works. In the tables compiled by Isaac and ...
... (Hotson, it should be said, was not guilty of this error of method.) iv. A method which appears to be more promising is by the listing of parallels between the Sonnets and Shakespeare's other works. In the tables compiled by Isaac and ...
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... Hotson's theory that there were echoes of the first five Penitential Psalms in the corresponding sonnets.17 One would find this more convincing if there were echoes of the other two Penitential Psalms, and, indeed, if the suggested ...
... Hotson's theory that there were echoes of the first five Penitential Psalms in the corresponding sonnets.17 One would find this more convincing if there were echoes of the other two Penitential Psalms, and, indeed, if the suggested ...
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... Hotson believes that this sonnet was written in 1588 and that it refers to the destruction of the Spanish Armada. He quotes a number of contemporary descriptions of the crescent formation of the Armada ('a half moone', 'a Moone cressant ...
... Hotson believes that this sonnet was written in 1588 and that it refers to the destruction of the Spanish Armada. He quotes a number of contemporary descriptions of the crescent formation of the Armada ('a half moone', 'a Moone cressant ...
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... Hotson's dating of this sonnet; but it is certainly true that the corresponding psalm celebrates a series of unexpected deliverances from trouble and distress, with its repeated 'we cried unto the Lord in our trouble and he delivered us ...
... Hotson's dating of this sonnet; but it is certainly true that the corresponding psalm celebrates a series of unexpected deliverances from trouble and distress, with its repeated 'we cried unto the Lord in our trouble and he delivered us ...
Зміст
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV