The English Reader; Or Pieces in Prose and Poetry: Selected from the Best Writers ... with a Few Preliminary Observations on the Principles of Good ReadingHarder, 1836 - 250 стор. |
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Сторінка v
... VOICE ; DISTINCTNESS ; SLOWNESS ; PROPRIE TY OF PRONUNCIATION ; EMPHASIS ; TONES ; PAUSES ; and MODE OF READ- ING VERSE . SECTION I. Proper loudness of voice . The first attention of every person who reads to others , doubtless , must ...
... VOICE ; DISTINCTNESS ; SLOWNESS ; PROPRIE TY OF PRONUNCIATION ; EMPHASIS ; TONES ; PAUSES ; and MODE OF READ- ING VERSE . SECTION I. Proper loudness of voice . The first attention of every person who reads to others , doubtless , must ...
Сторінка vi
... voice . Every person has three pitches in his voice ; the HIGH , the MIDDLE , and the Low one . The high , is that which he uses in calling aloud to some person at a distance . The low is , when he approaches to a whisper . The middle ...
... voice . Every person has three pitches in his voice ; the HIGH , the MIDDLE , and the Low one . The high , is that which he uses in calling aloud to some person at a distance . The low is , when he approaches to a whisper . The middle ...
Сторінка vii
... voice will make it reach farther , than the strongest voice can reach without it . To this , therefore , every reader ought to pay great attention . He must give every sound which he utters , its due proportion ; and make every syllable ...
... voice will make it reach farther , than the strongest voice can reach without it . To this , therefore , every reader ought to pay great attention . He must give every sound which he utters , its due proportion ; and make every syllable ...
Сторінка viii
... voice , by which we distinguish some word or words , on which we design to lay par- ticular stress , and to show how they affect the rest of the sentence . Sometimes the emphatic words must be distinguished by a particular tone of voice ...
... voice , by which we distinguish some word or words , on which we design to lay par- ticular stress , and to show how they affect the rest of the sentence . Sometimes the emphatic words must be distinguished by a particular tone of voice ...
Сторінка x
... voice , which is perceived in uttering a sentence , and which , in its nature , is perfectly distinct from emphasis , and the tones of emotion and passion . The young reader should be careful to render his modulation correct and easy ...
... voice , which is perceived in uttering a sentence , and which , in its nature , is perfectly distinct from emphasis , and the tones of emotion and passion . The young reader should be careful to render his modulation correct and easy ...
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The English Reader, Or, Pieces in Prose and Poetry: Selected from the Best ... Lindley Murray Перегляд фрагмента - 1851 |
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affections Antiparos appear Archbishop of Cambray attention beauty behold BLAIR blessing Caius Verres character cheerful comfort creatures dark death delight Democritus Dioclesian distress divine dread earth enjoy enjoyment envy eternal ev'ry evil father fear feel folly fortune friendship give ground hand happiness hast Hazael heart heav'n Heraclitus honour hope human Jugurtha kind king labours live look Lord mankind mercy Micipsa midst mind misery Mount Etna nature nature's ness never night numbers Numidia o'er ourselves pain passions pause peace perfect person pleasing pleasure possession pow'r praise present pride prince proper Pythias racter reason reigns religion render rest rich rise scene SECTION sense shade shining Sicily smile sorrow soul sound spirit superiour sweet tears temper tempest tence thee things thought tion truth Tuning sweet twenty-third psalm vanity vice virtue virtuous voice wisdom wise words youth