The English Reader; Or Pieces in Prose and Poetry: Selected from the Best Writers ... with a Few Preliminary Observations on the Principles of Good ReadingHarder, 1836 - 250 стор. |
З цієї книги
Результати 1-5 із 39
Сторінка vi
... sound , with the key or note on which we speak . There is a variety of sound within the compass of each key . A speaker may therefore render his voice louder , without altering the key and we shall always be able to give most body ...
... sound , with the key or note on which we speak . There is a variety of sound within the compass of each key . A speaker may therefore render his voice louder , without altering the key and we shall always be able to give most body ...
Сторінка vii
... sound . The quantity of sound necessary to fill even a large space , is smaller than is commonly imagined ; and , with distinct articulation , a person with a weak voice will make it reach farther , than the strongest voice can reach ...
... sound . The quantity of sound necessary to fill even a large space , is smaller than is commonly imagined ; and , with distinct articulation , a person with a weak voice will make it reach farther , than the strongest voice can reach ...
Сторінка viii
... sound of voice , by which we distinguish some word or words , on which we design to lay par- ticular stress , and to show how they affect the rest of the sentence . Sometimes the emphatic words must be distinguished by a particular tone ...
... sound of voice , by which we distinguish some word or words , on which we design to lay par- ticular stress , and to show how they affect the rest of the sentence . Sometimes the emphatic words must be distinguished by a particular tone ...
Сторінка x
... sound judgment and correct taste . It will doubtless have different degrees of exertion , according to the greater or less degrees of importance of the words upon which it operates ; and there may be very properly soine vari- ety in the ...
... sound judgment and correct taste . It will doubtless have different degrees of exertion , according to the greater or less degrees of importance of the words upon which it operates ; and there may be very properly soine vari- ety in the ...
Сторінка xi
... sound which we employ , in the expression of our sentiments . Emphasis affects particular words and phrases , with a degree of tone or inflexion of voice ; but tones , peculiarly so called , affect sentences , paragraphs , and sometimes ...
... sound which we employ , in the expression of our sentiments . Emphasis affects particular words and phrases , with a degree of tone or inflexion of voice ; but tones , peculiarly so called , affect sentences , paragraphs , and sometimes ...
Зміст
175 | |
177 | |
179 | |
180 | |
182 | |
183 | |
184 | |
186 | |
150 | |
154 | |
157 | |
158 | |
161 | |
162 | |
164 | |
165 | |
166 | |
167 | |
170 | |
172 | |
174 | |
187 | |
189 | |
191 | |
192 | |
193 | |
194 | |
195 | |
196 | |
197 | |
198 | |
199 | |
252 | |
Інші видання - Показати все
The English Reader, Or, Pieces in Prose and Poetry: Selected from the Best ... Lindley Murray Перегляд фрагмента - 1851 |
Загальні терміни та фрази
affections Antiparos appear Archbishop of Cambray attention beauty behold BLAIR blessing Caius Verres character cheerful comfort creatures dark death delight Democritus Dioclesian distress divine dread earth enjoy enjoyment envy eternal ev'ry evil father fear feel folly fortune friendship give ground hand happiness hast Hazael heart heav'n Heraclitus honour hope human Jugurtha kind king labours live look Lord mankind mercy Micipsa midst mind misery Mount Etna nature nature's ness never night numbers Numidia o'er ourselves pain passions pause peace perfect person pleasing pleasure possession pow'r praise present pride prince proper Pythias racter reason reigns religion render rest rich rise scene SECTION sense shade shining Sicily smile sorrow soul sound spirit superiour sweet tears temper tempest tence thee things thought tion truth Tuning sweet twenty-third psalm vanity vice virtue virtuous voice wisdom wise words youth