The English Reader; Or Pieces in Prose and Poetry: Selected from the Best Writers ... with a Few Preliminary Observations on the Principles of Good ReadingHarder, 1836 - 250 стор. |
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Сторінка viii
... sometimes on the vowel , sometimes on the consonant . The genius of the language requires the voice to mark that syllable by a stronger percussion , and to pass more slightly over the rest . Now , after we have learned the proper seats ...
... sometimes on the vowel , sometimes on the consonant . The genius of the language requires the voice to mark that syllable by a stronger percussion , and to pass more slightly over the rest . Now , after we have learned the proper seats ...
Сторінка ix
... sometimes throw it upon words so very trifling in theinselves , that it is evidently done with no other view , than to give greater variety to the modulation . * Notwithstanding this diversity of practice , INTRODUCTION . ix An address ...
... sometimes throw it upon words so very trifling in theinselves , that it is evidently done with no other view , than to give greater variety to the modulation . * Notwithstanding this diversity of practice , INTRODUCTION . ix An address ...
Сторінка x
... sometimes more words together . The following senten- ces exemplify both the parts of this position : If you seek to make one rich , study not to increase his stores , but to diminish his desires . " " The Mexican figures , or picture ...
... sometimes more words together . The following senten- ces exemplify both the parts of this position : If you seek to make one rich , study not to increase his stores , but to diminish his desires . " " The Mexican figures , or picture ...
Сторінка xi
... sometimes even the whole of a discourse . To show the use and necessity of tones , we need only observe , that the mind , in communicating its ideas , is in a constant state of activity , emotion , or agitation , from the different ...
... sometimes even the whole of a discourse . To show the use and necessity of tones , we need only observe , that the mind , in communicating its ideas , is in a constant state of activity , emotion , or agitation , from the different ...
Сторінка xii
... Sometimes , before such a thing is said , we usher it in with a pause of this nature . Such pauses have the same effect as a strong emphasis ; and are sub- ject to the same rules ; especially to the caution , of not repeating them too ...
... Sometimes , before such a thing is said , we usher it in with a pause of this nature . Such pauses have the same effect as a strong emphasis ; and are sub- ject to the same rules ; especially to the caution , of not repeating them too ...
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The English Reader, Or, Pieces in Prose and Poetry: Selected from the Best ... Lindley Murray Перегляд фрагмента - 1851 |
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affections Antiparos appear Archbishop of Cambray attention beauty behold BLAIR blessing Caius Verres character cheerful comfort creatures dark death delight Democritus Dioclesian distress divine dread earth enjoy enjoyment envy eternal ev'ry evil father fear feel folly fortune friendship give ground hand happiness hast Hazael heart heav'n Heraclitus honour hope human Jugurtha kind king labours live look Lord mankind mercy Micipsa midst mind misery Mount Etna nature nature's ness never night numbers Numidia o'er ourselves pain passions pause peace perfect person pleasing pleasure possession pow'r praise present pride prince proper Pythias racter reason reigns religion render rest rich rise scene SECTION sense shade shining Sicily smile sorrow soul sound spirit superiour sweet tears temper tempest tence thee things thought tion truth Tuning sweet twenty-third psalm vanity vice virtue virtuous voice wisdom wise words youth