The English Reader; Or Pieces in Prose and Poetry: Selected from the Best Writers ... with a Few Preliminary Observations on the Principles of Good ReadingHarder, 1836 - 250 стор. |
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Сторінка vi
... common conversation , and which he should generally use in reading to others . For it is a great mistake , to imagine that one must take the highest pitch of his voice , in order to be well heard in a large company . This is confounding ...
... common conversation , and which he should generally use in reading to others . For it is a great mistake , to imagine that one must take the highest pitch of his voice , in order to be well heard in a large company . This is confounding ...
Сторінка vii
... common , and requires the more to be gaurded against , because , when it has grown into a habit , few er- rours are more difficult to be corrected . To pronounce with a proper degree of slowness , and with full and clear articulation ...
... common , and requires the more to be gaurded against , because , when it has grown into a habit , few er- rours are more difficult to be corrected . To pronounce with a proper degree of slowness , and with full and clear articulation ...
Сторінка viii
... common discourse . Many persons err in this respect . When they read to others , and with solemnity , they pronounce the syllables in a different manner from what they do at other times . They dwell upon them and protract them ; they ...
... common discourse . Many persons err in this respect . When they read to others , and with solemnity , they pronounce the syllables in a different manner from what they do at other times . They dwell upon them and protract them ; they ...
Сторінка ix
... common discourse ; and even sometimes throw it upon words so very trifling in theinselves , that it is evidently done with no other view , than to give greater variety to the modulation . * Notwithstanding this diversity of practice ...
... common discourse ; and even sometimes throw it upon words so very trifling in theinselves , that it is evidently done with no other view , than to give greater variety to the modulation . * Notwithstanding this diversity of practice ...
Сторінка xii
... common speech , but , in some degree , more faintly characterized . Let those tones which signify any disagreeable passion of the mind , be still more faint then those which indicate agreeable emotions ; and , on all occasions , pre ...
... common speech , but , in some degree , more faintly characterized . Let those tones which signify any disagreeable passion of the mind , be still more faint then those which indicate agreeable emotions ; and , on all occasions , pre ...
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The English Reader, Or, Pieces in Prose and Poetry: Selected from the Best ... Lindley Murray Перегляд фрагмента - 1851 |
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affections Antiparos appear Archbishop of Cambray attention beauty behold BLAIR blessing Caius Verres character cheerful comfort creatures dark death delight Democritus Dioclesian distress divine dread earth enjoy enjoyment envy eternal ev'ry evil father fear feel folly fortune friendship give ground hand happiness hast Hazael heart heav'n Heraclitus honour hope human Jugurtha kind king labours live look Lord mankind mercy Micipsa midst mind misery Mount Etna nature nature's ness never night numbers Numidia o'er ourselves pain passions pause peace perfect person pleasing pleasure possession pow'r praise present pride prince proper Pythias racter reason reigns religion render rest rich rise scene SECTION sense shade shining Sicily smile sorrow soul sound spirit superiour sweet tears temper tempest tence thee things thought tion truth Tuning sweet twenty-third psalm vanity vice virtue virtuous voice wisdom wise words youth