Romantic Revisions

Передня обкладинка
Robert Brinkley, Keith Hanley
Cambridge University Press, 22 жовт. 1992 р. - 368 стор.
This collection of essays responds to the recent radical overhaul in the editing of Romantic texts. Leading American and British editors of William and Dorothy Wordsworth, Coleridge, Byron, Percy and Mary Shelley, Leigh Hunt, Keats and Clare explain and illustrate the implications of their editorial methods for the ongoing process of revision (in texts and their reception) which they have reflected and helped to produce. The volume offers insights into the urgent debate over editorial practices and their theoretical bases, while uncovering the complex revisionary processes of creativity at the heart of Romantic writing.
 

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Introduction I
1
The Prelude and its peers
18
the question of text
43
the pedlars guilt in Wordsworths
64
history and imagination in The Prelude
87
Crossings out the problem of textual passage in The Prelude
103
Reflections on having edited Coleridges poems
136
Creative process and concealment in Coleridges poetry
154
Don Juan and the revisionary self
210
Shelleys manuscripts and the web of circumstance
227
writing Mont Blanc
243
the evolution of Leigh
268
Finding Mary Shelley in her letters
291
Keatss extempore effusions and the question of intentionality
307
Keatss two Hyperions and the problem of Milton
321
Revising Clare
339

pressures of composition
169
Byron and The truth in masquerade
191

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