The Technique of the Sublime in Gray and CollinsUniversity of Wisconsin--Madison, 1962 - 572 стор. |
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Сторінка 5
... infinite perspective . The shifting of man's perspective -- first from finite to infinite and then toward himself , viewed in terms of the infinite-- emphasizes his limitations . Such a realization of impotence momentarily injects man ...
... infinite perspective . The shifting of man's perspective -- first from finite to infinite and then toward himself , viewed in terms of the infinite-- emphasizes his limitations . Such a realization of impotence momentarily injects man ...
Сторінка 11
May Flewellen McMillan. when tragedy plays man against the infinite , it is to create pathos -- to show the tragic implications of man's finiteness . Then , too ... infinite is necessary to the sublime . Yet , in this simile Akenside 12.
May Flewellen McMillan. when tragedy plays man against the infinite , it is to create pathos -- to show the tragic implications of man's finiteness . Then , too ... infinite is necessary to the sublime . Yet , in this simile Akenside 12.
Сторінка 135
... infinite . It may be argued that contemplation enlarges man's view ; but Warton does not dilate this point . Neither does his ' queen sub- lime " make man yearn for the infinite . Instead she brings images which give pleasure to the ...
... infinite . It may be argued that contemplation enlarges man's view ; but Warton does not dilate this point . Neither does his ' queen sub- lime " make man yearn for the infinite . Instead she brings images which give pleasure to the ...
Загальні терміни та фрази
abstract action admiration aesthetic Akenside allegory appear associated attitude Bard beauty brings called century Collins Collins's concept considered created critics Death delight descriptive discussion divine Eclogues edition effect eighteenth eighteenth-century emotion empirical English essay example expression Fancy fear feel figure give Gray Gray's hand heaven human Ibid idea illustrated images imagination immensity infinite influence inspired Joseph kind language light lines literary lively Longinus look Lost man's manner meaning Milton mind moral move nature never notes o'er objects observed original passage passions pastoral personification pleasure poem poet poet's poetic poetry present produced qualities reader reflection says scene sense Shaftesbury Shakespeare soul sound Spenser spirit storm strong style sublime suggest taste terror thee theory things Thomas Thomson thou thought turn universe vast verse Warton wild writing