The Technique of the Sublime in Gray and CollinsUniversity of Wisconsin--Madison, 1962 - 572 стор. |
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Результати 1-3 із 88
Сторінка 11
... emotion , but the emotion is not engendered in us by the discussion . Hence , we are inclined to agree with Pro- fessor Havens who said of Akenside : " Instead of putting his readers in tune with the infinite he only gets them out of ...
... emotion , but the emotion is not engendered in us by the discussion . Hence , we are inclined to agree with Pro- fessor Havens who said of Akenside : " Instead of putting his readers in tune with the infinite he only gets them out of ...
Сторінка 38
... emotion , and thoughts of the artist . As the reader visualizes that which the artist has depicted , a process of identification takes place and the reader is caught up in the emotion and inspired by the thought . A result of this ...
... emotion , and thoughts of the artist . As the reader visualizes that which the artist has depicted , a process of identification takes place and the reader is caught up in the emotion and inspired by the thought . A result of this ...
Сторінка 48
... emotional response to the infinite . Sublimity to Shaftesbury obviously exists in the emotion and thought stirred by the vast and is a religious experience : his emphasis lies in the realm of the psychological aesthetics of the sublime ...
... emotional response to the infinite . Sublimity to Shaftesbury obviously exists in the emotion and thought stirred by the vast and is a religious experience : his emphasis lies in the realm of the psychological aesthetics of the sublime ...
Загальні терміни та фрази
abstract Addison admiration aesthetic Ainsworth Akenside Akenside's allegory antistrophe attitude Bard beauty Burke Collins's critics delight Dennis descriptive divine Eclogues edition effect eighteenth century Elegy emotion of sublimity empirical English English Poetry epode essay Eton College evoked expression Faerie Queene Fancy Fear genius give Gray and Collins Gray's heaven heroic Hurd Ibid idea imagery images imitation immensity impact infinite infinity influence inspired Joseph Warton Keats language literary Longinus man's Mark Akenside Milton mind moral Muse nature notes numbers o'er Odin Paradise Lost passage passions pastoral personification Pindaric Pity poem poet poet's poetic poetry present produce the sublime Progress of Poesy Prosopopoeia qualities reader reflection rhythm Robert Lynam scene Shaftesbury Shakespeare simplicity soul sound Spenser spirit storm strong taste technique terror thee theory Thomas Gray Thomas Warton Thomson thou thought thro tragedy vast verse weave Welsh wild words writing