The Technique of the Sublime in Gray and CollinsUniversity of Wisconsin--Madison, 1962 - 572 стор. |
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Сторінка 46
... beauty yields to that spiritual or mental beauty so necessary to the truly virtuous man who must reflect " inwardly the C harmony and order of the outside world . 1,19 46.
... beauty yields to that spiritual or mental beauty so necessary to the truly virtuous man who must reflect " inwardly the C harmony and order of the outside world . 1,19 46.
Сторінка 112
... beauty . Akenside , accepting both positions , sees Addison's classes as man - made distinctions which are helpful in understanding the infinite Beauty all represent . He uses each , which he separates with more exactness than Addison ...
... beauty . Akenside , accepting both positions , sees Addison's classes as man - made distinctions which are helpful in understanding the infinite Beauty all represent . He uses each , which he separates with more exactness than Addison ...
Сторінка 209
... beauty of the valley , and make its parts ( which are not large ) look poor and diminutive . While I was here , a ... beauty . The rest are in a sublimer style . 22 to the eye . Just as he used a Claude glass to frame a beautiful scene ...
... beauty of the valley , and make its parts ( which are not large ) look poor and diminutive . While I was here , a ... beauty . The rest are in a sublimer style . 22 to the eye . Just as he used a Claude glass to frame a beautiful scene ...
Загальні терміни та фрази
abstract Addison admiration aesthetic Ainsworth Akenside Akenside's allegory antistrophe attitude Bard beauty Burke Collins's critics delight Dennis descriptive divine Eclogues edition effect eighteenth century Elegy emotion of sublimity empirical English English Poetry epode essay Eton College evoked expression Faerie Queene Fancy Fear genius give Gray and Collins Gray's heaven heroic Hurd Ibid idea imagery images imitation immensity impact infinite infinity influence inspired Joseph Warton Keats language literary Longinus man's Mark Akenside Milton mind moral Muse nature notes numbers o'er Odin Paradise Lost passage passions pastoral personification Pindaric Pity poem poet poet's poetic poetry present produce the sublime Progress of Poesy Prosopopoeia qualities reader reflection rhythm Robert Lynam scene Shaftesbury Shakespeare simplicity soul sound Spenser spirit storm strong taste technique terror thee theory Thomas Gray Thomas Warton Thomson thou thought thro tragedy vast verse weave Welsh wild words writing