The Technique of the Sublime in Gray and CollinsUniversity of Wisconsin--Madison, 1962 - 572 стор. |
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Сторінка 16
... attitude of the poet's persona . Raphael's description of Satan's expulsion from heaven offers an example of the enveloping of scene and power within idea : Yet half his strength he put not forth , but check'd His Thunder in mid Volley ...
... attitude of the poet's persona . Raphael's description of Satan's expulsion from heaven offers an example of the enveloping of scene and power within idea : Yet half his strength he put not forth , but check'd His Thunder in mid Volley ...
Сторінка 19
... attitude toward his subject and of the language in which he writes , seems almost superfluous . If specific proof is needed , the se lines from the Invocation to the Muse of Book I , though an established classical technique , offer an ...
... attitude toward his subject and of the language in which he writes , seems almost superfluous . If specific proof is needed , the se lines from the Invocation to the Muse of Book I , though an established classical technique , offer an ...
Сторінка 55
... attitude toward nature ; both infer that sublimity lies in thought and religious emotion . But Shaftesbury , adhering to the Aristotelian and Horatian tradition of criticism , does not in his discussion of the sub- lime style attain the ...
... attitude toward nature ; both infer that sublimity lies in thought and religious emotion . But Shaftesbury , adhering to the Aristotelian and Horatian tradition of criticism , does not in his discussion of the sub- lime style attain the ...
Загальні терміни та фрази
abstract Addison admiration aesthetic Ainsworth Akenside Akenside's allegory antistrophe attitude Bard beauty Burke century critics delight Dennis descriptive divine Eclogues edition effect eighteenth eighteenth-century Elegy emotion of sublimity empirical English English Poetry epode essay Eton College evoked expression Faerie Queene Fancy fear genius give Gray and Collins Gray's heaven heroic Hurd Ibid idea imagery images imitation immensity impact infinite infinity influence inspired Joseph Warton Keats language literary Longinus man's Mark Akenside Milton mind moral Muse notes numbers o'er Odin Paradise Lost passage passions pastoral personification Pindaric Pity poem poet poet's poetic poetry present produce the sublime Progress of Poesy Prosopopoeia qualities reader reflection rhythm Robert Lynam scene Shaftesbury Shakespeare simplicity soul Spenser spirit stimulation storm strong taste technique terror thee theory Thomas Gray Thomas Warton Thomson thou thought thro tragedy vast verse weave Welsh wild words writing