The Technique of the Sublime in Gray and CollinsUniversity of Wisconsin--Madison, 1962 - 572 стор. |
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Сторінка 95
... allegory . It must be " original " and vivid ; it must excite the imagination of the sensitive reader . Though occasionally it might have a finite - infinite perspective , more often it was one - dimensional : for unlike Addison who ...
... allegory . It must be " original " and vivid ; it must excite the imagination of the sensitive reader . Though occasionally it might have a finite - infinite perspective , more often it was one - dimensional : for unlike Addison who ...
Сторінка 166
... allegorical elements and the allegorical , descriptive elements . 36 If Collins emphasizes invention and imagination , the descriptive image as well as the abstract one of personification or allegory in his odes , he also includes ...
... allegorical elements and the allegorical , descriptive elements . 36 If Collins emphasizes invention and imagination , the descriptive image as well as the abstract one of personification or allegory in his odes , he also includes ...
Сторінка 261
... allegorical personages . It is necessarily obscure to a certain degree ; because , having to do chiefly with ideas generated within the mind , it cannot be at all comprehended by any whose intellect has not been exercised in similar ...
... allegorical personages . It is necessarily obscure to a certain degree ; because , having to do chiefly with ideas generated within the mind , it cannot be at all comprehended by any whose intellect has not been exercised in similar ...
Загальні терміни та фрази
abstract action admiration aesthetic Akenside allegory appear associated attitude Bard beauty brings called century Collins Collins's concept considered created critics Death delight descriptive discussion divine Eclogues edition effect eighteenth eighteenth-century emotion empirical English essay example expression Fancy fear feel figure give Gray Gray's hand heaven human Ibid idea illustrated images imagination immensity infinite influence inspired Joseph kind language light lines literary lively Longinus look Lost man's manner meaning Milton mind moral move nature never notes o'er objects observed original passage passions pastoral personification pleasure poem poet poet's poetic poetry present produced qualities reader reflection says scene sense Shaftesbury Shakespeare soul sound Spenser spirit storm strong style sublime suggest taste terror thee theory things Thomas Thomson thou thought turn universe vast verse Warton wild writing