The Romantic Imagination: Literature and Art in England and GermanyFrederick Burwick, Jürgen Klein Rodopi, 1996 - 454 стор. |
З цієї книги
Результати 1-5 із 60
Сторінка 3
... seen as antece- dent to the Dada and Surrealist movements of the twentieth century . Its combinatorial presumptions legitimate experimental techniques like those of collage , montage , and " ready - made ” art . Although the play theory ...
... seen as antece- dent to the Dada and Surrealist movements of the twentieth century . Its combinatorial presumptions legitimate experimental techniques like those of collage , montage , and " ready - made ” art . Although the play theory ...
Сторінка 10
... Venus , the Dying Gladiator , and the Belvedere Apollo . Byron " explicitly eroticizes " his account of Venus and Apollo . Both are seen as realizing desire : Apollo is the fulfillment of " a dream of Love , / 10 Introduction.
... Venus , the Dying Gladiator , and the Belvedere Apollo . Byron " explicitly eroticizes " his account of Venus and Apollo . Both are seen as realizing desire : Apollo is the fulfillment of " a dream of Love , / 10 Introduction.
Сторінка 26
... seen as one fundamental expression of the human inclina- tion to discover the secrets of the universe , to know the principles of nature similar to the astronomer's curiosity , which is shared in other fields , by the musician as well ...
... seen as one fundamental expression of the human inclina- tion to discover the secrets of the universe , to know the principles of nature similar to the astronomer's curiosity , which is shared in other fields , by the musician as well ...
Сторінка 32
... seen as an aesthetic quality . " An aesthetic theory on the functional form will meet its origin in geometrical dynamics . Aesthetic forms cannot be derived from natural laws or from metaphysical dogmas , but they are the result of ...
... seen as an aesthetic quality . " An aesthetic theory on the functional form will meet its origin in geometrical dynamics . Aesthetic forms cannot be derived from natural laws or from metaphysical dogmas , but they are the result of ...
Сторінка 38
... seen , though more obscure than when we see it . And this is it , the Latines call imagination , from the image made in seeing ; [ ... ] the Greeks call it Fancy ; which signifies apparence , and is as proper to one sense , as to ...
... seen , though more obscure than when we see it . And this is it , the Latines call imagination , from the image made in seeing ; [ ... ] the Greeks call it Fancy ; which signifies apparence , and is as proper to one sense , as to ...
Зміст
14 | |
19 | |
63 | |
HORST MELLER | 76 |
GABRIELE ROMMEL | 95 |
FREDERICK BURWICK | 125 |
ROSWITHA BURWICK | 156 |
HOTCHKISS | 177 |
LILIAN R FURST | 269 |
JAMES A W HEFFERNAN | 289 |
GRANT F SCOTT | 315 |
BARBARA MARIA STAFFORD | 335 |
GERALD FINLEY | 357 |
The Contemplative Mode | 377 |
KARL KROEBER | 398 |
JÖRG TRAEGER | 413 |
Інші видання - Показати все
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Попередній перегляд недоступний - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Попередній перегляд недоступний - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Попередній перегляд недоступний - 1996 |
Загальні терміни та фрази
Achim von Arnim aesthetic Arnim artistic Beaumont beautiful becomes Blake Blake's Book of Job Byron Coleridge colour concept Constable Constable's creation creative criticism dark Dedham Vale depicted divine eighteenth century ekphrasis essay eternal experience faculty Fall of Hyperion figure frame Friedrich Friedrich Schlegel function garden Goethe Goethe's Herzensergießungen human ideal ideas illustration imagination inspiration J.M.W. Turner Job's John John Keats Josef Haslinger Kant Keats Keats's Kunst landscape language Laocoon letter light literary literature London Mary Shelley mediating Medusa metaphor metaphysical mind myth nature Neoplatonic Newton Novalis object original painter painting perception philosophy picture Picturesque plate poem Poesie poet poetic poetry principle Proclus produced reality reflection representation Romantic Romanticism Satan scene Schelling Schlegel sculpture sense Shelley Shelley's spirit studies style sublime symbolic theory things thought tion tradition Turner viewer vision visual Wackenroder William wisdom words Wordsworth
Популярні уривки
Сторінка 291 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low — And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower ; and now The arena swims aronnd him — he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
Сторінка 224 - Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
Сторінка 208 - I am the daughter of earth and water, And the nursling of the sky; I pass through the pores of the ocean and shores ; I change, but I cannot die. For after the rain when, with never a stain, The pavilion of heaven is bare, And the winds and sunbeams with their convex gleams, Build up the blue dome of air, I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.
Сторінка 226 - I was often unable to think of external things as having external existence, and I communed with all that I saw as something not apart from, but inherent in, my own immaterial nature. Many times while going to school have I grasped at a wall or tree to recall myself from this abyss of idealism to the reality.
Сторінка 24 - Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Сторінка 26 - The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which could devour any kind of experience.
Сторінка 208 - That Light whose smile kindles the Universe, That Beauty in which all things work and move, That Benediction which the eclipsing Curse Of birth can quench not, that sustaining Love Which through the web of being blindly wove By man and beast and earth and air and sea, Burns bright or dim, as each are mirrors of The fire for which all thirst; now beams on me Consuming the last clouds of cold mortality.
Сторінка 143 - LORD, all his works in all places of his dominion : bless the LORD, O my soul. PSALM CIV. "DLESS the LORD, O my soul. O LORD *~* my God, thou art very great ; thou art clothed with honour and majesty : Who coverest thyself with light as with a garment : who stretchest out the heavens like a curtain : Who layeth the beams of his chambers in the waters : who maketh the clouds his chariot : who walketh upon the wings of the wind...
Сторінка 140 - Canst thou lift up thy voice to the clouds, That abundance of waters may cover thee? Canst thou send lightnings, that they may go, And say unto thee, Here we are?
Сторінка 137 - And they sing the song of Moses the servant of God, and the song of the Lamb, saying, Great and marvellous are thy works, Lord God Almighty; just and true are thy ways, thou King of saints.
Посилання на книгу
Romanticism and Visuality: Fragments, History, Spectacle Sophie Thomas Попередній перегляд недоступний - 2008 |