The Romantic Imagination: Literature and Art in England and Germany

according action aesthetic already appears Arnim artistic beautiful becomes beginning Blake Book called century colour completely concept continued created creation creative criticism dark death described divine effect English existence experience expression fact figure finally force frame Friedrich function gives Goethe hand human ideas illustration imagination important individual interest John knowledge landscape language later lead less letter light literary literature London material means mind nature notes Novalis object observed opening original painting philosophy picture Picturesque plate poem poet poetic poetry position possible present principle produced provides reality reason reference reflection representation represents Romantic scene seems seen sense Shelley spirit studies sublime suggests symbolic theory things thought tion tradition turn Turner understanding universe vision visual whole Wordsworth writing