The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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... seems to confirm that literature - both yesterday's literature and today's has a real and not merely a nominal existence among a large number of people ; and its main aim has been to help validate as firmly as possible this feeling for ...
... seems to confirm that literature - both yesterday's literature and today's has a real and not merely a nominal existence among a large number of people ; and its main aim has been to help validate as firmly as possible this feeling for ...
Сторінка 255
... seems continuous with our own . Things , places , actions , people assume an independent density and vigour ; every particular seems alive ; and the whole seems at once self sub- sistent and yet everywhere animated by the same protean ...
... seems continuous with our own . Things , places , actions , people assume an independent density and vigour ; every particular seems alive ; and the whole seems at once self sub- sistent and yet everywhere animated by the same protean ...
Сторінка 259
... seems to be the reaction of a mind made insecure , even anxious , by its very capacities . In beating down ' pride ' he seems to be beating down an uneasy ( and never quite acknowledged ) sense of the restlessly active , various ...
... seems to be the reaction of a mind made insecure , even anxious , by its very capacities . In beating down ' pride ' he seems to be beating down an uneasy ( and never quite acknowledged ) sense of the restlessly active , various ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
Авторські права | |
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Загальні терміни та фрази
achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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