The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Сторінка 53
... nature , and facing always new problems which compel the continual evolution of idea . Basically , the critical injunction which gained the widest , indeed almost universal , acceptance was the call to ' follow Nature ' . This call the ...
... nature , and facing always new problems which compel the continual evolution of idea . Basically , the critical injunction which gained the widest , indeed almost universal , acceptance was the call to ' follow Nature ' . This call the ...
Сторінка 54
... Nature , and in accordance with it Rymer claimed that poetry should express the ' constant order , harmony , and beauty of Providence ' and Dennis desired the arts to ' restore the decays that happened to human nature by the Fall , by ...
... Nature , and in accordance with it Rymer claimed that poetry should express the ' constant order , harmony , and beauty of Providence ' and Dennis desired the arts to ' restore the decays that happened to human nature by the Fall , by ...
Сторінка 343
... nature and art : nature is still the antithesis of the artfulness of the courtier and the man of affairs ; but she is now ' nature methodiz'd ' , or perhaps ' nature taught art ' – either the useful rural arts of the ploughman and ...
... nature and art : nature is still the antithesis of the artfulness of the courtier and the man of affairs ; but she is now ' nature methodiz'd ' , or perhaps ' nature taught art ' – either the useful rural arts of the ploughman and ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
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Загальні терміни та фрази
achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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