The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Сторінка 166
... language and a sense of the need both to reform it and fix it . If the language could not be rendered stable , then modern poets would in their turn become as hard to read as was Chaucer with his then obsolete English , which justified ...
... language and a sense of the need both to reform it and fix it . If the language could not be rendered stable , then modern poets would in their turn become as hard to read as was Chaucer with his then obsolete English , which justified ...
Сторінка 168
... language in their various kinds , with the conversation of people of fashion , that speak well and without affectation . The most correct writers that I know are Sir William Temple , Dr Sprat , and Dr Tillotson for prose , and Mr Waller ...
... language in their various kinds , with the conversation of people of fashion , that speak well and without affectation . The most correct writers that I know are Sir William Temple , Dr Sprat , and Dr Tillotson for prose , and Mr Waller ...
Сторінка 171
... language . This suffix had , from the earliest stages of the language , been of the greatest use , and Elizabethans had used such words as paly and steepy , but with the Augustans the use and coinage of such adjectives became monoton ...
... language . This suffix had , from the earliest stages of the language , been of the greatest use , and Elizabethans had used such words as paly and steepy , but with the Augustans the use and coinage of such adjectives became monoton ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
Авторські права | |
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achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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