The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Сторінка 157
... experienced reporter , without illusions , he revealed their effects on human behaviour and mental habits with unthinking fidelity . Not that Defoe was unaware of the symbolic quality of Crusoe's experience . In the preface to the ...
... experienced reporter , without illusions , he revealed their effects on human behaviour and mental habits with unthinking fidelity . Not that Defoe was unaware of the symbolic quality of Crusoe's experience . In the preface to the ...
Сторінка 318
... experience and the experience of life . In Amelia ( 1751 ) Fielding turns from the Epic ( or Romance ) strategies of developed plotting , pursuits , voyages , encounters to a more enclosed , intimate narrative . Or , more exactly , he ...
... experience and the experience of life . In Amelia ( 1751 ) Fielding turns from the Epic ( or Romance ) strategies of developed plotting , pursuits , voyages , encounters to a more enclosed , intimate narrative . Or , more exactly , he ...
Сторінка 355
... experience ; and it is in the successful communication of the experience that the value of the poem lies . Grongar Hill is , indeed , a very personal poem . Its weakness , as well as its strength , rests in this - that one is ...
... experience ; and it is in the successful communication of the experience that the value of the poem lies . Grongar Hill is , indeed , a very personal poem . Its weakness , as well as its strength , rests in this - that one is ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
Авторські права | |
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Загальні терміни та фрази
achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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