The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Сторінка 313
... Fielding's play , Pasquin , is no play ; it consists of the presentation of two non - plays ; it is nothing itself and its theme is the nothing that drama now is . It is energized by the vacuum at its centre . If it is , according to ...
... Fielding's play , Pasquin , is no play ; it consists of the presentation of two non - plays ; it is nothing itself and its theme is the nothing that drama now is . It is energized by the vacuum at its centre . If it is , according to ...
Сторінка 486
... Fielding and the Nature of the Novel ( Cambridge , Mass . , 1968 ) M. C. Battestin , The Moral Basis of Fielding's Art : A Study of Joseph Andrews ' ( Middletown , Conn . , 1959 ) M. C. Battestin ( ed . ) Twentieth - Century ...
... Fielding and the Nature of the Novel ( Cambridge , Mass . , 1968 ) M. C. Battestin , The Moral Basis of Fielding's Art : A Study of Joseph Andrews ' ( Middletown , Conn . , 1959 ) M. C. Battestin ( ed . ) Twentieth - Century ...
Сторінка 487
... Fielding : A Collection of Critical Essays ( Englewood Cliffs , 1962 ) R. Paulson and T. Lockwood ( eds ) Henry Fielding : The Critical Heritage ( London , 1969 ) C. J. Rawson , Henry Fielding ( London , 1968 ) C. J. Rawson , Henry Fielding ...
... Fielding : A Collection of Critical Essays ( Englewood Cliffs , 1962 ) R. Paulson and T. Lockwood ( eds ) Henry Fielding : The Critical Heritage ( London , 1969 ) C. J. Rawson , Henry Fielding ( London , 1968 ) C. J. Rawson , Henry Fielding ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
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Загальні терміни та фрази
achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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