The New Pelican Guide to English Literature: From Dryden to JohnsonBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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... Augustan style of exemplary clarity , and a confidence that in any context the words mean what at first sight they appear to mean . This is not precisely to say that the Augustan grasp of verbal meanings is supremely accurate ; no ...
... Augustan style of exemplary clarity , and a confidence that in any context the words mean what at first sight they appear to mean . This is not precisely to say that the Augustan grasp of verbal meanings is supremely accurate ; no ...
Сторінка 361
... Augustan and classical . His classicism , however , is not Chesterfield's rigid subservience to ' the modes ' ; it is of a kind in which it is possible to be familiar and at ease because not entirely dependent on external standards ...
... Augustan and classical . His classicism , however , is not Chesterfield's rigid subservience to ' the modes ' ; it is of a kind in which it is possible to be familiar and at ease because not entirely dependent on external standards ...
Сторінка 465
... Augustan Ideas of Madness ( San Marino , 1974 ) Dobrée , B. English Literature in the Early Eighteenth Century , 1700-1740 ( Oxford History of English Literature , vii , Oxford , 1959 ) Ehrenpreis , I. Literary Meaning and Augustan ...
... Augustan Ideas of Madness ( San Marino , 1974 ) Dobrée , B. English Literature in the Early Eighteenth Century , 1700-1740 ( Oxford History of English Literature , vii , Oxford , 1959 ) Ehrenpreis , I. Literary Meaning and Augustan ...
Зміст
BORIS FORD | 7 |
ARTHUR HUMPHREYS | 15 |
ARTHUR HUMPHREYS | 53 |
Авторські права | |
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Загальні терміни та фрази
achievement Addison appeared Augustan called Cambridge character classical clear comedy common concern contemporary course criticism Defoe drama Dryden early effect Eighteenth Century Elizabethan England English Essays example experience expression fact feeling Fielding gives History human ideas imagination important interest Italy John Johnson kind language later less letters lines literary literature live London manner matter means mind moral nature never novel observation original Oxford passage perhaps period philosophy play poem poet poetry political Pope Pope's present prose reader reason reflection remarkable Restoration satire scene seems sense Shakespeare social society Studies style Swift taste things thought tradition true truth University verse virtue vols whole writing written wrote York
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