Petrarch's Canzoniere in the English RenaissanceRodopi, 2005 - 196 стор. Seven centuries after the birth of Petrarch (1304-74) the nature and extent of his influence loom ever larger in the study of renaissance literature. In this revised and expanded edition of Petrarch's Canzoniere in the English Renaissance Anthony Mortimer presents a unique anthology of 136 English poems together with the specific Italian texts that they translate, adapt or exploit. The result, with its revealing juxtapositions of major and minor figures, makes fascinating reading for anyone who wants to get beyond broad generalizations about Petrarchism and see exactly what English poets made of Petrarch's celebrated sequence. Reviewing the first edition, Professor Brian Vickers wrote: An ideal text-book for university courses in English or Comparative Literature. The critical introduction is a fresh, independent and accurate survey of the role of Petrarchism in the English Renaissance ... our literary history is being rewritten, more accurately. |
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Результати 1-5 із 11
Сторінка 7
... imitated and exploited. Wyatt is, of course, the largest contributor to the volume and it might be asked whether it was really necessary to include poems that are so readily available in recent editions of his work. But the story of the ...
... imitated and exploited. Wyatt is, of course, the largest contributor to the volume and it might be asked whether it was really necessary to include poems that are so readily available in recent editions of his work. But the story of the ...
Сторінка 11
... imitating its rhetorical structure of paradox and antithesis. Since this is a European phenomenon, we should not exaggerate the influence of the Canticus. 1 Patricia Thomson, Sir Thomas Wyatt and His Background (London, 1964), pp.158-59 ...
... imitating its rhetorical structure of paradox and antithesis. Since this is a European phenomenon, we should not exaggerate the influence of the Canticus. 1 Patricia Thomson, Sir Thomas Wyatt and His Background (London, 1964), pp.158-59 ...
Сторінка 15
... imitating very naturally and studiously their master Francis Petrarcha ' . But this is very misleading , for Wyatt and Surrey are not equal partners in the Petrarchan enterprise . Not only is Wyatt first in the field by at least a ...
... imitating very naturally and studiously their master Francis Petrarcha ' . But this is very misleading , for Wyatt and Surrey are not equal partners in the Petrarchan enterprise . Not only is Wyatt first in the field by at least a ...
Сторінка 16
... imitating with his epanalepsis ('Love-love'); Wyatt's 'For good is the life, ending faithfully' resists these formal seductions in order to reinforce the idea of feudal loyalty. With its firm iambic pentameter, full masculine rhymes and ...
... imitating with his epanalepsis ('Love-love'); Wyatt's 'For good is the life, ending faithfully' resists these formal seductions in order to reinforce the idea of feudal loyalty. With its firm iambic pentameter, full masculine rhymes and ...
Сторінка 21
... imitate the ' lofty quatorzain ' , but the English poems follow a pattern of three sestets rhyming ababcc , ' the number which he hath determined to use in every one of these his Passions'.16 The result , inevitably , is dilution and ...
... imitate the ' lofty quatorzain ' , but the English poems follow a pattern of three sestets rhyming ababcc , ' the number which he hath determined to use in every one of these his Passions'.16 The result , inevitably , is dilution and ...
Зміст
7 | |
9 | |
29 | |
General Bibliography | 169 |
Glossary | 179 |
Index of Authors | 183 |
Index of Italian First Lines | 187 |
Index of English First Lines | 191 |
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Petrarch's Canzoniere in the English Renaissance Francesco Petrarca Попередній перегляд недоступний - 2005 |
Petrarch's Canzoniere in the English Renaissance Francesco Petrarca Попередній перегляд недоступний - 2005 |
Загальні терміни та фрази
Amor Astrophil and Stella beauty begli occhi behold burn canzone Canzoniere ch'a ch'i ch'io Chaucer ché ciel Constable cruel d'Amor death desio desire disdain dissi dolce dolci donna Donne doth Drummond eyes fair fear fire flame fortune Francesco Petrarca Francis Davison Gabriel Harvey Gianfranco Contini grace gran grief Harington hath heart heaven Hekatompathia hope imitate Introduction Italian lady Laura Leonard Forster live London mezzo mind mistress mondo morte never Nicholas Yonge night notte ogni Oxford pain Park-Hill Petrarch Petrarchan translation Phoenix Nest piaggia plaint pleasant poem poet Poetical Rhapsody Poetry quatrain Renaissance rhyme Samuel Daniel sempre sestet Shakespeare Sidney sighs Sir Thomas Wyatt Sonnet Sequences sonnets 136 sorrow sospiri Spenser stanza stars stato Surrey sweet tears tempo terra thee Thomas Howell thou thought tutto University Press unto vita viva Watson wounds