A History of the Earth and Animated Nature, Vol. 2 (Classic Reprint)

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FB&C Limited, 3 лип. 2016 р. - 674 стор.
Excerpt from A History of the Earth and Animated Nature, Vol. 2

In all birds, except nocturnal ones, the head is smaller, and bears less proportion to the body than in quadrupeds, that it may more readily divide the air in flying, and make way for the body, so as to render its passage more easy. Their eyes also are more flat and depressed than in quadrupeds a circle of small plates of bone, placed scalewise, under the outer coat of the organ, encompasses the pupil on each, to strengthen and defend it from injuries. Besides this, birds have a kind of skin, called the nictitating membrane, with which, like a vail, they can at pleasure cover their eyes, though their eye-lids continue open. This membrane takes its rise from the greater or more obtuse corner of the eye, and serves to wipe, cleanse, and probably to mois ten its surface. The eyes, though they out wardly appear but small, yet, separately, each almost equals the brain whereas in man the brain is more than twenty times larger than the orbit of the eye. Nor is this organ in birds less adapted for vision by a particular expansion of the optic nerve, which renders the impressions of external objects more vivid and distinct.

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Про автора (2016)

As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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