Coleridge and Textual Instability: The Multiple Versions of the Major PoemsOxford University Press, 12 трав. 1994 р. - 272 стор. Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works. |
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Сторінка 8
... printer of 1796. Because E. H. Coleridge wrongly added " First Draft " to the heading of the seventeen lines in his transcription in CPW , 2 : 1021 , Gutteridge not only takes this version to be Coleridge's original draft but asserts ...
... printer of 1796. Because E. H. Coleridge wrongly added " First Draft " to the heading of the seventeen lines in his transcription in CPW , 2 : 1021 , Gutteridge not only takes this version to be Coleridge's original draft but asserts ...
Сторінка 9
... printers . Working solely with the latest texts in this way , we run the risk of misunder- standing or even being entirely unaware of Coleridge's changes of interest and emphasis in subject matter , idea , and theme . We customarily ...
... printers . Working solely with the latest texts in this way , we run the risk of misunder- standing or even being entirely unaware of Coleridge's changes of interest and emphasis in subject matter , idea , and theme . We customarily ...
Сторінка 11
... a series of thirty - six " effusions " - " Effusion XXXV . / Composed August 20th , 1795 , at Clevedon , Somersetshire . ” Coleridge began copying these poems for the printer as early THE CURRENT STATE OF COLERIDGE'S POETIC TEXTS 11.
... a series of thirty - six " effusions " - " Effusion XXXV . / Composed August 20th , 1795 , at Clevedon , Somersetshire . ” Coleridge began copying these poems for the printer as early THE CURRENT STATE OF COLERIDGE'S POETIC TEXTS 11.
Сторінка 12
... printer as early as the end of July 1795 , writing them out , in a " copy book " provided by Cottle , in installments calculated according to the length of each printed sheet . Thus for the end of the sixth sheet of poems , signature G ...
... printer as early as the end of July 1795 , writing them out , in a " copy book " provided by Cottle , in installments calculated according to the length of each printed sheet . Thus for the end of the sixth sheet of poems , signature G ...
Сторінка 15
... printer , who , as before , was Nathaniel Biggs . The Ancient Mariner , which was generally disliked and ridiculed by the reviewers of the first edition , was moved from the beginning of the book to a less prominent position toward the ...
... printer , who , as before , was Nathaniel Biggs . The Ancient Mariner , which was generally disliked and ridiculed by the reviewers of the first edition , was moved from the beginning of the book to a less prominent position toward the ...
Зміст
3 | |
2 The Multiple Versions | 26 |
3 Coleridge as Reviser | 100 |
4 A Practical Theory of Versions | 118 |
Notes | 237 |
Index | 251 |
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems Jack Stillinger Обмежений попередній перегляд - 1994 |
Загальні терміни та фрази
Ancient Mariner annotated copies Annual Anthology authorial intention beginning Biographia Literaria Blank Verse breeze canceled Charles Lamb Christabel Cole Coleridge's Coleridge's poems copies of 1817 corrected Cottle Dejection deleted Dorothy Wordsworth Dove Cottage draft earlier edition Eolian Harp errata essay extant eyes final text Frost at Midnight Geraldine Grasmere Harvard holograph interlined interpretation Keats Keats's Kubla Khan lady Lamb later letter Lime-Tree Bower lines literary Lyrical Ballads major poems manuscript Mariner's mind multiple versions paragraph division passage poet Poetical poetry printed text printer proofs prose published readers readings revisions S. T. Coleridge Samuel Taylor Coleridge Sara separate versions Shillingsburg ship Sibylline Leaves Sir Leoline soul Southey speaker spirit stanza substantive sweet Textual Criticism thee theory things thou Tintern Abbey transcript unique unity University Press variants verse Version 9 volume William Wordsworth words Wordsworth written wrote
Популярні уривки
Сторінка 185 - The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines...
Сторінка 170 - The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on ; and so did I.
Сторінка 185 - On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock...
Сторінка 181 - I saw a third — I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood.
Сторінка 162 - And I had done a hellish thing. And it would work 'em woe: For all averred. I had killed the bird That made the breeze to blow.
Сторінка 171 - I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky. Lay like a load on my weary eye, And the dead were at my feet.
Сторінка 187 - But oh ! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover ! A savage place ! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover...
Сторінка 162 - It perched for vespers nine ; Whiles all the night, through fog-smoke white, Glimmered the white Moon-shine." " God save thee, ancient Mariner ! From the fiends, that plague thee thus ! — Why look'st thou so ? " — " With my cross-bow I shot the ALBATROSS.
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