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" Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such... "
The Marble Faun: Or, the Romance of Monte Beni - Сторінка 157
автори: Nathaniel Hawthorne - 1860 - 288 стор.
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Transformation: or, The romance of Monte Beni, Том 1;Том 575

Nathaniel Hawthorne - 1860 - 302 стор.
...said Miriam, " show me the new statue which you asked me hither to see." CHAPTER XIV. CLEOPATRA. " MT new statue !" said Kenyon, who had positively forgotten...draped in their own beauty. But as for Mr. Gibson's coloured Venuses (stained, I believe, with tobacco-juice), and all other nudities of today, I really...
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Transformation: or, The romance of Monte Beni, Том 1;Том 572

Nathaniel Hawthorne - 1860 - 302 стор.
...hither to see." CHAPTER XIV. CLEOPATRA. •" MT new statue !" said Kenyon, who had positively fcrgotten it in the thought of Hilda ; " here it is under this...draped in their own beauty. But as for Mr. Gibson's coloured Venuses (stained, I believe, with tobacco-juice), and all other nudities of today, I really...
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Transformation: Or, The Romance of Monte Beni

Nathaniel Hawthorne - 1861 - 424 стор.
...some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologise for a lack of decent clothing. I am weary, even more...draped in their own beauty. But as for Mr. Gibson's coloured Venuses (stained, I believe, with tobacco-juice), and all other nudities of to-day, I really...
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Complete Writings: The marble faun; or, The romance of Monte Beni

Nathaniel Hawthorne - 1900 - 350 стор.
...and shy divinity. "And now," said Miriam, "show me the statue which you asked me hither to see." 167 CHAPTER XIV CLEOPATRA MY new statue ! " said Kenyon,...draped in their own beauty. But as for Mr. Gibson's 168 colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really...
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Nathaniel Hawthorne: Collected Novels (LOA #10): The Scarlet Letter / The ...

Nathaniel Hawthorne - 1983 - 1308 стор.
...statue, which you asked me hither to see." XIV Cleopatra My NEW STATUE!" said Kenyon, who had positive!}' р 0 } 2 coloured Venuses, (stained, I believe, with tobacco-juice,) and all other nudities of to-day, I really...
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Nathaniel Hawthorne: The Contemporary Reviews

John L. Idol, Buford Jones - 1994 - 568 стор.
...some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologise for a lack of decent clothing. I am weary, even more...draped in their own beauty. But as for Mr. Gibson's coloured Venuses (stained, I believe, with tobacco- juice), and all other nudities of to-day, I really...
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Italians

Luigi Barzini - 1996 - 388 стор.
...human being in existence. An artist, therefore, cannot sculpture nudity with a pure heart, if only he is compelled to steal guilty glimpses at hired...inevitably loses its chastity under such circumstances.' CHAPTER THREE THE FATAL CHARM OF ITALY WHAT THEN is this fatal spell of Italy? Sometimes it seems almost...
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Hawthorne's the Marble Faun: A Re-Appraisal

Richard E. Mezo - 1999 - 125 стор.
...and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. . . . Nowadays people are as good as born in their clothes,...inevitably loses its chastity under such circumstances." (VI, 149) This speech does not seem so much prudery as a call for honesty. Miriam recognizes that nothing...
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The Cambridge Companion to Nathaniel Hawthorne

Richard H. Millington - 2004 - 314 стор.
...concerning the voyeurism of art that is picked up as well in Miriam's statement that "an artist . . . cannot sculpture nudity with a pure heart, if only...compelled to steal guilty glimpses at hired models" [iv: 11l)),to Miriam's more directly flirtatious, seductive, request to see his ears, or, rather, his...
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The Cambridge Introduction to Nathaniel Hawthorne

Leland S. Person - 2007 - 128 стор.
...commentary on nudity in sculpture. "Nowa-days people are as good as born in their clothes," she says, "and there is practically not a nude human being in...inevitably loses its chastity under such circumstances" (4: 123). A variation on the erotic-aesthetic concern for the sculptor's "hot" touch, this anxiety...
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