REYNOLDS, SIR J.-Discourses on the Fine Arts, delivered to the Students of the Royal Academy. Royal 8vo. Edinburgh, 1840. The Discourses of Sir Joshua Reynolds, illustrated by Explanatory Notes and Plates, by John Burnet. 4to. London, 1843. RICHARDSON, J.-The Works of Jonathan Richardson, containing, 1. The Theory of Painting; 2. Essay on the Art of Criticism; 3. The Science of a Connoisseur. A new edition, corrected; with the addition of an Essay on the Knowledge of Prints, and Cautions to Collectors. 4to. London, 1792. RICHTER, H.-Daylight; a recent Discovery in the Art of Painting; with Hints on the Philosophy of the Fine Arts, and on that of the Human Mind, as first dissected by Emanuel Kant. Royal 8vo. London, 1817. ROBERT, C.-Essai d'une Philosophie de l'Art. 1836. 8vo. Paris, Ross, W.-Laöcoon; or the Limits of Poetry and Painting; from the SAGETTI, J.-Essai sur l'Art Chrétien, son Principe, ses Développements, sa Renaissance. 12mo. Paris, 1853. SCHELLING, F. W. J. VON.-On the Relation of the Formative Arts to Uber das Verhältniss der Bildenden Künste zu der Natur. SCHIMMELPENNINCK, M. A.-Theory on the Classification of Beauty and Deformity, and their correspondence with Physiognomic Expression, exemplified in various works of Art and Natural Objects, and illustrated with four general Charts and thirty-eight Copper 4to. London, 1815. Plates. SEMPER, G.-Science, Industry, and Art; Propositions in order to the Incitement of a National Art-feeling. Wissenchaft, Industrie und Kunst; Vorschläge zur anregung nationalen Kunst gefühles. Bei dem Schlusse der Londoner industrie-ausstellung, von G. Semper. 8vo. ph. London, 1851. STUBBES, G.--A_Dialogue on Beauty, in the manner of Plato. TASTE.-Clio, or a Discourse on Taste. Addressed to a young Lady. (By Usher.) 12mo. London, 1767. TASTE. Letters concerning Taste. The Third Edition. To which is added Essays on similar and other subjects. By the Author of the Life of Socrates. 8vo. London, 1757. THOMSON, W.-An Inquiry into the Elementary Principles of Beauty in the Works of Nature and Art; to which is prefixed an Introductory Discourse on Taste. 4to. London, 1798. TWINING, H.-On the Philosophy of Painting: A Theoretical and Practical Treatise, comprising Esthetics in reference to Art, the application of Rules to Painting, and general Considerations on Perspective. Royal 8vo. London, 1849. On the Elements of Picturesque Scenery, considered with reference to Landscape Painting. Royal 8vo. London, 1846. Svo. 2 vols. VISCHER, Dr. F. T.-Aesthetic, or the Theory of the Beautiful. WALKER, A.-Beauty: illustrated chiefly by an Analysis and Classification of Beauty in Woman. Preceded by a critical View of the general Hypothesis respecting Beauty, by Hume, Hogarth, Burke, Knight, Alison, &c., and followed by a similar View of the Hypothesis of Beauty in Sculpture and Painting, by Leonardo da Vinci, Winckelmann, Mengs, Bossi, &c. Illustrated by Drawings from Life by Henry Howard. 2nd edition, 8vo. London, 1844. WINCKELMANN, ABBÉ.-Reflections on the Painting and Sculpture of the Greeks; with Instructions for the Connoisseur, and an Essay on Grace in Works of Art. From the German of the Abbé Winckelmann, by Henry Fuseli, A.M. 8vo. London, 1765. WORNUM, R. N.-The Exhibition as a Lesson in Taste. Prize Essay. (Art Journal Catalogue of the Great Exhibition, 1851.) London, 1851. The Epochs of Painting characterized. 4to. 12mo. London, 1847. YOUNG, REV. E.-Art, its Constitution and Capacities, popularly considered. 8vo. ph. Bristol, 1854. E 4.-ART-HISTORY. ARUNDEL SOCIETY.-Publications of. BROMLEY, REV. R. A.-A Philosophical and Critical History of the London, 1795. CLARAC, LE COMTE DE.-Manuel de l'Histoire d'Art chez les Anciens. 3 vols. 8vo. Paris, 1847-49. CLEGHORN, G.-Ancient and Modern Art, Historical and Critical. DALLAWAY, REV. J.-Anecdotes of the Arts in England, or Comparative 3 vols. 8vo. London, 1851. DESEINE.-Notices historiques sur les Anciennes Académies Royales de Peinture, Sculpture de Paris, et celle d'Architecture. &c. 8vo. Paris, 1814. DUSSIEUX, L.-Essai sur l'Histoire de la Peinture sur Email. 8vo. Paris, 1839. EBERLEIN, G.-German Works of Art of the Middle Ages. Deutsche Kunstwerke aus dem Mittelalter. 1st part. Folio. Stuttgart, 1850. ELMES, J.-Arts and Artists, or Anecdotes and Relics of the Schools of Painting, Sculpture, and Architecture. 3 vols. 12mo. London, 1825. FELIBIEN ET LOBINEAU.-Histoire de la Ville de Paris, justifiée par des preuves autentiques, et enrichie de Plans, de Figures, et d'une Carte topographique. 5 vols. folio. Paris, 1725. E GREEKS AND ROMANS.-A Treatise on the Arts, Manufactures, Manners, Denkmäler der Kunst, zur Uebersicht ihres entwickelungs-ganges Stuttgart, 1851. HOARE, PRINCE.-Epochs of the Arts, including Hints on the Use and Progress of Painting and Sculpture in Great Britain. 8vo. 2 vols. 8vo. Lon HUSENBETH, REV. F. C.-Emblems of Saints, by which they are distinguished in Works of Art. 12mo. London, 1850. ITALY, SPAIN, AND PORTUGAL, with an Excursion to the Monasteries of Alcobaça and Batalha, by the Author of "Vathek." tion, 2 vols. 8vo. London, 1839. JAMESON, MRS.-Sacred and Legendary Art. don, 1848. New edi 2 vols. 8vo. Lon Legends of the Monastic Orders, as represented in the Fine Arts. 8vo. London, 1850. Legends of the Madonna, as represented in the Fine Arts. 8vo. London, 1852. LINDSAY, LORD.-Sketches of the History of Christian Art. 3 vols. 8vo. London, 1847. MEMES, J. S.-History of Sculpture, Painting, and Architecture. 12mo. Edinburgh, 1829. MENZEL, DR. C. A.-Works of Art, from Antiquity to our Time. MEYER, H.-History of the Formative Arts among the Greeks, &c. MILTON, H.-Letters on the Fine Arts, written from Paris, in the year MÜLLER, C. O.-Ancient Art and its Remains; or, a Manual of the 8vo. Müller, Dr.-Munich, ou Aperçu de l'Histoire des Beaux Arts en Allemagne, et surtout en Bavière. 12mo. Munich, 1844. MULVANY, G. F.-Thoughts and Facts concerning the Fine Arts in Ireland, and Schools of Design. 8vo. Dublin, 1847. MURPHY, J. C.-The Arabian Antiquities of Spain; representing in 100 engravings the principal Remains of the Architecture, Sculpture, Paintings, and Mosaics of the Spanish Arabs. From drawings made on the spot. Large folio. London, 1816. PAINTING.-Letters from a Young Painter abroad to his Friends in 2nd edition, 2 vols. 8vo. London, 1750. England. RUMOHR, C. F., VON.-Italian Researches. Italienische Forschungen (Chiefly on the Early History of Painting in Italy.) 3 vols. in 2, 8vo. Berlin, 1827. SCIENCE AND ART OF BELGIUM.-Messager des Sciences et des Arts de la Belgique, ou nouvelles archives historiques, littéraires, et scientifiques. Recueil publié par MM. F. de Reiffenberg, E. Jaequemyns, C. P. Serrure, A. Van Lokeren, A. Voisin, et L. A. Warnkoenig. 4 vols. 8vo. Gand, 1833-36. SILLIG, J.-Dictionary of the Artists of Antiquity, Architects, Carvers, Engravers, Modellers, Painters, Sculptors, Statuaries, and Workers in Bronze, Gold, Ivory, and Silver; with Three Chronological Tables. Translated from the Latin original by the Rev. H. W. Williams; to which are added C. Plinii Secundi Naturalis Historiæ, libri xxxiv.xxxvi. c. 1-5, comprising a History of the Fine Arts. With four indexes and a preface, by E. H. Barker. 8vo. London, 1836. SMITH, J. T.-Antiquities of Westminster; the Old Palace, St. Stephen's WINCKELMANN, J.-The History of Ancient Art among the Greeks. 1850. WINCKELMANN, Gro.-History of Ancient Art. Storia delle Arti del Disegno presso gli Antichi, di Giovanni Winckelmann Tradotta dal Tedesco e in questa Edizione corretta e aumentata dall' Abate Carlo Fea, Giureconsulto. 4to. Roma, 1783. WINCKELMANN.-Lettres familieres de M. Winckelmann. Œuvres de M. le Chevalier Mengs. 1784. 3 vols. 3 vols. 12mo. Avec les WORNUM, R. N.-The Epochs of Painting characterized; a Sketch of the History of Painting, Ancient and Modern, showing its gradual and various development from the earliest ages to the present time. 12mo. London, 1847. |