E 2.-ART-PRACTICE. BACHHOFFNER, G. H.-Chemistry as applied to the Fine Arts. BURNET, J.-Practical Essays on various Branches of the Fine Arts. To which is added a Critical Inquiry into the Principles and Practice of the late Sir David Wilkie. 8vo. London, 1848. CHEVREUL, E.-The Principles of Harmony and Contrast of Colour, and their applications to the Arts, including Painting, Interior Decoration, Tapestries, Carpets, Mosaics, Coloured Glazing, Paper Staining, Calico Printing, Letter-press Printing, Map Colouring, Dress, Landscape and Flower Gardening, &c. By M. E. Chevreul. Translated from the French by Charles Martel. Post 8vo. London, 1854. DAGUERRE, L. L. M.-History and Practice of Photogenic Drawing on the true Principles of the Daguerreotype, with the new Method of Dioramic Painting. Translated from the original by J. S. Memes. 8vo. London, 1839. DELAMOTTE, P. H.-The Practice of Photography: a Manual for Students and Amateurs. Illustrated with a Calotype Portrait taken by the Collodion process. Post 8vo. London, 1853. EASTLAKE, Sir C. L., P.R.A. Materials for a History of Oil Painting, 8vo. London, 1847. FLETCHER, S.-A Treatise on the Art of Enamel Painting on Porcelain Der Tüncher, verbunden mit dem Stuccator, Zimmermaler, und De- HENDRIE, R.-An Essay upon various Arts, in three books. By Theophilus, called also Rugerus, Priest and Monk, forming an Encyclopædia of Christian Art of the eleventh Century. 8vo. London, 1847. Two Letters to an Amateur, or young Artist, on Pictorial Colour and Effect, and the means of producing them. 8vo. London, 1842. HULLMANDEL, C.-The Art of Drawing on Stone, giving a full explanation of the various styles, the different methods to be employed to ensure success, the modes of correcting, and the several causes of failure. 8vo. London, 1835. KRAUSS AND MALTÉ.-Manual for Lithographers and Lithographic Handbuch für Lithographen und Steindrucker. With 3 plates, LINTON, W.-Ancient and Modern Colours, from the earliest periods to the present time, with their Chemical and Artistical Properties. 8vo. London, 1852. MERRIFIELD, MRS.-A Treatise on Painting, written by Cennino Cennini in the year 1437; containing Practical Directions for Painting in Fresco, Secco, Oil, and Distemper; with the Art of Gilding and Illuminating Manuscripts adopted by the old Italian Masters. Translated by Mrs. Merrifield, with an introductory Preface, copious Notes, and Illustrations in Outline from celebrated pictures. London, 1844. 8vo. Original Treatises, dating from the twelfth to the eighteenth centuries on the Arts of Painting in Oil, Miniature, Mosaic, and on Glass, of Gilding, Dyeing, and of the Preparation of Colours and artificial_Gems; preceded by a general Introduction, with Translations, Prefaces, and Notes. 2 vols. 8vo. London, 1849. MEMES, J. S. History and Practice of Photogenic Drawing on the true Principles of the Dauguerreotype, with the new Method of Dioramic Painting. Published by order of the French Government, by the inventor L. J. Daguerre; translated from the original by J. S. Memes. 8vo. London, 1839. MONTAMY, D'ARCLAIS DE.-' -Traité des Couleurs pour la Peinture en Email et sur la Porcelaine; précédé de l'Art de Peindre sur l'Email. 12mo. Paris, 1765. E 3.-ART-TASTE-THEORY, &c. ADDISON, J.-Essays on Taste, and the Pleasures of the Imagination. 8vo. Edinburgh, 1817. BARRY, J., R.A.-A Letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of Public Taste, and for accomplishing the original views of the Royal Academy of Great Britain. With an Appendix respecting the matters lately agitated between the Academy and the Professor of Painting. 2nd edition, 8vo. London 1799. BARRY, J.-An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England. 8vo. London, 1775. BURKE, RIGHT HON. E.-A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful; with an Introductory Discourse concerning Taste, &c. 2nd edition, 8vo. London, 1787. Another edition, 12mo. London, 1842. BUTLER, G.-Principles of Imitative Art. Four Lectures delivered before the Oxford Art Society during Lent Term, 1852. London, 1852. Post 8vo. CARTER, J.-Two Lectures on Taste, read before the Philosophical Society of Colchester in the Years 1825 and 1827. Colchester, 1834. Chevreul, E.-Simultaneous Contrast of Colours. 12mo. 8vo. De la Loi du Contraste simultané des Couleurs et de l'Assortiment CHROMATICS, or an Essay on the Analogy and Harmony of Colours. 4to. London, 1817. CLIO; or, a Discourse on Taste, addressed to a young Lady. 8vo. London, 1747. similar and other subjects. Post COOPER.-Letters concerning Taste; to which are added Essays on 3rd edition, 8vo. n. p. 1757. 8vo. Paris, 1853. COUSIN, V.-Du Vrai, du Beau, et du Bien. CRAIG, W. M.-A Course of Lectures on Drawing, Painting, and Engraving. 8vo. London, 1821. CRUM, W.-An experimental Inquiry into the Number and Properties of the primary Colours, and the Source of Colour in the Prism. 8vo. London, 1830. D'AZARA, CHEV. DON J. N.-The Works of Anthony Raphael Mengs, DU PILES.-The Principles of Painting, in which is contained an Account Cours de Peinture par Principes. 3 vols., 12mo. 1708. 8vo. Paris, The Art of Painting, with the Lives and Characters_of_above 300 of the most eminent Painters, &c., translated from the French of M. Du Piles. 2nd edition, 8vo. London, 1744. DURSCH, DR. G. M.-Esthetic of Christian Formative Art during the Middle Ages. Aesthetik der Christlichen Bildenden Kunst des Mittelalters in DYCE, W.-Theory of the Fine Arts. An Introductory Lecture delivered in the Classical Theatre of King's College, London, May 24, 1844. 8vo. London, 1844. 8vo. EASTLAKE, SIR C. L., P.R.A.-Goethe's Theory of Colours, translated from the German, with Notes by Charles Lock Eastlakė. London, 1840. Contributions to the Literature of the Fine Arts, by Charles Lock Eastlake. 8vo. London, 1848. EDWARDS, E.-The Fine Arts in England; their State and Prospects considered relatively to National Education. 8vo. London, 1840. EVANS, REV. G. W. D.-The Classic and Connoisseur in Italy and Sicily, with an appendix containing an abridged translation of Lanzi's Storia Pittorica. 3 vols. 8vo. London, 1835. EXHIBITION OF 1851.-Report on Design, prepared as a Supplement to the Report of the Jury of Class 30. of the Exhibition of 1851, at the desire of Her Majesty's Commissioners, by Richard Redgrave, Esq., R.A. Reprinted from the Official Edition. Royal 8vo. London, 1852. Lectures on the Results of the Great Exhibition, 1851, delivered before the Society of Arts, Manufactures, and Commerce, at the suggestion of H. R. H. Prince Albert. London, 2 vols. 8vo. FALCONET, E.-Euvres d'Etienne Falconet, statuaire, contenant plu-) sieurs écrits relatifs aux Beaux-Arts, dont quelques-uns ont déja paru, mais fautifs: d'autres sont nouveaux. 6 vols. 8vo. Lausanne, 1781. FERGUSSON, J.-An Historical Inquiry into the true Principles of Beauty in Art, more especially with reference to Architecture. Part I., 4to. London, 1849. GERARD, A.-An Essay on Taste, with three Dissertations on the same subject, by MM. De Voltaire, D'Alembert, and De Montesqueiu. 8vo. London, 1759. GIOBERTI, V.—Essai sur le Beau, ou Elémens de Philosophie esthétique, par Vincent Gioberti; traduit de l'Italien par Joseph Bertinatti. Royal 8vo. Brussels, 1843. GUIZOT.-The Fine Arts, their Nature and Relations. Translated, with the assistance of the author, by George Grove. With illustrations drawn on wood by George Scharf, jun. 8vo. London, 1853. HAY, D. R.—The Laws of Harmonious Colouring, adapted to interior decoration, manufactures, and other useful purposes. 4th edition, 8vo. London, 1838. The Laws of Harmonious Colouring, adapted to interior decora tion, with Observations on the practice of House Painting. 6th edition, 12mo. London, 1847. The Natural Principles of Beauty, as developed in the Human Figure. 8vo. London, 1852. Proportion, or the Geometric Principles of Beauty analysed. 4to. London, 1853. The Principles of Beauty in Colouring systematized. London, 1845. Ditto, 2d edition. 8vo. London, 1849. 8vo. The Natural Principles and Analogy of the Harmony of Form. 4to. London, 1842. The First Principles of Symmetrical Beauty. Post 8vo. HAZLITT, W.-Criticisms on Art; and Sketches of the Picture Galleries of England. With Catalogues of the principal Galleries, now first collected. Edited by his Son. 2 vols. 12mo. 1843-44. London, [The Galleries noticed are:-The Fitzwilliam, at Cambridge; at HEGEL, W. F.-Cours d'Esthétique. Analysé et traduit en partie par HINCKLEY.-The Theory of Effect, embracing the Contrast of Light and HOARE, PRINCE.-An Inquiry into the requisite Cultivation and present 8vo. London, 1806. HOGARTH.-The Analysis of Beauty, written with a view of fixing the fluctuating Ideas of Taste. A new edition, printed verbatim from the original work, the paging of which is here retained. London, 1810. Royal 8vo. INMAN, W. S.-An Essay on Symbolic Colours in Antiquity, the Middle Ages, and Modern Times. From the French of Le Baron Frédéric de Portal; with notes. In three sections, with illustrative engravings. 4to. London, 1845. JACOB, H.-Of the Sister Arts; an Essay. Svo. London, 1734. JONES, OWEN. An Attempt to define the Principles which should regulate the Employment of Colour in the Decorative Arts. With a few words on the Necessity for an Architectural Education on the part of the Public. Read before the Society of Arts, April 28, 1852. 8vo. ph. London, 1852. KNIGHT, R. P.-An Analytical Inquiry into the Principles of Taste. 2nd LEIGH, P.-The Music of the Eye; or, Essays on the Principles of the MACVICAR, REV. J. G.-On the Beautiful, the Picturesque, the Sublime. MAZURE, P. A.-Philosophie des Arts du Dessin. 1838. 8vo. Paris, M'DERMOT, M.- A critical Dissertation on the Nature and Principles of Taste. 8vo. London, 1823. MENGS, A. R.-Euvres de M. Mengs, Premier Peintre du Roi d'Espagne, &c. 12mo. 1782. MERRIFIELD, MRS.-Essay on the Harmony and Contrast of Colours, as exemplified in the Exhibition. (In Art Journal Illustrated Catalogue of the Exhibition.) London, 1851. PAINTING AND SCULPTURE.-A Letter to his Excellency Count on Poetry, Painting, and Sculpture; in which the question, whether Allegories ought to be admitted in Painting and Sculpture, is considered. 2nd edition, 12mo. London, 1771. PLOTINUS.-An Essay on the Beautiful. From the Greek of Plotinus. 8vo. London, 1792. PRICE, SIR U.-Essays on the Picturesque, as compared with the Sublime and the Beautiful; and on the Use of Studying Pictures, for the purpose of improving real Landscape. 3 vols., royal 8vo. London, 1810. On the Picturesque; with an Essay on the Origin of Taste, and much original matter, by Sir Thomas Dick Lauder, Bart., and 60 illustrations, designed and drawn on wood, by Montague Stanley. Royal 8vo. Edinburgh, 1842. |