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E 2.-ART-PRACTICE.

BACHHOFFNER, G. H.-Chemistry as applied to the Fine Arts.
Royal 8vo. London, 1837.

BURNET, J.-Practical Essays on various Branches of the Fine Arts. To which is added a Critical Inquiry into the Principles and Practice of the late Sir David Wilkie. 8vo. London, 1848. CHEVREUL, E.-The Principles of Harmony and Contrast of Colour, and their applications to the Arts, including Painting, Interior Decoration, Tapestries, Carpets, Mosaics, Coloured Glazing, Paper Staining, Calico Printing, Letter-press Printing, Map Colouring, Dress, Landscape and Flower Gardening, &c. By M. E. Chevreul. Translated from the French by Charles Martel. Post 8vo. London, 1854. DAGUERRE, L, L. M.-History and Practice of Photogenic Drawing on the true Principles of the Daguerreotype, with the new Method of Dioramic Painting. Translated from the original by J. S. Memes. 8vo. London, 1839.

DELAMOTTE, P. H.-The Practice of Photography: a Manual for Students and Amateurs. Illustrated with a Calotype Portrait taken by the Collodion process. Post 8vo. London, 1853. EASTLAKE, Sir C. L., P.R.A. Materials for a History of Oil Painting, 8vo. London, 1847.

FLETCHER, S.-A Treatise on the Art of Enamel Painting on Porcelain
Metals, Glass, and Potters' Wares, &c. 8vo. London, n. d.
HAY, D. R.-A Nomenclature of Colours applicable to the Arts and
Natural Sciences to Manufactures and other Purposes of general
utility. 2nd edition, improved.
8vo. London, 1846.
HEIDELOFF, C.-The Colour-washer, Plasterer, &c., for Polytechnic
Institutions and Trade Schools. With an Appendix on the Prepara-
tion of Chalk and Mortar. By Fr. Panzer.

Der Tüncher, verbunden mit dem Stuccator, Zimmermaler, und De-
corateur, &c. für Polytechnischer Anstalten und gewerbsschulen.
Nebst einem anhange über hydraulishen Kalk anwendbar für
Tüncher. One number, uncoloured.
Oblong folio.
Nürnberg, 1834.

HENDRIE, R.-An Essay upon various Arts, in three books. By Theo-
philus, called also Rugerus, Priest and Monk, forming an Encyclo-
pædia of Christian Art of the eleventh Century.
8vo. London,
1847.

Two Letters to an Amateur, or young Artist, on Pictorial Colour and Effect, and the means of producing them. 8vo. London, 1842. HULLMANDEL, C.-The Art of Drawing on Stone, giving a full explanation of the various styles, the different methods to be employed to ensure success, the modes of correcting, and the several causes of failure.. 8vo. London, 1835.

KRAUSS AND MALTE.-Manual for Lithographers and Lithographic Printers.

Handbuch für Lithographen und Steindrucker.

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With 3 plates,

LINTON, W.-Ancient and Modern Colours, from the earliest periods to the present time, with their Chemical and Artistical Properties.

8vo. London, 1852.

MERRIFIELD, MRS.-A Treatise on Painting, written by Cennino Cennini in the year 1437; containing Practical Directions for Painting in Fresco, Secco, Oil, and Distemper; with the Art of Gilding and Illuminating Manuscripts adopted by the old Italian Masters. Translated by Mrs. Merrifield, with an introductory Preface, copious Notes, and Illustrations in Outline from celebrated pictures. London, 1844.

8vo.

Original Treatises, dating from the twelfth to the eighteenth centuries on the Arts of Painting in Oil, Miniature, Mosaic, and on Glass, of Gilding, Dyeing, and of the Preparation of Colours and artificial Gems; preceded by a general Introduction, with Translations, Prefaces, and Notes. 2 vols. 8vo. London, 1849. MEMES, J. S.-History and Practice of Photogenic Drawing on the true Principles of the Dauguerreotype, with the new Method of Dioramic Painting. Published by order of the French Government, by the inventor L. J. Daguerre; translated from the original by J. S. Memes. 8vo. London, 1839.

MONTAMY, D'ARCLAIS DE.-Traité des Couleurs pour la Peinture en Email et sur la Porcelaine; précédé de l'Art de Peindre sur l'Email. 12mo. Paris, 1765.

E 3.-ART-TASTE-THEORY, &c.

ADDISON, J.-Essays on Taste, and the Pleasures of the Imagination.
From the Spectator. Small 8vo. London, 1834.
ALISON, A.-Essays on the Nature and Principles of Taste.

8vo.

Edinburgh, 1817. BARRY, J., R.A.-A Letter to the Dilettanti Society, respecting the obtention of certain matters essentially necessary for the improvement of Public Taste, and for accomplishing the original views of the Royal Academy of Great Britain. With an Appendix respecting the matters lately agitated between the Academy and the Professor of Painting. 2nd edition, 8vo. London 1799. BARRY, J.-An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England. 8vo. London, 1775. BURKE, RIGHT HON. E.-A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful; with an Introductory Discourse concerning Taste, &c. 2nd edition, 8vo. London, 1787.

Another edition, 12mo. London, 1842.

Post 8vo.

BUTLER, G.-Principles of Imitative Art. Four Lectures delivered before the Oxford Art Society during Lent Term, 1852. London, 1852.

CARTER, J.-Two Lectures on Taste, read before the Philosophical Society of Colchester in the Years 1825 and 1827.

Colchester, 1834.

CHEVREUL, E.-Simultaneous Contrast of Colours.

12mo.

De la Loi du Contraste simultané des Couleurs et de l'Assortiment des Objets colorés, considéré d'après cette Loi, &c.

Atlas, 4to. Paris, 1839.

8vo.

CHROMATICS, or an Essay on the Analogy and Harmony of Colours.

4to. London, 1817.

CLIO; or, a Discourse on Taste, addressed to a young Lady.

8vo. London, 1747.

similar and other subjects.

Post

COOPER.-Letters concerning Taste; to which are added Essays on

3rd edition, 8vo.

n. p. 1757.

Svo.

Paris, 1853.

COUSIN, V.-Du Vrai, du Beau, et du Bien.

CRAIG, W. M.-A Course of Lectures on Drawing, Painting, and Engraving. 8vo. London, 1821.

CRUM, W.-An experimental Inquiry into the Number and Properties of the primary Colours, and the Source of Colour in the Prism.

8vo. London, 1830.

D'AZARA, CHEV. DON J. N.-The Works of Anthony Raphael Mengs,
First Painter to his Catholic Majesty Charles III. Translated from the
Italian. 2 vols., 8vo. London, 1796.
DE QUINCY, Q.-Essai sur l'Idéal dans ses Application pratiques aux
Œuvres de l'Imitation propre des Arts du Dessin. 8vo. Paris, 1837.
Essay on the Nature, the End, and the Means of Imitation
in the Fine Arts. Translated by J. C. Kent. 8vo. London,
1837.

DU PILES.-The Principles of Painting, in which is contained an Account
of the Athenian, Roman, Venetian, and Flemish Schools.
London, 1743.

Cours de Peinture par Principes. 3 vols., 12mo.

1708.

2nd edition, 8vo.

8vo.

Paris,

The Art of Painting, with the Lives and Characters of above 300 of the most eminent Painters, &c., translated from the French of M. Du Piles. London, 1744. Dursch, Dr. G. M.-Esthetic of Christian Formative Art during the Middle Ages.

Aesthetik der Christlichen Bildenden Kunst des Mittelalters in
Deutschland, &c. 8vo. Tübingen, 1854.

DYCE, W.-Theory of the Fine Arts. An Introductory Lecture delivered in the Classical Theatre of King's College, London, May 24, 1844. 8vo. London, 1844.

8vo.

EASTLAKE, SIR C. L., P.R.A.-Goethe's Theory of Colours, translated from the German, with Notes by Charles Lock Eastlakė. London, 1840.

Contributions to the Literature of the Fine Arts, by Charles Lock Eastlake. 8vo. London, 1848.

EDWARDS, E.-The Fine Arts in England; their State and Prospects
considered relatively to National Education.
8vo. London,
1840.

EVANS, REV. G. W. D.-The Classic and Connoisseur in Italy and
Sicily, with an appendix containing an abridged translation of Lanzi's
Storia Pittorica.
3 vols. 8vo. London, 1835.

EXHIBITION OF 1851.-Report on Design, prepared as a Supplement to the Report of the Jury of Class 30. of the Exhibition of 1851, at the desire of Her Majesty's Commissioners, by Richard Redgrave, Esq., R.A. Reprinted from the Official Edition. Royal 8vo. London, 1852.

Lectures on the Results of the Great Exhibition, 1851, delivered before the Society of Arts, Manufactures, and Commerce, at the suggestion of H. R. H. Prince Albert.

1853.

2 vols. 8vo. London,

FALCONET, E.-Euvres d'Etienne Falconet, statuaire, contenant plu-) sieurs écrits relatifs aux Beaux-Arts, dont quelques-uns ont déja paru, mais fautifs: d'autres sont nouveaux. 6 vols. 8vo. Lausanne, 1781.

FERGUSSON, J.-An Historical Inquiry into the true Principles of Beauty in Art, more especially with reference to Architecture.

4to. London, 1849.

Part I.,

GERARD, A.-An Essay on Taste, with three Dissertations on the same subject, by MM. De Voltaire, D'Alembert, and De Montesqueiu. 8vo. London, 1759.

GIOBERTI, V.-Essai sur le Beau, ou Elémens de Philosophie esthétique, par Vincent Gioberti; traduit de l'Italien par Joseph Bertinatti. Royal 8vo. Brussels, 1843.

GUIZOT.-The Fine Arts, their Nature and Relations.

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Translated, with

the assistance of the author, by George Grove. With illustrations drawn on wood by George Scharf, jun. 8vo. London, 1853.

HAY, D. R.—The Laws of Harmonious Colouring, adapted to interior decoration, manufactures, and other useful purposes. 4th edition, 8vo.

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London, 1838.

6th

The Laws of Harmonious Colouring, adapted to interior decora tion, with Observations on the practice of House Painting. edition, 12mo.

London, 1847.

The Natural Principles of Beauty, as developed in the Human Figure. 8vo. London, 1852.

Proportion, or the Geometric Principles of Beauty analysed.

4to. London, 1853.

The Principles of Beauty in Colouring systematized.

London, 1845.

Ditto, 2d edition.

8vo. London, 1849.

8vo.

The Natural Principles and Analogy of the Harmony of Form.

4to. London, 1842.

The First Principles of Symmetrical Beauty.
London, 1846.

Post 8vo.

HAZLITT, W.--Criticisms on Art; and Sketches of the Picture Galleries of England. With Catalogues of the principal Galleries, now first collected. Edited by his Son. 2 vols. 12mo. 1843-44.

London,

[The Galleries noticed are:- -The Fitzwilliam, at Cambridge; at Stafford House, London; Lansdowne House, and Bowood, Wilts; Lord Ashburton's; the Bridgewater; the Knole, in Kent; Apsley House; Sir R. Peel's, at Whitehall; Mr. Samuel Rogers's; Soane Museum; the National Gallery; the Dulwich Gallery; the Hampton Court Collection; the Pictures at Windsor Castle; the Grosvenor Collection; the Pictures at Wilton; at Stourhead; at Burleigh; at Blenheim; and in the Bodleian Library, Oxford.]

HEGEL, W. F.-Cours d'Esthétique. Analysé et traduit en partie par M. Ch. Bénard. 2 vols. in 1, 8vo. Paris, 1840-43.

HINCKLEY.-The Theory of Effect, embracing the Contrast of Light and Shade, of Colour and Harmony, &c. 8vo. Philadelphia, 1851.

HOARE, PRINCE.-An Inquiry into the requisite Cultivation and present State of the Arts of Design in England.

8vo. London, 1806.

HOGARTH.-The Analysis of Beauty, written with a view of fixing the fluctuating Ideas of Taste. A new edition, printed verbatim from the original work, the paging of which is here retained.

London, 1810.

Royal 8vo. INMAN, W. S.-An Essay on Symbolic Colours in Antiquity, the Middle Ages, and Modern Times. From the French of Le Baron Frédéric de Portal; with notes. In three sections, with illustrative engravings. 4to. London, 1845. JACOB, H.-Of the Sister Arts; an Essay. JONES, OWEN.-An Attempt to define the Principles which should regulate the Employment of Colour in the Decorative Arts. With a few words on the Necessity for an Architectural Education on the part of the Public. Read before the Society of Arts, April 28, 1852. 8vo. ph. London, 1852.

8vo. London, 1734.

KNIGHT, R. P.-An Analytical Inquiry into the Principles of Taste. 2nd
edition, royal 8vo. London, 1805.
LAUDER, SIR T. D.-Sir Uvedale Price on the Picturesque, with an
Essay on the Origin of Taste, and much original Matter, and Sixty
Illustrations designed and drawn on Wood, by Montague Stanley.
Royal 8vo. Edinburgh, 1842.

LEIGH, P.-The Music of the Eye; or, Essays on the Principles of the Beauty and Perfection of Architecture, as founded on and deduced from Reason and Analogy, and adapted to what may be traced of the Ancient Theories of Taste, in the Three First Chapters of Vitruvius, written with a view to restore Architecture to the Dignity it had in Ancient Greece. Royal 8vo. London, 1831.

MACKENZIE, SIR G. S.-An Essay on some Subjects connected with Taste. 8vo. Edinburgh, 1817.

MACVICAR, REV. J. G.-On the Beautiful, the Picturesque, the Sublime. Royal 8vo. London, 1837.

MAZURE, P. A.-Philosophie des Arts du Dessin.

1838.

8vo. Paris,

M'DERMOT, M.—A critical Dissertation on the Nature and Principles of Taste.

8vo. London, 1823.

MENGS, A. R.-Euvres de M. Mengs, Premier Peintre du Roi d'Espagne, &c.

12mo. 1782.

MERRIFIELD, MRS.-Essay on the Harmony and Contrast of Colours, as exemplified in the Exhibition. (In Art Journal Illustrated Catalogue of the Exhibition.) London, 1851.

PAINTING AND SCULPTURE.-A Letter to his Excellency Count on Poetry, Painting, and Sculpture; in which the question, whether Allegories ought to be admitted in Painting and Sculpture, is considered. 2nd edition, 12mo. London, 1771.

PLOTINUS.-An Essay on the Beautiful. From the Greek of Plotinus. 8vo. London, 1792.

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PRICE, SIR U.-Essays on the Picturesque, as compared with the Sublime and the Beautiful; and on the Use of Studying Pictures, for the purpose of improving real Landscape. 3 vols., royal 8vo. London, 1810.

On the Picturesque; with an Essay on the Origin of Taste, and much original matter, by Sir Thomas Dick Lauder, Bart., and 60 illustrations, designed and drawn on wood, by Montague Stanley. Royal 8vo. Edinburgh, 1842.

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