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Clio; or, a Discourse on Taste, addressed to a young Lady. Post 8vo. London, 1747.

Cooper.—Letters concerning Taste; to which are added Essays on similar and other subjects. 3rd edition, 8vo. n. p. 175/.

Cousin, V.-—Du Vrai, du Beau, et du Bien. 8vo. Paris, 1853.

Craig, W. M.—A Course of Lectures on Drawing, Painting, and Engraving. 8vo. London, 1821.

Crum, W.—An experimental Inquiry into the Number and Properties of

the primary Colours, and the Source of Colour in the Prism.

8vo. London, 1830. D'azara, Chev. Don J. N.—The Works of Anthony Raphael Mengs,

First Painterto his Catholic Majesty Charles III. Translated from the

Italian. 2 vols., 8vo. London, 1796. De Quincy, Q.—Essai sur l'Idéal dans ses Application pratiques aux

Œuvres de l'Imitation propre des Arts du Dessin. 8vo. Paris, 1837. Essay on the Nature, the End, and the Means of Imitation

in the Fine Arts. Translated by J. C. Kent. 8vo. London,


Du Piles.—The Principles of Painting, in which is contained an Account of the Athenian, Roman, Venetian, and Flemish Schools. 8vo. London, 1743.

■ Cours de Peinture par Principes. 3 vols., 12mo. Paris,


The Art of Painting, with the Lives and Characters of above

300 of the most eminent Painters, &c., translated from the French of M. Du Piles. 2nd edition, 8vo. London, 1744.

Dursch, Dr. G. M.—^Esthetic of Christian Formative Art during the
Middle Ages.

Aesthetik der Christlichen Bildenden Kunst des Mittelalters in
Deutschland, &c. 8vo. Tubingen, 1854.

Dyce, W.-—Theory of the Fine Arts. An Introductory Lecture delivered
in the Classical Theatre of King's College, London, May 24, 1844.
8vo. London, 1844.
Eastlake, Sir C. L., P.R.A.—Goethe's Theory of Colours, translated
from the German, with Notes by Charles Lock Eastlakè. 8vo.
London, 1840.

Contributions to the Literature of the Fine Arts, by Charles

Lock Eastlake. 8vo. London, 1848.

Edwards, E.—The Fine Arts in England; their State and Prospects

considered relatively to National Education. 8vo. London,


Evans, Rev. G. W. D.—The Classic and Connoisseur in Italy and Sicily, with an appendix containing an abridged translation of Lanzi's Storia Pittorica. 3 vols. 8vo. London, 1835.

Exhibition Of 1851.—Report on Design, prepared as a Supplement to the Report of the Jury of Class 30. of the Exhibition of 1851, at the desire of Her Majesty's Commissioners, by Richard Redgrave, Esq., R.A. Reprinted from the Official Edition. Royal 8vo. Lon

don, 1852.

. Lectures on the Results of the Great Exhibition, 1851, delivered

before the Society of Arts, Manufactures, and Commerce, at the suggestion of H. R. H. Prince Albert. 2 vols. 8vo. London,

Falconet, E.—Œuvres d'Etienne Falconet, statuaire, contenant plusieurs écrits relatifs aux Beaux-Arts, dont quelques-uns ont déjà paru, mais fautifs: d'autres sont nouveaux. 6 vols. 8vo.

Lausanne, 1781.

Fergusson, J.—An Historical Inquiry into the true Principles of Beauty in Art, more especially with reference to Architecture. Part I.,

4to. London, 1849.

Gerard, A.—An Essay on Taste, with three Dissertations on the same subject, by MM. De Voltaire, D'Alembert, and De Montesqueiu. 8vo. London, 1759.

Gioberti, V.—Essai sur le Beau, ou Elémens de Philosophie esthétique, par Vincent' Gioberti; traduit de l'Italien par Joseph Bertinatti. Royal 8vo. Brussels, 1843.

Guizot.—The Fine Arts, their Nature and Relations. Translated, with the assistance of the author, by George Grove. With illustrations drawn on wood by George Scharf, jun. 8vo. London, 1853.

Hay, D. R.—The Laws of Harmonious Colouring, adapted to interior decoration, manufactures, and other useful purposes. 4th edition, 8vo. London, 1838.

-: The Laws of Harmonious Colouring, adapted to interior decoration, with Observations on the practice of House Painting. 6th edition, 12mo. London, 1847.

r—p The Natural Principles of Beauty, as developed in the Human

Figure. 8vo. London, 1852. Proportion, or the Geometric Principles of Beauty analysed.

4to. London, 1853. . , The Principles of Beauty in Colouring systematized. . 8vo.

London, 1845.

Ditto, 2d edition. 8vo. London, 1849. . ,• i .

The Natural Principles and Analogy of the Harmony of Form.

4to. London, 1842. The First Principles of Symmetrical Beauty. Post 8v6.

London, 1846.

Hazlitt, W.—Criticisms on Art; and Sketches of the Picture Galleries of England. With Catalogues of the principal Galleries, now first collected. Edited by his Son. 2 vols. 12mo. London, 1843-44.

[The Galleries noticed are :—The Fitzwilliam, at Cambridge; at
Stafford House, London; Lansdowne House, and Bowood,
Wilts; Lord Ashburton's; the Bridgewater; the Knole, in
Kent; Apsley House; Sir R. Peel's, at Whitehall; Mr. Samuel
Rogers's; Soane Museum; the National Gallery; the Dulwich
Gallery; the Hampton Court Collection; the Pictures at Wind-
sor Castle; the Grosvenor Collection; the Pictures at Wilton;
at Stourhead; at Burleigh; at Blenheim; and in the Bodleian
Library, Oxford.]

Hegel, W. F.—Cours d'Esthétique. Analyse et traduit en partie par
M. Ch. Bénard. 2 vols, in 1, 8vo. Paris, 1840-43.

Hinckley.—The Theory of Effect, embracing the Contrast of Light and Shade, of Colour and Harmony, &c. 8vo. Philadelphia,


Hoare, Prince.—An Inquiry into the requisite Cultivation and present State of the Arts of Design in England. 8vo. London, 1806.

Hogarth.—The Analysis of Beauty, written with a view of fixing the fluctuating Ideas of Taste. A new edition, printed verbatim from the original work, the paging of which is here retained. Royal 8vo.

London, 1810.

Inman, W. S.—An Essay on Symbolic Colours in Antiquity, the Middle Ages, and Modern Times. From the French of Le Baron Frédéric de Portal; with notes. In three sections, with illustrative engrav; ings. 4to. London, 1845.

Jacob, H.—Of the Sister Arts; an Essay. 8vo. London, 1734.

Jones, Owen.—An Attempt to define the Principles which should regulate the Employment of Colour in the Decorative Arts. With a few words on the Necessity for an Architectural Education on the part of the Public. Read before the Society of Arts, April 28, 1852. 8vo. ph. London, 1852.

Knight, R. P.—An Analytical Inquiry into the Principles of Taste. 2nd edition, royal 8vo. London, 1805. ,

Lauder, Sir T. D.—Sir Uvedale Price on the Picturesque, with an Essay on the Origin of Taste, and much original Matter, and Sixty Illustrations designed and drawn on Wood, bv Montague Stanley. Royal 8vo. Edinburgh, 1842.

Leigh, P.—The Music of the Eye; or, Essays on the l*rinciples of the Beauty and Perfection of Architecture, as founded on and deduced from Reason and Analogy, and adapted to what may be traced of the Ancient Theories of Taste, in the Three First Chapters of Vitruvius, written with a view to restore Architecture to the Dignity it had in Ancient Greece. Royal 8vo. London, 1831.

Mackenzie, Sir G. S.—An Essay on some Subjects connected with taste. 8vo. Edinburgh, 181/.

Macvicar, Rev. J. G.—On the Beautiful, the Picturesque, the Sublime. Royal 8vo. London, 1837.

Mazure, P. A.—Philosophie des Arts du Dessin. 8vo. Paris,


M'dermot, M.—A critical Dissertation on the Xature and Principles of Taste. 8vo. London, 1823.

Mengs, A. R.—Œuvres de M. Mengs, Premier Peinlre du Roi d'Espagne, &c. 12mo. 1782.

Merrifield, Mrs.—Essay on the Harmony and Contrast of Colours, as exemplified in the Exhibition. (In Art Journal Illustrated Catalogue of the Exhibition.) London, 1851.

Painting And Sculpture.—A Letter to his Excellency Count

on Poetry, Painting, and Sculpture; in which the question, whether Allegories ought to be admitted in Painting and Sculpture, is considered. 2nd edition, 12mo. London, 1/7L

Plotinus.—An Essav on the Beautiful. From the Greek of Plotinus. 8vo. London, 1792.

Portal. See Inman.

Price, Sir U.-—Essays on the Picturesque, as compared with the Sublime and the Beautiful; and on the Use of Studying Pictures, for the purpose of improving real Landscape. 3 vols., royal 8vo.

London, 18101

11 On the Picturesque; with an Essay on the Origin of Taste, and

much original matter, by Sir Thomas Dick Lauder, Bart., and 60 illustrations, designed and drawn on wood, by Montague Stanley. Royal 8vo. Edinburgh, 1842.

Reynolds, Sir J.—Discourses on the Fine Arts, delivered to the Students of the Royal Academy. Royal 8vo. Edinburgh, 1840.

The Discourses of Sir Joshua Reynolds, illustrated by Explanatory

Notes and Plates, by John Burnet. 4to. London, 1843.

Richardson, J.—The Works of Jonathan Richardson, containing, 1. The Theory of Painting; 2. Essay on the Art of Criticism; 3. The Science of a Connoisseur. A new edition, corrected; with the addition of an Essay on the Knowledge of Prints, and Cautions to Collectors. 4to. London, 1792.

Richter, H.—Daylight; a recent Discovery in the Art of Painting; with Hints on the Philosophy of the Fine Arts, and on that of the Human Mind, as first dissected by Emanuel Kant. Royal 8vo. London,


Robert, C.—Essai d'une Philosophie de l'Art. 8vo. Paris,


Ross, W.—Laôcoon; or the Limits of Poetry and Painting; from the German of G. E. Lessing. 8vo. London, 1836.

Ruskin, J.—The Opening of the Crystal Palace, considered in some of its relations to the Prospects of Art. 8vo. ph. London, 1854.

Sagetti, J.—Essai sur l'Art Chretien, son Principe, ses Développements,

sa Renaissance. 12mo. Paris, 1853.

Schelling, F. W. J. Von.—On the Relation of the Formative Arts to


Uber das Verhàltniss der Bildenden Kiinste zu der Natur. Small 4to. Berlin, 1843. Schimmelpenninck, M. A.—Theory on the Classification of Beauty and Deformity, and their correspondence with Physiognomic Expression, exemplified in various works of Art and Natural Objects, and illustrated with four general Charts and thirty-eight Copper Plates. 4to. London, 1815.

Semper, G.—Science, Industry, and Art; Propositions in order to the Incitement of a National Art-feeling. Wissenchaft, Industrie und Kunst; Vorschlàge zur anregung nationalen Kunst gefuhles. Bei dem Schlusse der Londoner industrie-ausstellung. von G. Semper, 8vo. ph. London,


Stubbes, G.—A Dialogue on Beauty, in the manner of Plato.
Royal 8vo. London, 1731.

Taste.—Clio, or a Discourse on Taste. Addressed to a young Lady.
(By Usher.) 12mo. London, 1767.

Taste.—Letters concerning Taste. The Third Edition. To which is added Essays on similar and other subjects. By the Author of the Life of Socrates. 8vo. London, 1757.

Thomson, W.—An Inquiry into the Elementary Principles of Beauty in the Works of Nature and Art; to which is prefixed an Introductory Discourse on Taste. 4to. London, 1798.

TwiNiNGj H.—On the Philosophy of Painting: A Theoretical and Practical Treatise, comprising ^Esthetics in reference to Art, the application of Rules to Painting, and general Considerations on Perspective. Royal 8vo. London, 1849. On the Elements of Picturesque Scenery, considered with reference to Landscape Painting. Royal 8vo. London, 1846.

Vischer, Dr. F. T.—Aesthetic, or the Theory of the Beautiful.

Aesthetik oder Wissenschaft des Schonen. 8vo. 2 vols.

Stuttgart, 1854.

Walker, A.—Beauty: illustrated chiefly by an Analysis and Classification of Beauty in Woman. Preceded by a critical View of the general Hypothesis respecting Beauty, by Hume, Hogarth, Burke, Knight, Alison, &c., and followed by a similar View of the Hypothesis of Beauty in Sculpture and Painting, by Leonardo da Vinci, Winckelmann, Mengs, Bossi, &c. Illustrated by Drawings from Life by Henry Howard. 2nd edition, 8vo. London, 1844.

Winckelmann, Abbé.—Reflections on the Painting and Sculpture of the Greeks; with Instructions for the Connoisseur, and an Essay on Grace in Works of Art. From the German of the Abbé Winckelmann, by Henry Fuseli, A.M. 8vo. London, 1765.

Wornum, R. N.—The Exhibition as a Lesson in Taste. Prize Essay. (Art Journal Catalogue of the Great Exhibition, 1851.) 4to. London, 1851.

The Epochs of Painting characterized. 12mo. London, 184/.

Young, Rev. E.—Art, its Constitution and Capacities, popularly considered. 8vo. ph. Bristol, 1854.

E 4.—ART—HISTORY. Akundel Society.—Publications of.

Bromley, Rev. R. A.-—A Philosophical and Critical History of the Fine Arts, Painting, Sculpture, and Architecture; with occasional Observations on the Progress of Engraving. 2 vols. 4to.

London, 1795.

Clarac, Le Comte De.—Manuel de l'Histoire d'Art chez les Anciens.

3 vols. 8vo. Paris, 1847-49. Cleghorn, G.—Ancient and Modem Art, Historical and Critical.

2d edition, corrected and enlarged. 2 vols. 12mo. London,


Dallaway, Rev. J.—Anecdotes of the Arts in England, or Comparative

Remarks on Architecture, Sculpture, and Painting, chiefly illustrated

by specimens at Oxford. Royal 8vo. London, 1800.

Dennistoun, J.—Memoirs of the Dukes of Urbino, illustrating the

Arms, Arts, and Literature of Italy from 1440 to 1630.

3 vols. 8vo. London, 1851. Deseine.—Notices historiques sur les Anciennes Académies Royales de

Peinture, Sculpture de Paris, et celle d'Architecture. &c.

8vo. Paris, 1814. Dussieux, L.—Essai sur l'Histoire de la Peinture sur Email.

8vo. Paris, 1839. Eberlein, G.—German Works of Art of the Middle Ages.

Deutsche Kunstwerke aus dem Mittelalter. 1st part. Folio. Stuttgart, 1850.

Elmes, J.—Arts and Artists, or Anecdotes and Relics of the Schools of Painting, Sculpture, and Architecture. 3 vols. 12mo.

London, 1825.

Felibien Et Lobineau.—Histoire de la Ville de Paris, justifiée par des preuves autentiques, et enrichie de Plans, de Figures, et d'une Carte topographique. 5 vols. folio. Paris, 1725.


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