Зображення сторінки
PDF
ePub

FLAXMAN, J.-Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory, and Paradise; with quotations from Italian, and translations from the version of the Rev. H. Boyd, to each plate. 112 plates, oblong folio.

London, 1807.

Lectures on Sculpture, as delivered before the President and
Members of the Royal Academy. 2nd edition. To which are now
first added, an introductory Lecture and two Addresses to the Royal
Academy, on the Death of Thomas Banks in 1805, and of Antonio
Canova in 1822; and an Address on the Death of Flaxman, by
Sir R. Westmacott. Svo. London, 1838.
FLORENCE, Baptistery Gates at.

Le tre Porte del Battistero di San Giovanni di Firenze.
Florence, 1821.

FRAGONARD, A.-Recueil de divers Sujets dans le Style Grec.
pagnés d'explications. (Figure subjects.)

Folio.

Accom

Folio. Paris, 1815.

GEMS.--Gorlæus' Collection of engraved Seals and Gems, with succinct Descriptions, by Gronovius, 2nd part.

Abrahami Gorlæi Antwerpiani Dactyliothecæ, Pars secunda, seu variarum Gemmarum, quibus antiquitas in signando uti solita, Scalpturæ. Cum succincta singularum explicatione Jacobi Gronovii. Small 4to. Leyden, 1707.

selected from the Antique, with illustrations.

1804.

4to. London,

See AGOSTINI, DAGLEY, GIULIANELLI, ORLEANS (DUKE OF),
PANOFKA, SPENCE, TASSIE AND RASPE, VISCONTI.

GHERARDINI MODELS.-Extracts from a Report to the Chancellor of
the Exchequer on the Gherardini Collection of Models, by
Mr. Dyce, R.A., and Mr. Herbert, R.A.
Ph. 8vo. London,

January, 1854.

Catalogue of a Collection of Models, in Wax and Terra Cotta, by various Italian Masters, known as the Gherardini Collection, now being exhibited at the Museum of Ornamental Art, at Marlborough House, March 1854. 8vo. ph. London, 1854.

GHIBERTI, L.-Porte principale du Baptistere de Florence.
Folio. Paris, n. d.

GIULIANELLI, A. P.-Memoirs of Modern Gem Engravers, &c.

Small 4to.

Memorie degli Intagliatori moderni in Pietre dure, cammei, e
gioje dal secolo XV. fino al secolo XVIII.
Venice, 1753.

GOZZINI, V.-Monumens Sépulcraux de la Toscane, dessinés par Vincent
Gozzini et gravés par Jerôme Scotto. Nouvelle édition, augmentée
de vingtneuf planches, avec leurs descriptions.
4to. Flo-
rence, 1821.
GREECE.-Photographs of Grecian Antiquities at present remaining in
Greece, by Robertson.
(55 in a portfolio.) 1853.

GUALANDI, M.-New Collection of Letters on Painting, Sculpture, and Architecture, &c.

Nuova Raccolta di Lettere sulla Pittura, Scultura, ed Architettura, scritte da' piu celebri personaggi dei secoli XV. à XIX. Con note ed illustrazioni di Michelangelo Gualandi, in aggiunta a quella data in luce da Mons.. Bottari e dal Ticozzi.

post 8vo. Bologna, 1844-45,

2 vols.

HERBE.-Histoire des Beaux-Arts en France par les Monuments, spécialement de la Sculpture et de la Peinture, depuis la Domination Romaine jusqu'à l'Epoque de la Renaissance. 4to. Paris,

n. d. HUMPHREYS, H. N.-Ten Centuries of Art. Its Progress in Europe from the Ninth to the Nineteenth Century; with a glance at the artistic works of classical antiquity, and concluding considerations on the probable influence of the Great Exhibition, and on the present state and future prospects of Art in Great Britain. Small 4to. London, 1852.

IMBARD.-Tombeau de Louis XII. dit le Père du Peuple.

folio. Paris, 1815.

Tombeau de Louis XII. et de François I.

Small

Dessinés et gravés

au trait, par E. F. Imbard d'après les Marbres du Musée des PetitsSmall folio. Paris, 1823.

Augustins.

JOURDAIN ET DUVAL.-Les Stalles de la Cathédrale d'Amiens. (Extrait des Mémoires de la Société des Antiquaires de Picardie.) 8vo. Amiens, 1844.

KINKEL, G.-Early Christian Art.

Geschichte der bildenden Künste bei den Christlichen Völkern,
vom Aufgang unserer Zeitrechnung bis zur Gegenwart. Part 1.
Die alt-Christliche Kunst. (With eight plates.)
Bonn, 1845.

8vo.

LAWRENCE, R.-Elgin Marbles from the Parthenon at Athens, exemplified by fifty etchings, with explanatory and critical remarks. Oblong folio. London, 1818.

5 vols.

LACROIX ET SERE.-Le Moyen-Age et la Renaissance, &c. 4to. Paris, 1848-51. LAYARD, DR. A. H.--Nineveh and its Remains; with an Account of a visit to the Chaldæans of Kurdistan and Yezedis, or Devil Worshippers; and an Inquiry into the Manners and Arts of the Ancient Assyrians. 5th edition, 2 vols. 8vo. London, 1850.

A Popular Account of Discoveries at Nineveh, with numerous woodcuts. 8vo. London, 1851.

Discoveries in the Ruins of Nineveh and Babylon; with Travels in Armenia, Kurdistan, and the Desert; being the results of a second expedition undertaken for the Trustees of the British Museum, with maps, plans, and illustrations. Svo. London, 1853.

A Second Series of the Monuments of Nineveh; including Basreliefs from the Palace of Sennacherib, and Bronzes from the Ruins of Nimroud. From drawings made on the spot during a second expedition to Assyria. 71 plates, oblong folio. London,

1853.

LECTURES ON SCULPTURE. See BÖTTIGER, FLAXMAN. LENOIR, ALEX.--Musée des Monumens Français; ou Description historique et chronologique des Statues en Marbre et en Bronze, Basreliefs, et Tombaux des Hommes et des Femmes célèbres, pour servir à l'Histoire de France et à celle de l'Art. Ornée de gravures: et augmentée d'une Dissertation sur les Costumes de chaque siècle. 6 vols. 8vo. Paris, 1800-6.

LOUVRE.-Description de Musée Royal des Antiques, par M. le Cte. de Clarac. 12mo. Paris, 1831.

See BALTARD, BOUILLON and St. Victor.

MAZZONI AND BEGARELLI.—
-Works of the Modellers Mazzoni and
Begarelli, and the Pictures of the Town Hall of Modena, by Niccolo
Abati, Schedoni, &c.

Le Opere di Guido Mazzoni e di Antonio Begarelli celebri plastici
Modenesi. E le Pitture esequite nelle Sale del Palazzo dell'
illustrissima comunità di Modena da Nicolo Abati, Bartolomeo
Schedoni, ed Ercole Abati.
Folio. Modena, 1823.

MEDALS.-Médailles de la Revolution Française. Trésor de Numismatique et de Glyptique, ou Recueil général de Médailles, Monnaies, Pierres gravées, Bas-reliefs, &c., tant anciens que modernes, les plus intéressans sous la rapport de l'Art et de l'Histoire, gravé par les procédés de M. Achille Collas, sur la direction de M. Paul Delaroche, de M. Henriquet Dupont, et de M. Charles Lenormant. Médailles de la Révolution Française, depuis l'Ouverture des Etats-généraux (5 Mai 1789) jusqu'à la Proclamation de l'Empire (18 Mai 1804). Folio. Paris, 1806.

See SEALS, VERTUE.

MEDIEVAL SCULPTURE. See BLOXAM, CARTER, CHALMERS, COCKERELL, D'AGINCOURT, DALLAWAY, FLAXMAN, HERBÉ, JOURDAIN ET DUVAL, LACROIX ET SERÉ, MONTFAUCON, SCHAEPKENS, SIMPSON, SOMMERARD, STROOBANT.

MEMES, J. S.-Memoirs of Antonio Canova, with a Critical Analysis of his Works, and an Historical View of Modern Sculpture. 8vo. Edinburgh, 1825.

MEYER, H.-History of the Formative Arts among the Greeks, &c.

Heinrich Meyer's Geschichte der bildenden Künste bei den
Griechen von ihrem Ursprunge bis zum höchsten Flor.

2 vols. 8vo. Dresden, 1824.

MODERN SCULPTURE. See CANOVA, DANNECKER, DAVID, DE QUINCY, DUFRESNE, EXHIBITION OF 1851, FLAXMAN, RACZYNSKI, THORWALDSEN, VAUTHIER ET LACOUR, WAAGEN. MONIER, P.-The History of Painting, Sculpture, Architecture, Graving, and of those who have excelled in them, &c., with an account of the most considerable productions of the best artists in all ages; and how to distinguish the true and regular performances from those that are otherwise. Post 8vo. London, 1699. MONTFAUCON, B. DE.-L'Antiquité expliquée et representée en figures 15 vols. small folio. Paris, 1719–24.

Les Monumens de la Monarchie Française qui comprennent 'Histoire de France, avec les figures de chaque règne que l'injure des temps a épargnées. 5 vols., small folio. Paris, 1729-33. MÜLLER, C. O.-Ancient Art and its Remains; or, a Manual of the Archeology of Art. Translated from the German by John Leitch. 8vo. London, 1847.

Monuments of Ancient Art.

Denkmäler der Alten Kunst, nach der auswahl und Anordnung von C. O. Müller. 2nd edition by Fr. Wieseler.

vol. 1, oblong folio. Göttingen, 1854.

ORCAGNA, A.-The Tabernacle of the Virgin in Or. San Michele, by Andrea Orcagna.

Il Tabernacolo della Madonna d' Orsanmichele, lavoro insigne di Andrea Orcagna, e altre sculture di eccellenti maestri le quali adornano la Loggia e la Chiesa predetta.

only. Florence, 1851.

Folio, 3rd part

ORLEANS, DUKE OF.-Collection of Gems.

Description des principales Pierres gravées du Cabinet de S. A. S
Monseigneur le Duc d'Orléans, Prince du Sang.

small folio. Paris, 1780.

PANOFKA, T.-Inscribed Gems.

2 vols.

Gemmen mit Insthriften in den Königlichen Museen zu Berlin, Haag, Kopenhagen, London, Paris, Petersburg, und Wien. 4to. Berlin, 1852.

PIRANESI, G. AND F.-Greek and Roman Antiquities, Painting, &c. 29 vols. folio. Paris, 1835-37.

(Vol. 18. See Class I., Decoration, Ornament, &c. PIRANESI.) PISTOLESI, E.-The Vatican described and illustrated.

Il Vaticano descritto ed illustrato.
1829-38.

8 vols. folio. Roma,

RACZYNSKI, LE COMTE A.-Modern Art in Germany, with Excursions in neighbouring Countries.

Histoire de l'Art moderne en Allemagne.
plates, 1 vol. folio. Paris, 1836-41.

3 vols. 4to.,

RAMDOHR, F. W. B. voN.--On Painting and Sculpture in Rome.

Ueber Mahlerei und Bildhauerbeit in Rom für Liebhaber des
Schönen in der Kunst. 3 vols. 8vo. Leipzig, 1787.

RENAISSANCE SCULPTURE. See BALTARD, BERGAMO, BETTONI,
BIET, CICOGNARA, D'AGINCOURT, DE ROSSI, DIEDO E ZANOTTO,
DURELLI, FERRERI, FLORENCE, GHERARDINI MODELS, GHI-
BERTI, GOZZINI, IMBARD, LENOIR, ORCAGNA, PISTOLESI, SOM-
MERARD, TOSI E BECCHIO, WORNUM.

ROGERS, W. G-A List of the Carvings and other Works of Art collected by W. G. Rogers; with some illustrations, and such conversational remarks as the objects suggest. Including the whole of the contributions to the Exhibitions of New York and Dublin. 8vo. ph. London, 1854.

ROSELLINI, I.-The Monuments of Egypt and Nubia, arranged according to their subjects, by the Tuscan Expedition to Egypt, under the direction of Rosellini.

I Monumenti dell' Egitto e della Nubia, disegnati della Spedizione scientifico-litteraria Toscana in Egitto; distribuiti in ordine di materie, interpretati ed illustrati dal Dottore Ippolito Rosellini. 3 vols. atlas of plates; 9 vols. text. 8vo. Pisa, 1832-44. (This great work is in three parts, folio, with separate text in octavo. Tavole M. R. contains the Historical Monuments of the Kings, Monumenti Storici, in 169 plates: Tavole M. C. contains the Civil Monuments, Monumenti Civili, in 135 plates: Tavole M. D. C., the Monuments of Religious Worship, Monumenti del Culto, in 86 paltes.)

SCHAEPKENS, A.-Treasury of Ancient (Medieval) Art.

Trésor de l'Art ancien. Sculptures, architecture, ciselures, émaux, mosaïques et peintures, recueillis en Belgique et dans les provinces limitrophes. Monuments artistiques et archæologiques, la plupart inédits, dessinés d'après Nature et gravés par Arnaud Schaepkens. 30 plates, folio. Bruxelles, 1846.

SCULPTORS. See Class F., BIOGRAPHY, NAGLER AND SILLIG; Class K., DICTIONARIES, &c.

SCULPTURE. See ANCIENT, MEDIEVAL, RENAISSANCE, AND MODERN SCULPTURE.

SEALS. Sceaux des Rois et Reines de France. 670, to Louis Philippe I. A.D. 1830.)

No title.

SIMON. See VERTUE.

(From Thierry III. A. D. 29 plates folio. Paris.

SIMPSON, F., JUN.--A Series of Ancient Baptismal Fonts, chronologically arranged, Royal Svo. London, 1828.

SOMMERARD, A. Du.-Les Arts au Moyen Age. (Collection of the Hôtel de Clugny.) Text 5 vols. 8vo., plates 6 vols. folio.

Paris, 1838-46.

SPENCE, REV. MR.-Polymetis; or an Inquiry concerning the agreement between the Works of the Roman Poets, and the Remains of the Ancient Artists. Being an attempt to illustrate them mutually from one another. In ten books, folio. London, 1747.

STATUES.-Ancient Greek and Roman Statues, in the Library of St. Mark, Venice.

Delle antiche Statue Greche e Romane che nell' antisala della Libreria di San Marco, e in altri luoghi pubblici di Venezia si 2 vols in 1, folio. Venice, 1740.

trovano.

STROOBANT, F.-Monuments d'Architecture et de Sculpture en Belgique. Texte par Felix Stappaerts. 4to. Bruxelles, 1852. TASSIE AND RASPE.-A descriptive Catalogue of a general Collection of ancient and modern engraved Gems, Cameos, as well as Intaglios, &c. To which is prefixed, an Introduction on the various uses of this Collection, the Origin of the Art of Engraving on Hard Stones, and the Progress of Pastes. 2 vols, in 1, 4to.

London, 1791.

TATHAM, C. H.--Etchings, representing the best Examples of Ancient Ornamental Architecture, drawn from the originals in Rome, and other parts of Italy, during the years 1794, 1795, and 1796. 3rd edition, small folio. London, 1810.

Terra CottaS. See CAMPANA, D'AGINCOURT.

THORWALDSEN.--Works and Life (between 1828 and 1844), by J. Thiele. Thorwaldsen's Arbeiten und Lebensverhältnisse im Zeitraume 1828-1844, von J. Thiele. Nach dem Dänischen Originale, mit Genehmigung des Verfassers bearbeitet und verkürzt von F. C. Hillerup. 4to. Kopenhagen, 1852.

Folio.

TOSI AND BECCHIO.-Altars, Tabernacles, and Sepulchral Monuments of
the Fifteenth and Sixteenth Centuries, existing at Rome.
Lagny, 1843.
VAUTHIER ET LACOUR. Monuments de Sculpture antiques et

modernes.

Folio. Paris, 1839.

VERTUE, G.- Medals, Coins, Great Seals, and other Works of Thomas Simon; engraved and described by George Vertue. 2nd edition, with additional plates and notes; and an Appendix, by the Editor. 4to. London, 1780.

VISCONTI, E. Q.-Sculptures of the Villa Borghese.

Sculture del Palazzo della Villa Borghese, detta Pinciana, brevemente descritta. 3 vols. 8vo. Roma, 1796-97.

Euvres de Ennius Quirinus Visconti, Musée Pie-Clémentin, 7 vols. royal 8vo. Milan, 1818-1822.

« НазадПродовжити »