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Phillips, G. F.— The Theory and Practice of Painting in Water Colours, as connected with the Study of Landscape. With Hints on Perspective, on Pencilling, on the Arrangement of Objects for Pietorial Effect, on Light and Shade, and on the Harmony of Colour, &c. Oblong 4to. London, 1838.

Phillips, T.—Lectures on the History and Principles of Painting. 8vo. London, 1833.

Photography. See Daguerrk.

Picart, B.—Le Temple des Muses, omé de 60 Tableaux.

Small folio. Amsterdam, 1742. Pictubk Clbaning. See Mogford.

Pirànksi, G. And F.—Greek and Roman Antiquities, Paintings, &c. 29 vols, folio. Paris, 1835-37. (Vols. 21, 22, 23, 24, 25, and 26. See Class I. Decoration, Ornament, &c.—Piranesi.)

Pistolesi, E.—The Vatican described and illustrated.

Il Vaticano descritto ed illustrato. 8 vols, folio. Rome,

1829-38.

Antiquities of Herculaneum and Pompeii ; being a Selection of all

the most interesting ornaments and relies which have been excavated
frona the earliest period to the present time; with 120 engravings,
with descriptive letterpress in Italian, French, and English.
4 vols. 4to. Naples, 1842.

Polychromic Painting. See Blackburne, Hittorff, Semper.

Ponce.—Arabesques antiques des Bains de Livie, et de la Ville Adrienne, avec les Plafonds de la Ville Madame; peints d'après les dessins de Raphael, et gravés par les soins de M. Ponce. Smail folio.

Paris, 1789.

Portrait Painting. See Bornet, Cawse, Murray.

Prevost, J. L.—Collection des Fleurs et des Fruits, peints d'après Nature, par J. L. Prevost; suivis d'un Précis historique sur l'Art de la Broderie, et d'une Vue générale de toutes les mamères de peindre depuis l'Antiquité jusqu'à nous, par M. Gault de Saint Germain. Small folio. Paris.

Pkout, S.—Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting. Illustrated by examples. 4to. Lon

don, 1848.

,— Microcosm. The Artist's Sketch Book of Groups of Figures,

Shipping, and other picturesque Objects. Royal 4to. London

1851.

Rac/.ynski, Le Comte A.—Modem Art in Germany; with Excursions in neighbouring Countries.

Histoire de l'Art moderne en Allemagne. 3 vols. 4to., 1 vol.

folio (plates). Paris, 1836-41.

Ramuoux, T. A.—Outlines in Illustration of old Christian Art in Italy, from 1200 to 1600.

Umrisse zur Veranschaulichung alt-Christlichen Kunst in Italien, vom Jahre 1200 bis 1600; nach Durchzeiehnungen und mit Erlaeuterungen des herausgebers T. A. Ramboux. Atlas folio, n. d.

Ramdohr, F. W. B. Von.—On Painting and Sculpture in Rome.

Ueber Mahlerei und Bildhauerarbeit in Rom fur Liebhaber des
Schonen in der Kunst. 3 vols. 8vo. Leipzig, 1787.

Raphael.—The Arabesques of the Vatican. Large folio, plates.

Rome, 1772.

Scripture Prints; edited by James R. Hope, D.C.L. Old Testament Series. From the Frescoes of Raphael in the Vatican. Oblong folio, 26 plates. London, 1851.

— Descrizzione delle imajini depinte da Raffaello d' Urbino nelle

camere del Palazzo Apostolico Vaticano. Di Gio. Pietro Bellori, alla Santita di Nostro Signore Papa Innocenzo XII. 4to. Rome, 1695.

Raphael's Cupid and Psyche. Oblong folio, 32 plates, n. d.

Caryatides, from the Stanza dell' Eliodoro, in the Vatican.

Edited by L. Gruner. 4to. London, 1852.

The Works of Raffaello, Domenichino, Poussin, and Albano;

consisting of 445 engravings from pictures painted by those great masters, principally for the illustration of the Holy Scriptures, preceded by the lives of the artists, and by concise notices of their productions; together with, references to the various passages of Scripture they are intended to illustrate. 5 vols. 4to. London,

1819.

Retzsch, M.—Shakespeare Gallery.

Gallerie zu Shakspeare's Dramatischen Werken. In umrissen erfunden und gestochen von Moritz Retzsch. Oblong4to.

(outlines). Leipzig, 1847. Reynolds, Sir Joshua.—-The Discourses of Sir Joshua Reynolds. Illustrated by explanatory notes and plates by John Burnet, F.R.S. 4to. London. 1842.

— Discourses on the Fine Arts, delivered to the Students of the

Royal Academy. 8vo. Edinburgh, 1840.

—— Literary Works. Comprising the Discourses, the Journey

through Flanders and Holland, Du Fresnoy's Art of Painting; with a Memoir of the Author, by H. W. Beechey. 2 vols, small 8vo.

London, 1851-52. Richardson, J.—The Works of Jonathan Richardson; containing,—1, The Theory of Painting; 2, Essay on the Art of Criticism; 3, The Science of a Connoisseur. A new edition, corrected, with the addition of an Essay on the Knowledge of Prints, and Cautions to Collectors. 4to. London, 1792. Richter, H.—Daylight; a recent Discovery in the Art of Painting; with Hints on the Philosophy of the Fine Arts, and on that of the Human Mind, as first dissected by Emanuel Kant. Royal 8vo.

London, 1817.

Rochette, R.—On the Application of Mural Painting with the Greeks and Romans,

Peintures antiques inédites précédées de Recherches sur l'emploi de la Peinture dans la Decoration des Edifices sacrés et publics chez les Grecs et chez les Romains; faisant Suite aux Monuments inédits, par M. Raoul Rouchette. 4to. Paris, 1836. Rosellini, I.—The Monuments of Egypt and Nubia; arranged according to their subject s, by the Tuscan Expedition to Egypt, under the direction of Rosellini.

Monumenti dell' Egitto e della Nubia, disegnati della Spedizione Scientifico-Litteraria Toscana in Egitto; distribuiti in ordine di materie, interpretati ed illustrati dal Dottore Ippolito Rosellini. 3 vols, atlas of plates, 9 vols, text, 8vo. Pi3a, 1832-44.

(This great work is in three parts, folio, with separate text in 8vo. Tavole M.R. contains the historiea) Monuments of the Kings, Monumenti Storici, in 169 plates. Tavole M.C. contains the Civil Monuments. Monumenti Cirili, in 135 plates. Tavole M.D.C., the Monuments of Religious Worship, Monumenti del Culto, in 86 plates.) Rosenberg, G. F.—The Guide to Flower Painting in Water Colours,

with illustrations. 8vo. London, 1853.

Rosini, G.—The History of Italian Pamting, exhibited in its Monuments.
Storia della Pittura Italiana esposta coi Monumenti. Plates
folio, text 8vo. Pisa, 1839-47.
Roux, II., And Barré.—Herculanum et Pompéi, Recueil général des
Peintures, Bronzes, Mosaïques, &c. gravés au trait sur cuivre par
II. Roux Aine, et accompagné d'un Texte explicatif par M. L. Barré.
8 vols. 4to. Paris, 1840.
Rowbotham, T.—The Art of Landscape Painting in Water Colours.

8th edition, 12mo. London, 1852. Rumohr, C. F. Von.—Italian Researches.

Italienische Forschungen (chiefly on the early history of Painting in Italy). 3 vols. 8vo. Berlin. 1827.

Ruskin J.—Modem Painters; their Superiority in the Art of Landscape Painting to all the Ancient Masters, proved by the examples of the True, the Beautiful, and the Intellectual, from the works of Modem Artists, especially from those of J. M. W. Turner, R.A. By a Graduate of Oxford. 2nd edition, royal 8vo., 2 vols.

London, 1844-6.

Modem Painters. 5th edition, 2 vols, royal 8vo. London,

1851.

Lectures on Architecture and Painting, delivered at Edin

burgh, in November 1853, with illustrations drawn by the author. Post 8vo. London, 1854. Russel, J.—Elements of Painting with Crayons. 2nd edition, with

additions. 4to. London, 1777. Salzenberg, W.—Old Christian Architectural Monuments of Constantinople, from the Fifth to the Twelfth Century. St. Sophia. Alt-Christliche Baudenkmale von Constantinopel vom V. bis XII. jahrhundert. Auf befehl seiner majestàt des Kônigs augfenommen und historisch erlautert von W. Salzenberg. Im anhage des Silentiarius Paulus beschreibung dcr Heiligen Sophia und des Ambon. Metrisch ubersetzt und mit anmerkungen versehen von Dr. C. W. Korttim. Herausgegcben von dem Kônigl. Ministcrium fur Handel Gewerbe und ôffentliche arbeiten. (Published by the Prussian Government, Ministry for Commerce, Trade, and Public Works.) Folio. Berlin, 1854.

Sandrart, J. De.—Academy of Painting, &c.

Academia Nobilissimse Artis Pictoriai. Translated from the
German. Small folio. Niirnberg, 1683.

Schasler, Dr. Max.—The Wall Paintings of Wilhelm von Kaulbach, in the staircase of the New Museum at Berlin.

Die Wandgemalde Wilhelm von Kaulbachs im Treppenhause des Neuen Museums zu Berlin. Atlas of plates, with 8vo. ph. Berlin, 1854. Schnorr, J.—The Bible in Pictures.

Bibel in Bildern. 4to. woodcuts. Leipzig, 1853 et scq.

Schools Of Painting. See D'agincourt, De Piles, Descamps, Didron, Eastlake, Evans, Head, Innst.dten, Kugler, Lanzi, Michiels, Ottley, Raczynski, Ramboux, Rosini, Rumour, Salzenberg, Scott, Stirling, Winstanley, Wornum.

Schott And Hagen,—The German Emperors, from the Pictures in the Romer Hall at Frankfurt. Coloured.

Die Deutsche Kaiser. Nach den Bildern des Kaiser Saales im Romer zu Frankfurt am Main, in Kupfer gestochen und in Farben ausgefiihrt. Mit den Lebensbeschreibungen der Kaiser vonA.SchottundDr.K.Hagen. Smallfolio. Frankfort, 1844. Science And Art Of Belgium.—Messager des Sciences et des Arts de la Belgique, ou Nouvelles Archives Historiques, Littéraires et Scientifiques. Recueil publié par MM. F. de ReifFenberg, E. Jacquemyns, C. P. Serrure, A. Van Lokeren, A. Voisin, et L. A. Warnkoenig. 4 vols. 8vo. Gand. 1833-36.

Scott, D.—British, French, and German Painting, being a reference to the grounds which render the proposed Painting of the New Houses of Parliament important as a public measure. 8vo Edinburgh, 1841.

Selvatico, P. E.—The Frescoes of Giotto in the Scrovegni Chapel, Padua.

Sulla Cappcllina degli Scrovegni nell' Arena di Padova e sui Freschi di Giotto in essa dipinti. 8vo. Padova, 1836. Semper, G.—On Polychromy and its Origin, &c.

Ueber Polychromie und ihren Ursprung. Ein Beitrag zur vergleichenden Baukunde. 8vo. ph. Brunswick, 1851.

On the Study of Polychromy and its Revival. (Museum of

Classical Antiquities, No. III.) Smith, John.—A Catologue Raisonné of the Works of the most eminent Dutch, Flemish, and French Painters, with a copious Description of their principal Pictures, &c., with a Supplement. 9 vols. 8vo. London, 1829-42. Stirling, W.—Annals of the Artists of Spain. 3 vols. 8vo.

London, 1842.

Taylor, \V. B. S.—A Manual of Fresco and Encaustic Painting, containing ample instruction for executing Works of these descriptions, with an Historical Memoir of these Arts from the earliest periods. 12mo. London, 1843.

The Art of Painting in Oil and in Fresco, from the French of

M. J. Mérimée. 12mo. London, 1839.

Templeton, J. S.--The Guide to Oil Painting. 12mo. 8th edition. London, 1849.

Theophilus. See Hendrie.

Twining, H.—On the Philosophy of Painting; a Theoretical and Practical Treatise, comprising /Esthetics in reference to Art, the application of Rules to Painting, and general Considerations on Perspective. Royal 8vo. London, 1849.

Valpy, A. J.—National Gallery of Painting and Sculpture; illustrated with 65 engravings on steel, from the old Masters, a description of each subject, and a brief Memoir of the Artist. 8vo. London, n. d.

Venius, O.—Les Emblèmes de l'Amour Humain, du Sieur Otho Venius Small oblong 4to. Brussels, 1667.

O

Venius, O.—Amoris Di\ini Emblemata, studio et aere OthonisVaenii con

cinnata. Srnt.ll 4to. Antwerp, 1660.

Yen cm, Le Chevalier.—Interprétation des Peintures, dessinées sur un Service de Table, travaillé d'après la bosse dans la Royale Fabrique de Porcelaine, par ordre de sa Majesté le Roi des Deux Sieiles. Small 4to. Naples, 1787. Verdizotti, G. M.—One Hundred Moral Fables, of the most illustrions Authors, ancient and modern, &c.

Cento Tavole Morali: dei piu illustri antichi et moderni Autori, Greci, et Latini, seielte et trattate in varié Maniere di versi volgari da M. Gio. Mario Verdizotti. Nelle quali oltra l'ornamento di varie e belle figure, si contengono molti precetti pertinenti alla prudenza della vita virtuosa et civile. Novamente ampliatc dall' istesso autore. With illustrations attributed to Titian. Small 4to. Venetia, 1590.

ViLLOT, F.—Notice des Peintures, Sculptures, Gravures et Lithographies de l'Ecole moderne de France, exposées dans les Galeries du Musée National du Luxembourg. ovo. Paris, 1852.

.— Notice des Tableaux exposés dans les Galeries du Musée National

du Louvre. Première partie, Ecoles d'Italie et d'Espagne. 1th edition, 8vo. Paris, 1852. Wall Painting. See Eastlake, Eichhorn, Fine Arts, HenDrie, Kaulbach, Lasinio, Letronne, Merrifield, Muntz, Rochette, Taylor, Schasler. Walpole, H.—Anecdotes of Painting in England, with some Account of the principal Artists, and incidental Notes on other Arts. Collected by the late Mr. George Vertue: digested and published from his original MSS. by the Hon. Horace Walpole, with considerable additions by the Rev. James Dallaway. 5 vols. royal 8vo. London, 1828. Water Colour Painting. See Barrett, Cox, Fielding, Miller,

Noble, O'neill, Penley, Phillips, Rowbotham.
Watin .—The Painter, Gilder, and Varnisher's Guide.

L'Art du Peintre, Doreur, et Vernisseur. 10th edition, by M. Ch.
Bourgeois. 8vo. Paris, 1828.

Webb, D.—An Inquiry into the Beauties of Painting, and into the
Merits of the most celebrated Painters, Ancient and Modern.
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Weigel, R.—Selection of Fac-similes of Woodcuts of celebrated Masters.
In illustration of the History of Wood Engraving.

Holzschnitte Beriihmter Meister. Eine answahl von schonen,
characteristischen und seltenen original-Formschnitten, oder
blattern, welche von den erfindern, malern, und zeichnern
eigenhàndig geschnitten worden sind. In treuen copien von
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West. See Carey.

Wi Llson, H.—A practical Treatise on Composition, Light and Shade, and

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Translated from the German by G. H. Lodge. 8vo. London,

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