MEYER, H.—History of the Formative Arts among the Greeks, &c. Heinrich Meyer's Geschichte der bildenden Künste bei den Griechen von ihrem Ursprunge bis zum höchsten Flor. 8vo. Dresden, 1824. MICHELANGELO.-The Last Judgment. 2 vols. Le Jugement Universel, peint par Michel-ange Bonarroti dans la Chapelle Sixtine à Rome, divisé en dixsept planches, gravées au trait par Thomas Piroli. Folio. Paris, 1808. MICHIELS, A.--Rubens et l'Ecole d'Anvers. 8vo. Paris, 1854. 4 vols. Histoire de la Peinture Flamande et Hollandaise. 8vo. Bruxelles, 1845-48. MILLER, T.-A Treatise on Water Colour Painting, as applied to Landscape and the Figure, for the Use of the Amateur and Student. Illustrated by eight plates, from the designs of Mr. Edward Corbould, and Mr. Henry Warren. Printed in the Silica colours by Mr. Owen Jones. Royal 8vo. London, 1848. MINIATURE PAINTING.-Colouring, Preparation of Colours, &c. Trattato di Miniatura per imperare facilmente a dipingere senza maestro; e la dichiarazione di molti Segreti per fare i più bei colori; colla maniera di far l'oro brunito, l'oro in conchiglie, e la vernice della China. Quelli, che attendono allo studio delle Fortificazioni, impareranno qui a miniare ogni sorta di Pianta e di Paese. 2nda edizione Veneta, Accresciuta, e corretta, da vari errori. Post 12mo. Venezia, 1766. See DAY, MERRIFIELD, Parsey. MOGFORD, H.-Instructions for cleaning, repairing, lining, and restoring Oil Paintings; with Remarks on the Distribution of Works of Art in Houses and Galleries, for their better care and preservation. 3rd edition, with additions. 12mo. London, 1851. MONIER, P.-The History of Painting, Sculpture, Architecture, Graving, and of those who have excelled in them, &c. With an account of the most considerable productions of the best Artists in all ages; and how to distinguish the true and regular performances from those that are otherwise. Post 8vo. London, 1699. MONTAMY, D'ARCLAIS DE.-Traité des Couleurs pour la Peinture en Email et sur la Porcelaine; précédé de l'Art de Peindre sur l'Email. 12mo. Paris, 1765. MOSAIC PAINTING. See ARTAUD, HENDRIE, MERRIFIELD. MUNTZ, J. H.-Encaustic; or Count Caylus's Method of Painting in the Manner of the Ancients. To which is added, a sure and easy Method of Fixing of Crayons, by J. H. Muntz. 8vo. London, 1760. MURRAY, H.-The Art of Portrait Painting in Oil Colours; with Observations on Setting and Painting the Figure. 4th edition. 12mo. London, 1852. NOBLE, R. P.-A Guide to Water Colour Painting. With an Illus- O'NEILL, H.-A Guide to Pictorial Art. 12mo. OPIE, J.-Lectures on Painting, delivered at the Royal Academy of Arts. With a Letter on the Proposal of a Public Memorial of the Naval Glory of Great Britain. To which are prefixed, a Memoir, by Mrs. Opie, and other acccounts of Mr. Opie's talents and character. 4to. London, 1809. ORAM, W.-Precepts and Observations on the Art of Colouring in Landscape Painting. Arranged from the Author's original MS., and published by C. Clark, Esq. 4to. London, 1810. ORLOFF, LE COMTE G.-Essai sur l'Histoire de la Peinture en Italie, depuis le temps les plus anciens jusqu'à nos jours. 2 vols. 8vo. Paris, 1823. ORVIETO, CATHEDRAL OF.-Stampe del Domo di Orvieto. Rome, 1791. Folio. OTTLEY, W. Y.—A Series of Plates, engraved after the Paintings and Sculptures of the most eminent Masters of the early Florentine School. Intended to illustrate the History of the Restoration of the Arts of Design in Italy. Folio. London, 1826. The Italian School of Design, being a Series of Fac-similes of Original Drawings by the most eminent Painters and Sculptors of Italy. With Biographical Notices of the Artists, and Observations on their Works. Folio. London, 1823. OVERBECK, F.-Representations from the Evangelists. Darstellungen aus den Evangelien. From 40 original drawings by Frederick Overbeck. Oblong folio. Düsseldorf, n.d. OVERBECK, DR. J.-Gallery of Heroic Sculptures of Antiquity. Gallerie heroischer Bildwerke der alten Kunst. oblong folio atlas. Braunschweig, 1853. Svo. and PAINTING.--Handbook of young Artists and Amateurs in Oil Painting, being chiefly a condensed compilation from the celebrated Manuel of Bouvier; with additional matter selected from the labours of Merimée, De Montabert, and others. With a new explanatory and critical Vocabulary, by an American Artist. New York, 1845. Practical Treatise on Painting in Oil Colours. 8vo. 8vo. London, 1795. An Account of a New Process in Painting, in two parts. 8vo. PANOFKA, T.-On the Connexion between the Names of Vase Painters and the Subjects of their Decorations. Von dem Namen der Vasenbildner in Beziehung zu ihren PARSEY, A.-The Art of Miniature Painting on Ivory. London, 1831. 12mo. PASSAVANT, J. D.--Raphael of Urbino, and his father Giovanni Santi. Rafael von Urbino und sein Vater Giovanni Santi. In zwei theilen mit vierzehn abbildungen. 2 vols. 8vo., 1 vol. folio. Leipzig, 1839. PATON, J. NOEL.-Compositions from Shakespeare's Tempest. Oblong folio. London, 1845. PENLEY, A.-A System of Water Colour Painting. Being a complete Exposition of the present advanced State of the Art, as exhibited in the Works of the Modern Water Colour School. 12mo. London, 1852. PERRET, L.-Early Christian Wall Paintings, &c. 9th edition. Folio. Paris, PHILLIPS, G. F.-The Theory and Practice of Painting in Water Colours, as connected with the Study of Landscape. With Hints on Perspective, on Pencilling, on the Arrangement of Objects for Pictorial Effect, on Light and Shade, and on the Harmony of Colour, &c. Oblong 4to. London, 1838. PHILLIPS, T.-Lectures on the History and Principles of Painting. 8vo. London, 1833. PHOTOGRAPHY. See DAGUERRE. PICART, B.-Le Temple des Muses, orné de 60 Tableaux. PICTURE CLEANING. See MOGFORD. PIRANESI, G. AND F.-Greek and Roman Antiquities, Paintings, &c. 29 vols. folio. Paris, 1835-37. (Vols. 21, 22, 23, 24, 25, and 26. See Class I. Decoration, Ornament, &c.-PIRANESI.) PISTOLESI, E.-The Vatican described and illustrated. Il Vaticano descritto ed illustrato. 1829-38. 8 vols. folio. Rome, Antiquities of Herculaneum and Pompeii; being a Selection of all POLYCHROMIC PAINTING. See BLACKBURNE, HITTORFF, SEMPER. Small folio. PORTRAIT PAINTING. See Burnet, Cawse, Murray. PREVOST, J. L.-Collection des Fleurs et des Fruits, peints d'après Nature, par J. L. Prevost; suivis d'un Précis historique sur l'Art de la Broderie, et d'une Vue générale de toutes les manières de peindre depuis l'Antiquité jusqu'à nous, par M. Gault de Saint Germain. Small folio. Paris. PROUT, S.-Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting. Illustrated by examples. don, 1848. 4to. Lon Microcosm. The Artist's Sketch Book of Groups of Figures, Shipping, and other picturesque Objects. 1851. Royal 4to. London RACZYNSKI, LE COMTE A.-Modern Art in Germany; with Excursions in neighbouring Countries. Histoire de l'Art moderne en Allemagne. folio (plates). Paris, 1836-41. 3 vols. 4to., 1 vol. RAMBOUX, T. A.-Outlines in Illustration of old Christian Art in Italy, from 1200 to 1600. Umrisse zur Veranschaulichung alt-Christlichen Kunst in Italien, Atlas RAMDOHR, F. W. B. voN.-On Painting and Sculpture in Rome. Ueber Mahlerei und Bildhauerarbeit in Rom für Liebhaber des Schönen in der Kunst. 3 vols. 8vo. Leipzig, 1787. RAPHAEL.-The Arabesques of the Vatican. Rome, 1772. Large folio, plates. Scripture Prints; edited by James R. Hope, D.C.L. Old Testament Series. From the Frescoes of Raphael in the Vatican. Oblong folio, 26 plates. London, 1851. Descrizzione delle imajini depinte da Raffaello d' Urbino nelle camere del Palazzo Apostolico Vaticano. Di Gio. Pietro Bellori, alla Santita di Nostro Signore Papa Innocenzo XII. 4to. Rome, 1695. Raphael's Cupid and Psyche. Oblong folio, 32 plates. n. d. 4to. The Works of Raffaello, Domenichino, Poussin, and Albano; consisting of 445 engravings from pictures painted by those great masters, principally for the illustration of the Holy Scriptures, preceded by the lives of the artists, and by concise notices of their productions; together with, references to the various passages of Scripture they are intended to illustrate. 5 vols. 4to. London, 1819. RETZSCH, M.-Shakespeare Gallery. Gallerie zu Shakspeare's Dramatischen Werken. In umrissen Oblong 4to. REYNOLDS, SIR JOSHUA.-The Discourses of Sir Joshua Reynolds. Illustrated by explanatory notes and plates by John Burnet, F.R.S. 4to. London, 1842. Discourses on the Fine Arts, delivered to the Students of the Royal Academy. 8vo. Edinburgh, 1840. Literary Works. Comprising the Discourses, the Journey through Flanders and Holland, Du Fresnoy's Art of Painting; with a Memoir of the Author, by H. W. Beechey. 2 vols. small 8vo. London, 1851-52. RICHARDSON, J.-The Works of Jonathan Richardson; containing,-1, The Theory of Painting; 2, Essay on the Art of Criticism; 3, The Science of a Connoisseur. A new edition, corrected, with the addition of an Essay on the Knowledge of Prints, and Cautions to Collectors. 4to. London, 1792. Royal 8vo. RICHTER, H.-Daylight; a recent Discovery in the Art of Painting; with Hints on the Philosophy of the Fine Arts, and on that of the Human Mind, as first dissected by Emanuel Kant. London, 1817. ROCHETTE, R.-On the Application of Mural Painting with the Greeks and Romans, Peintures antiques inédites précédées de Recherches sur l'emploi de la Peinture dans la Décoration des Edifices sacrés et publics chez les Grecs et chez les Romains; faisant Suite aux Monuments inédits, par M. Raoul Rouchette. 4to. Paris, 1836. ROSELLINI, I.--The Monuments of Egypt and Nubia; arranged according to their subjects, by the Tuscan Expedition to Egypt, under the direction of Rosellini. Monumenti dell' Egitto e della Nubia. disegnati della Spedizione Scientifico-Litteraria Toscana in Egitto; distribuiti in ordine di materie, interpretati ed illustrati dal Dottore Ippolito Rosellini. 3 vols. atlas of plates, 9 vols. text, 8vo. Piзa, 1832-44. (This great work is in three parts, folio, with separate text in 8vo. ROSENBERG, G. F.-The Guide to Flower Painting in Water Colours, folio, text 8vo. Pisa, 1839-47. ROUX, H., AND BARRE.-Herculanum et Pompéi, Recueil général des Peintures, Bronzes, Mosaïques, &c. gravés au trait sur cuivre par H. Roux Ainé, et accompagné d'un Texte explicatif par M. L. Barré. 8 vols. 4to. Paris, 1840. ROWBOTHAM, T.-The Art of Landscape Painting in Water Colours. 8th edition, 12mo. London, 1852. RUMOHR, C. F. VON.-Italian Researches. Italienische Forschungen (chiefly on the early history of Painting in Italy). 3 vols. 8vo. Berlin. 1827. RUSKIN J.-Modern Painters; their Superiority in the Art of Landscape Painting to all the Ancient Masters, proved by the examples of the True, the Beautiful, and the Intellectual, from the works of Modern Artists, especially from those of J. M. W. Turner, R.A. By a Graduate of Oxford. 2nd edition, royal 8vo., 2 vols. London, 1844-6. Modern Painters. 1851. 5th edition, 2 vols. royal 8vo. London, Lectures on Architecture and Painting, delivered at Edinburgh, in November 1853, with illustrations drawn by the author. Post 8vo. London, 1854. RUSSEL, J.-Elements of Painting with Crayons. additions. 4to. London, 1777. 2nd edition, with SALZENBERG, W.-Old Christian Architectural Monuments of Constantinople, from the Fifth to the Twelfth Century. St. Sophia. Alt-Christliche Baudenkmale von Constantinopel vom V. bis XII. jahrhundert. Auf befehl seiner majestät des Königs augfenommen und historisch erläutert von W. Salzenberg. Im anhage des Silentiarius Paulus beschreibung der Heiligen Sophia und des Ambon. Metrisch übersetzt und mit anmerkungen versehen von Dr. C. W. Kortüm. Herausgegeben von dem Königl. Ministerium für Handel Gewerbe und öffentliche arbeiten. (Published by the Prussian Government, Ministry for Commerce, Trade, and Public Works.) Folio. Berlin, 1854. SANDRART, J. DE.--Academy of Painting, &c. Translated from the Academia Nobilissimæ Artis Pictoriæ. German. SCHASLER, DR. MAX.-The Wall Paintings of Wilhelm von Kaulbach, in the staircase of the New Museum at Berlin. Die Wandgemälde Wilhelm von Kaulbachs im Treppenhause des Berlin, 1854. SCHNORR, J.-The Bible in Pictures. Bibel in Bildern. 4to. woodcuts. Leipzig, 1853 et seq. |