EICHHORN, A.-A New Method of Wall-painting. Die Wandmalerei in einer neuen Technik erfunden und beschrieben ELSUM, J.-The Art of Painting after the Italian Manner; with practical observations on the principal colours, and directions how to know a good picture. Post 8vo. London, 1704. ENAMEL PAINTING. See DE LABORBE, DUSSIEUX, MONTAMY. ESCURIAL.-Description of the Royal Monastery of San Lorenzo of the Descripcion del Real Monasterio de S. Lorenzo del Escorial. Por el ETTY. See CAREY. 4to. Madrid, 1681. 8vo. EVANS, REV. G. W. D.-Lanzi's Luminaries of Painting. The Classic and Connoisseur in Italy and Sicily; with an appendix, containing an abridged translation of Lanzi's Storia Pittorica. 3 vols. 8vo. London, 1835. FIELD, G.-Chromatography; or, a Treatise on Colours and Pigments, and of their Powers in Painting, &c. 4to. London, 1835. Rudiments of the Painter's Art; or, a Grammar of Colouring, applicable to Operative Painting, Decorative Architecture, and the Arts, &c. 12mo. London, 1850. FIELDING, T. H.-On the Theory of Painting; to which is added, an The Art of Engraving, with the various modes of operation. On the Theory and Practice of Painting in Oil and Water Colours, for Landscapes and Portraits, &c.; with a Manual of Lithography. With plain and coloured plates. 4th edition, royal 8vo. London, 1846. FINE ARTS.-Reports of the Commissioners on the Fine Arts; with Small folio. London, 1842, et seq. appendices. FLOWER PAINTING. See ANDREWS, BROOKSHAW, BURGESS, PROVOST, ROSENBERG. FRAGONARD, A.---Recueil de divers Sujets dans le Style Grec. pagnés d'explications. (Figure subjects.) FRESCO PAINTING. See FINE ARTS, TAYLOR. Accom Folio. Paris, 1815. FUSELI, H.-Lectures on Painting, delivered at the Royal Academy, by Henry Fuseli; with additional observations and notes. series), new edition. 4to. London, 1830. See WORNUM, and KNOWLES-Class F. BIOGRAPHY, (1st GILPIN, W.-Three Essays on Picturesque Beauty, on Picturesque GOWER-Practical Treatise on Painting in Oil Colours. don, 1795. 8vo. Lon GUALANDI, M.-New Collection of Letters on Painting, Sculpture, and Nuova Raccolta di Lettere sulla Pittura, Scultura, ed Architettura, HALL, S. C.-The Royal Gallery of Art: Engravings from the private HAMILTON, GAVIN.-The Italian School of Painting. Schola Italica Picturæ, sive selectæ quædam summorum e Schola Italica Pictorum Tabulæ ære incisæ, &c. Folio. Rome, 1773. (With “Piranesi," forming vol. 22.) HAMILTON, G.-Gallery of British Artists, from the days of Hogarth to the present time, &c. 4 vols. post 8vo. Paris, 1839. HAY, D. R.—The Laws of Harmonious Colouring adapted to Interior Decorations; with Observations on the Practice of House Painting. 6th edition, 12mo. London, 1847. The Laws of Harmonious Colouring adapted to Interior Decorations, Manufactures, and other useful purposes. 8vo. London, 1838. HAYDON AND HAZLITT.--Painting and the Fine Arts, &c. Edinburgh, 1836. HAYDON, B. R.---Lectures on Painting and Design. London, 1844-46. 4th edition. 12mo. 2 vols. 8vo. Thoughts on the relative value of Fresco and Oil Painting, as applied to the Architectural Decorations of the Houses of ParliaSvo. London, 1842. ment. HAZLITT. See Class E 2, ART-THEORY OF. 12mo. HEAD, SIR E.-A Handbook of the History of the Spanish and French Schools of Painting; intended as a Sequel to " Kugler's Handbook of the Italian, German, and Dutch Schools of Painting." London, 1848. HENDRIE, R.-An Essay upon various Arts; in three books; by Theophilus, called also Rugerus, Priest and Monk; forming an Encyclopædia of Christian Art of the eleventh century. Translated, with notes, by Robert Hendrie. 8vo. London, 1847. HERBE.-Histoire des Beaux-Arts en France par les Monuments, spécialement de la Sculpture et de la Peinture, depuis la Domination Romaine jusqu'à l'Epoque de la Renaissance. 4to. Paris, n. d. HERCULANEUM.-The Ancient Paintings of. Le Pitture antiche d'Ercolano e contorni, 5 vols. folio. Naples, Spiegazione. incise con qualche 1757, et seq. (See HIGHMORE, J.-A critical Examination of those two Paintings on the Ceiling of the Banqueting House at Whitehall; in which Architecture is introduced so far as relates to the Perspective; together with the discussion of a question which has been the subject of debate anong painters. 4to. London, 1754. HINCKLY.-The Theory of Effect, embracing the Contrast of Light and Shade, of Colour and Harmony, &c. 8vo. Philadelphia, 1841. HITTORFF, J. J.-On Greek Polychromy, or the Painting of Architecture. HOGARTH.-Rules for Drawing Caricatures; with an Essay on Comic 8vo. London, 1788. Painting. HOPE, J. R.-Scripture Prints; Old Testament Series; from the Frescoes of Raphael in the Vatican. Parts 1 to 4, large 4to. London. HOWARD, H.-A Course of Lectures on Painting, delivered at the Royal Academy of Fine Arts. Edited, with a Memoir of the Author, by Frank Howard. 8vo. London, 1848. HUBER, M.-Notices générales des Graveurs, divisés par Nations, et des Peintres rangés par Ecoles. Précédées de l'Histoire de la Gravure et de la Peinture depuis l'Origine de ces Arts jusqu'à nos jours, et suivies d'un Catalogue raisonné d'une Collection choisie d'Estampes. Svo. Dresden, 1787. HUMPHREYS, H. N.--Ten Centuries of Art; its progress in Europe from the ninth to the nineteenth century; with a glance at the artistic works of classical antiquity, and concluding considerations on the probable influence of the Great Exhibition, and on the present state and future prospects of Art in Great Britain. London, 1852. Small 4to. HUNDERTPFUND, L.-The Art of Painting restored to its simplest_and surest principles. Illustrated with coloured plates. don, 1849. 8vo. Lon INNSTÄDTEN, C. A. S. EDLEM VON.-Tables of the Schools of Painting, from Giunta Pisano to L. J. David and J. A. Carstens. Graphische Darstellung der Geschichte der Malerei, von Giunta JAMESON, MRS.--Memoirs of the early Italian Painters, and of the Pro- 2 vols. JULIEN. Studies of Heads, selected from Paintings of eminent Artists, or drawn from Nature. Lithographed by Thomas Fairland. oblong 4to. London, n.d. New progressive Drawing Book of the Human Figure. Drawn from Nature. Lithographed by Thomas Fairland. Oblong 4to. London, n. d. JUNIUS, F.-The Painting of the Ancients, in three Bookes; declaring by historical observations and examples, the beginning, progresse, and consummation of that most noble Art; and how those ancient artificers attained to their still so much admired excellence. Written first, in Latin, by Franciscus Junius, F.F., and now by him Englished, with some additions and alterations. Post 4to. London, 1638. KAULBACH, W. VON.-Wall-paintings of the Staircase of the New Museum at Berlin. 8vo., Die Wandgemälde Wilhelm von Kaulbachs im Treppenhause des KINKEL, J.-Early Christian Art. Geschichte der bildenden Künste bei den Christlichen Völkern, vom Aufgang unserer Zeitrechnung bis zur Gegenwart. Part 1. Die altchristliche Kunst; with 8 plates. 8vo. Bonn, 1845. KNIGHT, C.-Old England's Worthies; a Gallery of Portraits from authentic Copies, of the most eminent Statesmen, Lawyers, Warriors, Men of Letters and Science, and Artists of our Country. Accompanied by full and original biographies, with illustrative wood-cuts, and 12 splendid illuminated engravings. 4to. London, 1847. KRAUSE, DR. J. H.-Angiology. The Drinking Vessels, &c., of the Ancients, especially of the Greeks and Romans. Angeiologie. Die Gefässe der alten Völker, insbesondere der KUGLER, DR. FRANZ.-A Handbook of the History of Painting. Part II. lated from the German by a Lady. Edited, with notes by Sir Edmund (In continuation.) The Spanish and French Schools of Painting, &c. 8vo. London, 1848. Schools of Painting in Italy. Translated from the German by a Lady; edited with Notes by Sir Charles L. Eastlake, P.R.A., &c. With upwards of 100 Illustrations. 2nd edition, 8vo. London, 1851. LAIRESSE, G.-The Art of Painting in all its Branches, methodically demonstrated by discourses and plates, and exemplified by Remarks on the Paintings of the best masters, and their perfections and oversights laid open. Translated by J. F. Fritsch. 4to. London, 1738. LANDSCAPE PAINING, The Art of, in Oil Colours. 12mo. London, 1853. 7th edition, See BURNET, FIELDING, GILPIN, ORAM, PROUT, RUSKIN. LANZI, L.-Luminaries of Painting. Translated by the Rev. G. W. D. Evans. 8vo. London, 1848. The History of Painting in Italy, from the period of the revival of the Fine Arts to the end of the Eighteenth Century. Translated from the original Italian of the Abate Luigi Lanzi, by Thomas Roscoe. 6 vols. 8vo. London, 1828. LASINIO, CAV. CARLO.-Wall Paintings of the Campo Santo at Pisa. Pitture a Fresco del Campo Santo di Pisa. Florence, 1828. Atlas folio. LATILLA, E.-A Treatise on Fresco, Encaustic, and Tempera Painting; being the substance of Lectures delivered at the Society of British Artists, and at the School of Design, Leicester Square, in the years 1838-39-40. 8vo. London, 1842. LE BLON, J. C.-The Art of Printing in Colours. L'Art d'Imprimer les Tableaux: Traité d'après les Ecrits, les Opérations, et les Instructions de J. C. Le Blon. Svo. Paris, 1756. LECTURES ON PAINTING. See BARRY, FUSELI, HAYDON, HOWARD, LESLIE, C. R., R. A.-A Handbook for Young Painters. With illustra- Lettres d'un Antiquaire à un Artiste sur l'emploi de la Peinture LINTON, W.-Ancient and Modern Colours, from the earliest periods to the present time; with their Chemical and Artistical Properties. 8vo. London, 1852. LOMAZZO, G. P.-Treatise on Painting. Trattato dell' Arte de la Pittura. Diviso in sette libri. Ne quali MARCHESE, P. V.-Convent of St. Mark, Florence; with Paintings and San Marco Convento dei Padri Predicatori in Firenze, illustrato e inciso principalmente nei dipinti del B. Giovanni Angelico, con la vita dello stesso pittore, e un sunto storico del convento medesimo del P. Vincenzo Marchese, Doinenicano. Firenze, 1852. Folio. MASSOUL, CONSTANT DE.-A Treatise on the Art of Painting, and the Composition of Colours, containing Instructions for all the various Processes of Painting, together with Observations upon the Qualities and Ingredients of Colours. Translated from the French of M. Constant de Massoul. 12mo. London, 1797. MAZZONI AND BEGARELLI.-The Works of the Modellers Mazzoni and Begarelli, and the Pictures in the Town Hall of Modena, by Niccolo Abati, Schedoni, &c. Le Opere di Guido Mazzoni e di Antonio Begarelli celebri plastici Modenesi. E le pitture esequite nelle Sale del Palazzo dell' illustrissima comunità di Modena da Niccolo Abati, Bartolomeo Schedoni, ed Ercole Abati. Folio. Modena, 1823. MERRIFIELD, MRS.-Practical Directions for Portrait Painting in Water Colours. 4th edition, 12mo. London, 1852. Original Treatises, dated from the Twelfth to the Eighteenth Centuries, on the Arts of Painting in Oil, Miniature, Mosaic, and on Glass, of Gilding, Dyeing, and of the Preparation of Colours and artificial Gems; preceded by a general introduction, with translations, prefaces, and notes. 2 vols. 8vo. London, 1849. A Treatise on Painting, written by Cennino Cennini in the year 1437; containing practical Directions for Painting in Fresco, Secco, Oil, and Distemper; with the Art of Gilding and Illuminating Manuscripts, adopted by the old Italian masters. Translated by Mrs. Merrifield, with an introductory preface, copious notes, and illustrations in outline from celebrated pictures. Svo. London, 1844. MERRIMÉE AND SEGUIN.--Peintures de l'Eglise de St. Savin, Département de la Vienne. Folio. Paris, 1844. |