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V.

PAINTING.

ALGAROTTI, COUNT.-An Essay on Painting.

1764.

18mo. London,

ÁMORETTI, CARLO.-Life and Works of Leonardo da Vinci.

Memorie Storiche su la Vita, gli Studi, e le Opere di Lionardo da
Vinci.

Preceded by the Treatise on Painting.

Trattato della Pittura di Lionardo da Vinci.

1804.

8vo. Milan,

ANCIENT PAINTING. See Bellori and DE LA CHAUSSE, CALLCOTT, DICTIONARY OF GREEK AND ROMAN ANTIQUITIES, Class K., HERCULANEUM, JUNIUS, LETRONNE, PANOFKA, PISTOLESI, PONCE, ROCHEtte, RoselliNI, ROUX AND Barré, WincKELMANN, WORNUM.

ANDREWS, J.-The Art of Flower Painting, in easy lessons; with directions for preparing the tints, and examples of each subject in various stages, drawn and coloured from Nature. Oblong 8vo. London, n. d. ANTIQUITIES.-Le Cabinet de l'Amateur et de l'Antiquaire; Révue des Estampes anciennes, des Objets d'Art, d'Antiquité, et de Curiosité. 2 vols. 8vo.

Paris, 1842.

ARTAUD DE Montor, M. LE CHEV.-Peintres primitifs; Collection de Tableaux rapportée d'Italie, et publiée par M. le Chevalier Artaud de Montor; reproduite par nos premiers artistes sous la direction de M. Challamel. 4to. Paris, 1843.

ARTAUD, F.-Brief History of Painting in Mosaic, with an Account of the Mosaics of Lyons and of the South of France.

Histoire abrégée de la Peinture en Mosaïque, suivie de la Descrip-
tion des Mosaïques de Lyon, et du Midi de la France, ainsi que
d'un Aperçu relatif au Déplacement de ces Pavés.
Lyons, 1835.

ARTS.-The Pictorial Gallery of Arts, Fine and Useful.
London, n. d.

4to.

2 vols. 4to.

BARBER, E.-The Painter's, Grainer's, and Writer's Assistant; containing the colours and the quantity to be used in the imitations of all kinds of fancy woods, marbles, granite, &c. 12mo. ph. London, 1854. BARRETT, G.-The Theory and Practice of Water-colour Painting; elucidated in a series of letters. Royal 8vo. London, 1840. BARRY, J.-A Series of Etchings by James Barry, Esq., from his original and justly celebrated Paintings in the Great Room of the Society of Arts, Manufactures, and Commerce, Adelphi. London, 1808.

Large folio.

Lectures on Painting by; edited, with notes, by R. N. Wornum. 12mo. London, 1848.

BELL, SIR C.-Essay on the Anatomy of Expression in Painting. 4to. London, 1806.

BELLORI AND DE LA CHAUSSE.-Ancient Paintings of the Crypts of Rome and of the Sepulchre of the Nasoni; engraved by Pietro Santi Bartoli, described by J. P. Bellori and M. De la Chausse. Picturæ antiquæ Cryptarum Romanarum et Sepulcri Nasonum, delineatæ et expressæ ad Archetypa à Petro Sancti Bartholi et Francisco ejus filio; descriptæ vero et illustratæ à Johanne Petro Bellorio et Michæle Angelo Causseo; opus Latine redditum, proditque absolutius et exactius cum appendice nunquam edita. Folio. Rome, 1755.

Small 4to.

BEZZI, G. A.-The Life of Giovanni Angelico da Fiesole; translated from the Italian of Vasari. With notes and illustrations. (Published by the Arundel Society.) London, 1850. BLACKBURNE, E. L.-Sketches, Graphic and Descriptive, for a History of the Decorative Painting applied to English Architecture during the Middle Ages. 4to. London, 1847.

BRITTON, J.-An Historical Account of Corsham House, in Wiltshire, the seat of Paul Cobb Methuen, Esq., with a catalogue of his celebrated Collection of Pictures, and embracing a concise historical Essay on the Fine Arts, &c. Embellished with a view and plan of the house. Post 8vo. London, 1806. BROOKSHAW, G.-A new Treatise on Flower Painting; or, every Lady her own Drawing Master. 4to. London, 1818.

BURGESS, J. C.-A practical Essay on the Art of Flower Painting. 8vo. London, 1811.

BURNET, J.-Landscape Painting in Oil Colours; explained in letters on the Theory and Practice of the Art, and illustrated by examples from the several schools. 4to. London, 1849.

Rembrandt and his Works; comprising a short account of his life, with a critical examination into his principles and practice of design, light, shade, and colour; illustrated by examples from the etchings of Rembrandt. 4to. London, 1849.

A practical Treatise on Painting; in three parts; consisting of Hints on Composition, Chiaroscuro, and Colouring. The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch Schools. 4to. London, 1827.

Practical Hints on Colour in Painting; illustrated by examples from the Works from the Venetian, Flemish, and Dutch Schools. 5th edition, 4to. London, 1843.

Practical Hints on Portrait Painting; illustrated by examples from the Works of Vandyck and other Masters. 4to. London, 1850. CALLCOTT, LADY.-Essays towards the History of Painting. (Ancient Art.) 8vo. London, 1836.

Continuation of Essays towards the History of Painting. 8vo. London, 1838.

CAREY, W.-Ridolfi's Critical Letters on the Style of William Etty, Esq., R.A., and on his "Destroying Angel inflicting Divine Vengeance on the Wicked;" reprinted from the "Yorkshire Gazette" of October and November 1852; with additional notices referring to the Royal Academy of London and the System of hostile Criticism. 8vo. Nottingham, 1833.

CAREY, W.-Critical Description and Analytical Review of "Death on the Pale Horse," painted by Benjamin West, P.R.A., with desultory References to the Works of some ancient Masters and living British Artists. 8vo. London, 1817.

CARICATURE. See DA VINCI, HOGARTH.

CARSTENS, A. J.-Drawings by Carstens in the Grand Ducal Collection at Weimar.

Zeichnungen von Asmus Jacob Carstens in der Grossherzoglichen

Kuntsammlung zu Weimar.
herausgegeben von W. Müller.
Schuchardt. Oblong 4to.

In Umrissen gestochen und Mit Erläuterungen von Chr. 4 parts. Weimar, 1849.

CARTER, J.-Specimens of the Ancient Sculpture and Painting now remaining in England, from the earliest period to the reign of Henry VIII. Exhibited in 120 plates, drawn and etched by J. Carter; with critical and historical illustrations by Francis Douce, Richard Gough, John Fenn, J. S. Hawkins, William Bray, and the Rev. J. Milner. A new and improved edition, arranged in topographical order, and illustrated with copious notes by Dawson Turner, Sir Samuel Rush Meyrick, John Britton, and others. Folio. London, 1838.

CATALOGUE-Catalogues of original Designs by Michelangelo and Raphael in the University Galleries, Oxford. Post 12mo. ph. Oxford, 1848.

CAWSE, J.-The Art of Painting Portraits, Landscapes, Animals, Draperies, Satins, &c., in Oil Colours; practically explained by coloured palettes; with Appendix on cleaning and restoring ancient paintings on panel or canvas. Royal 8vo. London, 1840. CHEVREUL, E.-The Principles of Harmony and Contrast of Colour, and their Application to the Arts; including painting, interior decoration, tapestries, carpets, mosaics, coloured glazing, paper-staining, calico printing, letter-press printing, map colouring, dress, landscape and flower gardening, &c. By M. E. Chevreul. Translated from the French by Charles Martel. 8vo. London, 1854. COLOURS. See BURNET, CHEVREUL, EASTLAKE, FIELD, HAY, HENDRIE, HINCKLY, LINTON, MASSOUL, MERRIFIELD,

WILLSON.

Cox, D.-A Series of Progressive Lessons, intended to elucidate the Art
of Painting in Water Colours, &c. Oblong 4to. London, 1845.
CRANACH, LUCAS. The Drawings of the elder Lucas Müller, called
Cranach; an Appendix to Albert Dürer's Christian Mythological
Drawings.

Des aelteren Lucas Müllers genannt Cranach Handzeichnungen.
Ein Nachtrag zu Albrecht Dürers Christlich Mythologischen
Handzeichnungen. Small folio. Munich, 1818.

D'AGINCOURT. J. B. L. G. S.--Histoire de l'Art par les Monumens, depuis sa Décadence au IVe Siècle jusqu'à son Renouvellement au XVIe; Ouvrage enrichi de 325 planches. 6 vols. folio. Paris,

1823.

History of Art by its Monuments, from its Decline in the fourth century to its Restoration in the sixteenth. Translated from the French. 3 vols. in 1, folio. London, 1847.

DAGUERRE, L. I. M.-History and Practice of Photogenic Drawing, on the true Principles of the Daguerreotype, with the new Method of Dioramic Painting. Translated from the original by J. S. Memes. 8vo. London, 1839.

DALLAWAY, REV. J.-Anecdotes of the Arts in England; or Comparative Remarks on Architecture, Sculpture, and Painting; chiefly illustrated by specimens at Oxford. Royal 8vo. London, 1800. DA VINCI, L.--Caricatures by.

Recueil de Testes de Caractère et de Charges, dessinées par Leo-
nardo da Vinci, Florentin, et gravées par M. le C. de C.
Small folio. Paris, 1730.

A Treatise on Painting, faithfully translated from the original
Italian by John Francis Rigaud. To which is prefixed a Life of the
Author, with a critical account of his works, by William Brown, Esq.
8vo. London, 1835.

8vo.

Traité de la Peinture, par Léonardo da Vinci, révu et corrigé.
Nouvelle édition. Augmentée de la Vie de l'Autheur.
Paris, 1716.

DAY, C. W.-The Art of Miniature Painting; comprising Instructions necessary for the acquirement of that Art. 2nd edition, 12mo. London, 1852.

12mo.

DE LABORDE, M.-Notice des Emaux exposés dans les Galeries du
Musée du Louvre. le partie, Histoire et Descriptions.
Paris, 1852.

DE MONTABERT, P.-Traité complet de la Peinture.
atlas, 1 vol. 4to. Paris, 1829-51.

9 vols. 8vo.,

DE PILES.-The Art of Painting, and the Lives of the Painters; to which is added an Essay towards an English School, with the Lives and Characters of above 100 Painters. 8vo. London, 1706.

The Principles of Painting; in which is contained an Account of the Athenian, Roman, Venetian, and Flemish Schools. London, 1743.

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8vo.

3 vols. 12mo. Paris,

D'ARGENVILLE.-Abrégé de la Vie des plus fameux Peintres, avec leurs

Portraits, &c.
DIDRON, M.-Iconographie Chrétienne.
Paris, 1843.

4 vols. 8vo. Paris, 1762.

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Handbook of Christian Iconography.
Manuel d'Iconographie Chrétienne, Grecque et Latine, avec une
Introduction et des Notes. Traduits du MS. Byzantin, "le
Guide de la Peinture," par le Dr. Paul Durand. Royal 8vo.
Paris, 1845.

DOLCE, L.-Dialogue sur la Peinture de Louis Dolce, intitulé l'Aretin, &c. (In French and Italian). Florence, 1735.

DUSSIEUX, L.-Essai sur l'Histoire de la Peinture sur Email.

Paris, 1839.

Svo.

EASTLAKE, SIR C. L., P.R.A.-Materials for a History of Oil Painting.

8vo. London, 1847.

Italian Schools of Painting. See KUGLER, WORNUM.

EDWARDS, E.-Anecdotes of Painters who have resided or been born in
England; with critical remarks on their productions.
London, 1808.

4to.

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