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Richson, Rev. C.—Fifty Diagrams to illustrate the Delineation of Form, adapted to the Author's Lessons on the same subject; with a Preface, containing Hints to Teachers on the early Education of the Hand and Eye, by George Wallis. Post 4to. London, n. d.

Robinson, J. C.—A Manual of Elementary Outline Drawing, to be used with the Course of Flat Examples, Stage 1. Prepared for the Department of the Board of Trade for Science and Art, and for '' Teachers in National and other Schools. 24mo. London, 1853.

A Collection of Examples of Coloured Ornament to serve as

First Exercises in Flat Tinting, &c. 4to. London, 1853.

Rob Son, W.—Grammigraphia; or, the Grammar of Drawing. 4to. London, 1799.

Rosendahl And Asmus.—Aid in the Drawing of Architectural, Artistic, and Technical Ornaments.

Hiilfsbuch beim Zeichnen architectonischer, artistischer, und technischer Verzierungen. 4to. Berlin, 1848.

Rowbotham, T.—The Art of Sketching from Nature, with 26 Illustrations, &c. 12th edition, 12mo. London, 1852.

Schmit, J. P.—Cours du Dessin d'Ornement à l'usage des Ecoles des Arts et Metiers, d'après des types antiques, du Moyen Age, et de la Renaissance. Nouvelle edition augmentée. Ouvrage adopté par l'Ecole Royale et Gratuite de Dessin de Paris. Small folio,

Paris, n. d.

Stanley, M.—Introductory Drawing Book, containing a Series of easy Sketches of Landscapes, &c., for Beginners, illustrating the Use of the Black Lead Pencil. Oblong 4to. Edinburgh and London.

Landscape Drawing Book; from a Series of Studies taken from

Nature. 4to. Edinburgh.

Syer, J.—Elementary Drawing Book: Syer's Rustic Scenes. In 1 vol. oblong 8vo. London, n. d.

. Progressive Drawing Book. 8vo. London, n. d.

Marine and River Views. Oblong 4to. London, n. d.

Tbipon, J. B.—Etudes progressives et complètes d'Architecture et de Lavis. Folio. Paris, n. d.

Etudes élémentaires de Lavis, appliquées à l'Architecture, la

Mécanique, et à l'Ornementation. 2 vols, folio. Paris, n. d.

Volpato And Morghen.—Principles of Drawing, derived from the most excellent Antique Statues.

Principi del Disegno tratti dalle piu eccellenti Statue antiche.
Folio. Milan, 1831.

Weigall, C. H.—The Art of Figure Drawing; containing practical
Instructions for a Course of Study in this Branch of Art; with 1/
illustrations, drawn on wood by the Author, &c., and engraved by
Walter G. Mason. 4th edition, 12mo. London, 1852.

Williams, B.—A Manual for teaching Model Drawing from Solid Forms, the Models founded on those of M. Dupuis; combined with a popular view of Perspective, and adapted to the elementary instruction of Classes in Schools and Public Institutions. 2nd edition, 8vo. London, 1852.

Instruction in Drawing; adridged from the "Manual of Model

Drawing and Perspective." 2nd edition, 8vo. London, 1851.

Willis, H. B.—Studies of Cattle and Rustic Figures. 6 parts, oblong 4to. London, 1849.

\vili,son, H.—A Practical Treatise on Composition,Light and Shade, and Colour. Illustrated by Plain and Coloured Examples. New edition, royal 8vo. London, 1851.

Wood, J. Junr.—An Elementary Treatise on Sketching from Nature; with the Principles of Light and Shade, the Theory of Colours, &c. Royal 8vo. London, 1850.

Woknum, R. N.—Report on the Arrangements and Character of French Art Collections, and Systems of Instruction in Schools of Design in France. (First Report of the Department of Practical Art, App. VII.) 8vo. London, ISS.'J.

M.

ENGRAVING.

Alken, H.—The Art and Practice of Etching, with directions for other methods of light and entertaining engraving. Small 8vo. London, 1849.

Amman, J. See Becker.

Antiquities.—Le Cabinet de l'Amateur et de l'Antiquaire; Revue des tableaux et des estampes anciennes, des objets d'art, d'antiquité, et de curiosité. 2 vols. 8vo. Paris, 1842.

Ashley, A.—The Art of Etching on Copper. Oblong 4to. London, n.d.

Bartsch, F. R. Von.—A Selection of the most reinarkable Prints in the Imperial Collection of Vienna.

Die Kupferstichaammlung der K. K. Hofbibliothek in Wien. In einer auswahl ibrer Merkwiirdigsten blatter. 8vo. Wien,

1854.

Bartsch, A.—Le Peintre Graveur. 21 vols. 8vo. Yienna, 1803-21. Bechstein, L.—Four hundred German Portraits, with Biographical Sketches.

Vierhundert Deutsche Mànner in Bildnissen und Lebensbeschreibungen. Post 4to. Leipzig, 1853.

Becker, C.—Jobst Amman as Draughtsman, Wood Engraver, Etcher, and Copper-plate Engraver. Jobst Amman, zeichner und formsehneider, kupferatzer und stecher, nebst zusatzen von R. Weigel. Mit 17 holzschnitten und register. Post4to. Leipzig, 1854.

Bewick, T.—British Land Birds, engraved on wood. 4to. New

castle, 1825.

The Figures of Bewick's Quadrupeds. 2nd edition, 4to.

Newcastle, 1824.

Bibel.—Historical Picture Bible: the Patriarchs, the Judges, the Kings,

the Prophets, the Angels; 171 copper plates.

Historische Bilder-Bibel. Small folio. Augsburg, 1700-5.

Bourdon, P.—Essais de Gravure. Oblong 4to. Paris, 1703.

Brtjlliot, F.—Dictionnaire des Monogrammes, Marques figurées,

Lettres initiales, Noms abrégés, &c.; avec lesquels les Peintres,

Dessinateurs, Graveurs, et Sculpteurs ont désigne leurs Noms.

2nd edition. 3 vols. 4to. Munich, 1832. Bryan, M.—A Biographical and Critical Dictionary of Painters and

Engravers, with the ciphers, monograms, and marks, &c. 2 vols.

4to. London, 1816. Bcrger, L., And Unzelmann, Prof. F.—The Life of Christ, illustrated by woodcuts.

Das Leben Jesu, in bildern. 4to. Berlin, 1854. Catalogue of Prints for Sale at the Imperial Calcographie at the Louvre,

Paris.

Catalogue des Planches gravées composant le Fonds de la Calcographie, et dont les épreuves se vendent dans cet établissement au Musée National du Louvre. 4to. Paris, 1851.

Caulfield, J.—Calcographiana; the Printseller's Chronicle and Collector's Guide to the Knowledge and Value of engraved British Portraits. 8vo. London, 1814.

Chatto, W. A.—A Treatise on Wood Engraving, Historical and Practical, with 300 illustrations on wood by John Jackson. Royal 8vo. London, 1839.

Chbist, M.—Dictionnaire des Monogrammes, Chiffres, Lettres Initiales, Logogryphes, llebus, &c.; sous lesquels les plus célèbres Peintres, Graveurs, et Dessinateurs ont dessiné leurs noms. Traduit de l'Allemand de M. Christ, et augmenté de plusieurs Supplémens, par M***. 8vo. Paris, 1/50.

Cicognara, L.—The Early History of Engraving.

Memorie spettanti alla storia della Cakografia del Commend.
Conte Leopoldo Cicognara. Royal 8vo. text, and small

folio atlas. Prato, 1831.

Cumberland, G.—Some Anecdotes of the Life of Julio Bonasoni, a Bolognese artist, who followed the styles of the best schools in the sixteenth century; accompanied by a catalogue of the engravings, with their measures, of the works of that tasteful composer, and remarks on the general character of his rare and exquisite performances. To which is prefixed a plan for the improvement of the arts in England. 8vo. London, 1793.

Dance Of Death. See Douce, Holbein.

Douce, P.—The Dance of Death, exhibited in elegant Engravings on Wood; with a Dissertation on the several representations of that subject, but more particularly on those ascribed to Macabar and Hans Holbein. 8vo. London, 1833.

Duchesne, Ainé.—On Niellos.

Essai sur les Nielles, Gravures des Orfevres Florentins du XVe. siècle. 8vo. Paris, 1820.

Durer Albert.—Christ's Passion.

La Passione di N. S. Giesu Christo, d'Alberto Durero di Norimberga. Sposta in ottava rima dal R. P. D. Mauritio Moro. (wants title). Small 4to. Venice, 1612.

Engraving.—Sculptura Historico-Technica; or the History and Art of Engraving. 12mo. London, 1747.

See Bourdon, Cicognara, Huber, Landseer, Monier,

Zanetti.

Etching.—Etching described and simplified, with progressive Illustrations. Post 8vo. 1849. See Alken, Ashley.

Gilpin, W.—An Essay on Prints. 3rd edition, 8vo. London,1781.

Heller, J.—The History of Wood Engraving; with an Essay on the Origin of Playing Cards, and a List of Works on Xylography. Geschichte der Holzschneidekunst von den àltesten bis auf die neuesten zeiten, nebst zwei Beilagen, enthaltend den Ursprung der Spielkarten und Verzeichniss der sammtlichen xylographischen Werke. (Many wood cuts.) 8vo. Bamberg, 1823.

Holbein, Hans.—The Dance of Death. Square 24mo. Ger

man, n. d.

•- The Dance of Death.

Todtentanz in 53 getreu nach den Holzschnitten lithographirten blattern, Herausgegeben von J. Schlotthauer, mit erklarendem texte. Post 8vo. Munich, 1832.

Hollar. See Paethey.

Huber, M.—Notices genérales des Graveurs, divisés par NationSj et des Peintres rangés par Ecoles. Précédées de l'Histoire de la Gravure et de la Peinture depuis l'Origine de ces Arts jusqu'à nos jours, et suivies d'un Catalogue raisonné d'une Collection choisie d'Estampes. 8vo. Dresden, 1787.

Jackson. See Wood Engraving.

James, Rev. T.—Jîsop's Fables; a new version, chiefly from original sources. With more than 100 Illustrations, designed by John Tenniel. 8vo. London, 1848.

Lader, O.—History and Miracles of the Holy Sacrament.

Historia und Wunderzeichen des allerheiligsten wunderbarlich verwandelten Sacraments, &c. With many plates of monstrances, &c. 8vo. Augsburg, 1625.

Landseer, J.—Lectures on the Art of Engraving, delivered at the Royal Institution of Great Britain. 8vo. London, 1807.

Lan E, E. W,—The Arabian Nights Entertainments; with GOO woodcuts by William Harvey. New edition. Royal 8vo. London, 1853.

Monier, P.—The History of Painting, Sculpture, Architecture, Graving, and of those that have excelled in them, &c.; with an Account of the most considerable Productions of the best Artists in all ages; and how to distinguish the true and regular performances from those that are otherwise. Post 8vo. London, 1699.

Monograms. See Brulliot, Bryan, Christ, Heller.

Niellos. See Duchesne.

Nuremberg Chronicle.—Liber Chroniearum, &c., by Dr. Hartman Schedel; printed in Latin by Ant. Koberger; illustrated with about 2000 coarse woodcuts, under the direction of Michael Wohlgemuth and Wilhelm Pleydenwurff. The cuts are chiefly portraits and views of towns. The book gives a History of the World from the Creation. The only title is the heading of the index :—" Registrum hujus operis libri cronicarum cum figuris et ymaginibus ad inicio mundi." Folio. Niirnberg, 1493.

Parthey, G.—Descriptive Catalogue of the Prints of W. Hollar.

Wenzel Hollar, Besohreibendes Verzeichniss seiner Kupferstiche. 8vo. Berlin, 1853. Peacham, H.—Minerva Britanua, or a Garden of Heroical Devices, furnished and adorned with Emblems and Impressa's of sundry natures, newly devised, moralised and published. Small 4to.

London, 1612.
Playing Cards. See Chatto, Heller.

Prayers. Book Of, (Queen Elizabeth's).—A Booke of Christian Prayers, collected out of the Ancient Writers, and best learned in our time, &c. With numerous marginal illustrations, engraved in wood. Small 4to. London, 1590.

— The Book of Common Prayer and Administration of the Sacraments, and other Rites and Ceremonies of eth Church, according to the Use of the United Church of England and Ireland; together with the Psalter or Psalms of David, pointed as they are to be sung or said in Churches; (with marginal cuts from Queen Elizabeth's Book of Prayers, 1590.) Published by William Pickering. 12mo. London, 1853,

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