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KING RICHARD THE

SECOND.

BY

WILLIAM SHAKESPEARE.

THE FIRST QUARTO,

1597,

A FACSIMILE IN PHOTO-LITHOGRAPHY

BY

CHARLES PRAETORIUS,

FROM THE COPY IN THE POSSESSION OF

HENRY HUTH, ESQ.,

WITH AN INTRODUCTORY NOTICE BY

THE REV. W. A. HARRISON.

LONDON:

PRODUCED BY C. PRAETORIUS, 14, CLAREVILLE GROVE,

HEREFORD SQUARE, S.W.

13481.28.3

43 SHAKSPERE QUARTO FACSIMILES,

WITH INTRODUCTIONS, LINE-NUMBERS, &C., BY SHAKSPERE scholars.

ISSUED UNDER THE SUPERINTENDENCE OF DR. F. J. FURNIVALL.

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14. Much Ado About Nothing. 1600. QI.

15. Taming of a Shrew. 1594. QI. 16. Merchant of Venice. 1600. Q2. (Heyes.)

18. Richard II. 1597. QI. Mr. Huth's copy.

19. Kichard II. 1608. Q3. 20. Richard II. 1634. Q5. 21. Pericles. 1609. QI. 22. Pericles. 1609. Q2. 23. The Whole Contention. 1619.

Q3. Part I. (for 2 Henry VI). 24. The Whole Contention. 1619.

Q3. Part II. (for 3 Henry VI.) 25. Romeo and Juliet. 1597. QI. 26. Romeo and Juliet. 1509. Q2. 27. Henry V. 1600. QI. 28. Henry V. 1608. Q2. 29. Titus Andronicus. 1600. QI. 30. Sonnets and Lover's Complaint.

1609. QI.

31. Othello. 1622. QI. 32. Othello. 1630. Q2. 33. King Lear. 1608. QI. (N. Butter, Pide Bull.)

34. King Lear. 1608. Q2. (N. Butter.) 35. Rape of Lucrece. 1594. QI. 36. Romeo and Juliet. Undated. Q4. 37. Contention. (For 2 Henry VI.) 1594. QI. (in progress.) 38. True Tragedy. (For 3 Henry VI.) 1595. QI. (in progress.) 39. The Famous Victories of Henry V. 1598. QI.

40. The Troublesome Raigne of King John. Part I. 1591. QI. (2n progress).

41. The Troublesome Raigne of King John. Part II. 1591. QI. (in progress.)

1622.

42. Richard III. 1602. 43. Richard III. progress.)

Q3.

Q6. (in

[Shakspere-Quarto Facsimiles, No. 18.]

MARVARD COLLEGE LIBRAKY

FROM THE LIBRARY OF

GEORGE RICHARD BLINN

SEP 10 1926

RICHARD II.

Q°1. 1597.

The General Introduction to this Play will be given with the Facsimile of the copy of this Quarto in the possession of His Grace the Duke of Devonshire; a copy which differs in very important particulars from the other known examples. With the present Facsimile, made by the kind permission of Mr. Henry Huth from the copy in his library, it will suffice to note the system observed in the marginal markings.

On the inner margins are given the line numbers, in fours, of the nineteen consecutive scenes of which the Quarto consists. Where parts of lines in the Qo make together a perfect metrical line in the Cambridge edition, a bracket [{]shews this: otherwise each short line of the Quarto is reckoned as a whole line.

On the outer margins are given the Act, Scene and line numbers of the Cambridge and Globe editions.

A dagger [+] means that a line in the Facsimile differs more or less from the corresponding line in F1.

A caret [<] shews that a line or a stage direction existing in Fr is absent from the corresponding place in the Qo.

A star [*] shews that a line or a stage direction existing in the Q is absent from the corresponding place in F1.

W. A. HARRISON.

6 June, 1888.

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Printed by Valentine Simmes for Androw Wife, and are to be fold at his fhop in Paules church yard at the figne of the Angel.

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