Maracatu Atomico: Tradition, Modernity, and Postmodernity in the Mangue Movement of Recife, Brazil

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Routledge, 16 груд. 2013 р. - 250 стор.
"Maracatu Atômico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions while embracing modern, global pop influences and technology. The book provides historical and ethnographic accounts of the movement, analyzes salient examples of folk and pop fusion music, and enters recent debates about postmodernity, globalization, and "world music" in an attempt to understand better how local musicians in one "Third World" region interact within a more global cultural system.
 

Зміст

Introduction
1
Theoretical Orientation
10
Research Methods and Fieldwork Synopsis
17
A History
27
The Emergence of Chico Science and Nação Zumbi
37
The Manifesto Mangue
43
Pernambucan Precedents to Mangue
56
The 1980s Boom in Brazilian Rock
63
10
110
Mangue and the Global Culture Debate
119
Appendices
127
17
150
Song Notes
157
22284
163
29
173
37
187

New Folkloric Associations
69
3
76
Regional Folk Artists and Associations
80
Rock Rap and Mangue
86
Mangue Postmodernity and the Global Culture Debate
101
Glossary
199
Discography
213
Index
220
56
226
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Philip Galinsky, PhD is Director of Samba New York!

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