Thomas Hardy's Epic-drama: A Study of The DynastsGreenwood Press, 1969 - 122 стор.
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Сторінка 15
... beginning , had been a little distant . He knew that , in the modern sense , novel - writing had become a business proposition , and that in some crucial ways his temperament was not suited to the creation of " stories of modern ...
... beginning , had been a little distant . He knew that , in the modern sense , novel - writing had become a business proposition , and that in some crucial ways his temperament was not suited to the creation of " stories of modern ...
Сторінка 41
... beginning year of his chronicle from the outbreak of the French Revolution to Napoleon's second coronation at Milan , he saw , from the be- ginning , that the logical place to end the story would be Water- loo . It was impossible for ...
... beginning year of his chronicle from the outbreak of the French Revolution to Napoleon's second coronation at Milan , he saw , from the be- ginning , that the logical place to end the story would be Water- loo . It was impossible for ...
Сторінка 61
... beginning , a middle , and an end . He exhibited characters in pairs and as contrasts , demon- strating his familiarity with the Shakespearean principle of " mir- ror scenes , " the small scenes that use minor characters to show how the ...
... beginning , a middle , and an end . He exhibited characters in pairs and as contrasts , demon- strating his familiarity with the Shakespearean principle of " mir- ror scenes , " the small scenes that use minor characters to show how the ...
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Achilles admired Alfred Noyes artistic Bailey battle become believed Burke Burke's Carl CHAPTER characters Christian concept criticism death decade December doctrine drama Dynasts E. M. W. Tillyard Early earth edition editors Emperor England English epic epic-drama Europe Eustacia Fiction final Fore Scene French Hardy of Wessex Hardy wrote Hardy's Dynasts Heaven Homer human Ibid Iliad Immanent intention irony J. O. Bailey Jude Jude the Obscure late later Leslie Stephen Letters literary literature London Macmillan Magazine man's manuscript March Marie Louise Max Gate meaning ment Milton modern Napoleon narrative never novel Paradise Lost perhaps philosophy Pities poem poet poetry prose published readers recorded Review Rutland Schopenhauer seems sense serial Spirit Ironic story sublime Sydney Carlyle Cockerell T. S. Eliot Tess things Thomas Hardy thought tion tragedy Trumpet-Major unconscious universe verse viii Waterloo Weber Wellington Wessex writing written York