Gothic Music: The Sounds of the UncannyUniversity of Wales Press, 15 лип. 2012 р. - 144 стор. Gothic Music - The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture. |
Зміст
Baleful Sounds and Wild Voices Ignored | 1 |
The Sound of Gothic Literature | 11 |
The Audiovisual Uncanny | 34 |
The Unhomely Home | 73 |
Hyperreality Haunted | 100 |
Uncanny Embodied | 128 |
The Unthinkable Sounds of the Uncanny | 173 |
Notes | 191 |
| 207 | |
| 215 | |
Інші видання - Показати все
Загальні терміни та фрази
audiences audiovisual bands bass boundaries Call of Cthulhu chapter cinematic computer games connotations created cultural Cybergoth dance dark darkwave Derrida described destabilisation diegesis diegetic disembodied Dracula drones echo effect electronic evoke excess extra-diegetic fantasy film music game music gameplay genre ghost story ghostly glissando Goth subcultural Gothic film Gothic game Gothic literature Gothic music Gothic novels Gothic television Gothicising haunted hauntography hauntology Heidegger horror film human Ibid idiom immersion Joy Division leitmotifs liminal listeners liturgical magic circle medieval melodies metaphysical motifs movie musical experience narrative neofolk nondiegetic music nostalgia overlap pagan past phantom play player plot present repetition Resident Evil reverb ritual scene schizophonic score screen signifies silence Silent Hill song sonic sound and music soundscape space spectral spectres stingers style subcultural subgenres supernatural television music temporality theme timbre transgression Twin Peaks uncanny underlines vampire video game viewer virtual reality visual vocal voices X-Files