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How! confess myself in the fault?

JULIET. Ay; for the best thing that a man can do, when he finds he can't be beloved, is to take care he is not heartily hated. There is no other alternative.

RUST. Madam, I sha’n't break my word with Sir Thomas.

JULIET. Nor I with myself. So there's an end of our conference. Sir, your very obedient.

RUST. Madam, I, I, don't

that is, let me But no matter. Your servant.

[Exit. JULIET. Ha, ha, ha!

Enter Bever from behind.

BEVER. Ha, ha, ha! Incomparable Juliet! How the old dotard trembled and tottered; he could not have been more inflam'd, had he been robb’d of his Otho.

JULIET. Ay; was ever goddess so familiarly used ? In my conscience, I began to be afraid that he would treat me as the Indians do their dirty divi. nities; whenever they are deaf to their prayers, they beat and abuse them.

BEVER. But, after all, we are in an aukward situation.


JULIET. How so?

BEVER, I have my fears.

JULIET. So have not I.

BEVER. Your uncle has resolved that you should be married to Rust.

JULIET. Ay, he may decree; but it is I that must execute.

But suppose he has given his word.

Why then let him recal it again.

BEVER, But are you sure you shall have courage enough

JULIET. To say No? That requires much resolution, indeed.

Then I am at the height of my hopes.

JULIET. Your hopes! Your hopes and your fears are ill-founded alike.

Why, you are determined not to be his.

Well, and what then?

What then! why then you will be mine. .

Indeed! and is that the natural consequence?
Whoever won't be his, must be your's. Is that
the logic of Oxford ?

BEVER. Madam, I did flatter myself



JULIET. Then you did very wrong, indeed, Mr. Bever: you should ever guard against flattering yourself; for of all dangerous parasites, self is the worst.

BEVER. I am astonish'd !

JULIET. Aftonish'd! your are mad, I believe! Why, I have not known you a month. It is true, my uncle says your father is his friend; your fortune, in time, will be easy; your figure is not remarkably faulty; and as to your understanding, paffable enough for a young fellow who has not seen much of the world: but when one talks of a husband-Lord, it's quite another sort of am Ha, ha, ha! Poor Bever, how he stares! he stands like a statue!

BEVER. Statue, indeed, Madam; I am very near pctrified.

JULIET. Even then you will make as good a husband as Rust. But go, run, and join the assembly within : be attentive to every word, motion, and look of my uncle's; be dumb when he speaks, admire all he says, laugh when he smirks, bow when he sneezes; in short, fawn, flatter, and cringe; don't be afraid of over-loading his stomach, for the knight has a noble digestion, and you will find some there who will keep you in countenance.

BEVER. I fly. So then, Juliet, your intention was only to try

JULIET. Don't plague me with impertinent questions : march! obey my directions." We muft leave the issue to Chance; a greater friend to mankind than they are willing to own. Oh, if any thing new should occur, you may come into the drawing room for further inftructions. Exeunt feverally.

SCENE, A ROOM IN SIR THOMAS LOFTY'S HOUSE, Sir Thomas, Rus, Puf, DaElyl, and oibers, discovered


Nothing new to-day from Parnaflus?

Not that I hear.

Nothing critical, philosophical, or political?


Sir THOMAS. Then in this disette, this dearth of invention, give me leave, gentlemen, to distribute my stores. I have here in my hand a little, smart, satyrical epigram; new, and prettily pointed : in short, a production that Martial himself would not have blush'd to acknowledge.

Your own, Sir Thomas?

O fie! no; fent me this morning, anonymous

Pray, Sir Thomas, let us have it.

By all means; by all means.




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To Phillis.
Think't thou, fond Phillis, Strephon told thee true,
Angels are painted fair to look like you :
Another story all the town will tell;
Phillis paints fair-to look like an an-gel.

"ALL. Fine! fine! very fine! .,

Such an ease and fimplicity.

The turn so unexpected and quick.

The satire so poignant.

Sir THOMAS. Yes; I think it possesses, in an eminent degree, the three great epigrammatical requisites; brevity, familiarity, and severity. Phillis paints fair---to look like an an-gel.

DACTYL. Happy! Is the Phillis, the subject, a secret?

Sir THOMAS. Oh, dear me! nothing personal; no; an im. promptu; a mere jeu d'esprit.

Then, Sir Thomas, the secret is out; it is

; own.

That was obvious enough.

Who is there else could have written it?

True, true.


it is your

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