Transformation: or, The romance of Monte Beni, Том 1;Том 572 |
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Сторінка xv
... KENYON , DONATELLO II . THE FAUN • III . SUBTERRANEAN REMINISCENCES IV . THE SPECTRE OF THE CATACOMB V. MIRIAM'S STUDIO • VI . THE VIRGIN'S SHRINE . VII . BEATRICE · · VIII . THE SUBURBAN VILLA IX . THE FAUN AND NYMPH X. THE SYLVAN ...
... KENYON , DONATELLO II . THE FAUN • III . SUBTERRANEAN REMINISCENCES IV . THE SPECTRE OF THE CATACOMB V. MIRIAM'S STUDIO • VI . THE VIRGIN'S SHRINE . VII . BEATRICE · · VIII . THE SUBURBAN VILLA IX . THE FAUN AND NYMPH X. THE SYLVAN ...
Сторінка 1
... KENYON , DONATELLO . FOUR individuals , in whose fortunes we should be glad to interest the reader , happened to be standing in one of the saloons of the sculpture- gallery in the Capitol at Rome . It was that room ( the first , after ...
... KENYON , DONATELLO . FOUR individuals , in whose fortunes we should be glad to interest the reader , happened to be standing in one of the saloons of the sculpture- gallery in the Capitol at Rome . It was that room ( the first , after ...
Сторінка 3
... life , of which this spot was the centre , that the present moment is pressed down or crowded out , and our individual affairs and interests are but half as real here as elsewhere . Viewed through 1-2 MIRIAM , HILDA , KENYON , DONATELLO .
... life , of which this spot was the centre , that the present moment is pressed down or crowded out , and our individual affairs and interests are but half as real here as elsewhere . Viewed through 1-2 MIRIAM , HILDA , KENYON , DONATELLO .
Сторінка 5
... Kenyon , ” said a dark - eyed young woman , whom her friends called Miriam , " that you never chiselled out of marble , nor wrought in clay , a more vivid likeness than this , cunning a bust - maker as you think yourself . The ...
... Kenyon , ” said a dark - eyed young woman , whom her friends called Miriam , " that you never chiselled out of marble , nor wrought in clay , a more vivid likeness than this , cunning a bust - maker as you think yourself . The ...
Сторінка 6
... dear friend , ” said Kenyon , in Italian , " pray gratify us all by taking the exact attitude of this statue . " The young man laughed , and threw himself into the position in which the statue has been standing 6 ROMANCE OF MONTE BENI.
... dear friend , ” said Kenyon , in Italian , " pray gratify us all by taking the exact attitude of this statue . " The young man laughed , and threw himself into the position in which the statue has been standing 6 ROMANCE OF MONTE BENI.
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Transformation: Or, the Romance of Monte Beni: In 2 Volumes, Том 1 Nathaniel Hawthorne Повний перегляд - 1860 |
Загальні терміни та фрази
answered Miriam antique Apennines artist asked bas-reliefs Beatrice Beatrice Cenci beautiful beneath breath bust catacomb character Cleopatra companion creature cried Donatello dance dark dear Hilda delicate delight Dona dream exclaimed Miriam exquisite eyes face fancy Faun feel figure flinging Fountain of Trevi gallery gazed gentle girl glance gloom Guido hand happy haunted heart human idea imagination Italian Italy Jael Kenyon kindly laughing leave light look maiden malaria marble marble Faun mirth mood mystery NATHANIEL HAWTHORNE natural never once painter palace passionate perhaps piazza picture pillar Pincian Pincian Hill Porta del Popolo Praxiteles replied Hilda rich Roman Rome ruin sarcophagus satyrs scene sculptor seemed shadow signorina sketches slender smile sorrow spectre spirit staircase statue stone strange studio sunshine sylvan sympathy tello thing thought tion touch Trajan Trajan's forum truth uncon vanished wall wild woman wonder wrought youth
Популярні уривки
Сторінка 64 - And they have greatly the advantage of us in this respect. The slender thread of silk or cotton keeps them united with the small, familiar, gentle interests of life, the continually operating influences of which do so much for the health of the character, and carry off what would otherwise be a dangerous accumulation of morbid sensibility.
Сторінка x - No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
Сторінка 145 - Arcadian life, or, further still, into the Golden Age, before mankind was burdened with sin and sorrow, and before pleasure had been darkened with those shadows that bring it into high relief, and make it happiness.
Сторінка 218 - Not a nude figure, I hope," observed Miriam. " Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence.
Сторінка 162 - Yet, let us trust, there may have been no crime in Miriam, but only one of those fatalities which are among the most insoluble riddles propounded to mortal comprehension ; the fatal decree by which every crime is made to be the agony of many innocent persons, as well as of the single guilty one.
Сторінка 114 - Your judgments are often terribly severe, though you seem all made up of gentleness and mercy. Beatrice's sin may not have been so great : perhaps it was no sin at all, but the best virtue possible in the circumstances. If she viewed it as a sin, it may have been because her nature was too feeble for the fate imposed upon her. Ah...
Сторінка 226 - ... passionate, tender, wicked, terrible, and full of poisonous and rapturous enchantment — was kneaded into what, only a week or two before, had been a lump of wet clay from the Tiber. Soon, apotheosized in an indestructible material, she would be one of the images that men keep VOL. I. 15 for ever, finding a heat in them which does not cool down, throughout the centuries. "What 'a woman is this!
Сторінка 133 - With every step she took, he expressed his joy at her nearer and nearer presence by what might be thought an extravagance of gesticulation, but which doubtless was the language of the natural man, though laid aside and forgotten by other men, now that words have been feebly substituted in the place of signs and symbols. He gave Miriam the idea of a being not precisely man, nor yet a child, but, in a high and beautiful sense, an animal, a creature in a state of development less than what mankind has...
Сторінка 12 - DONATELLO," playfully cried Miriam, "do not leave us in this perplexity ! Shake aside those brown curls, my friend, and let us see whether this marvellous resemblance extends to the very tips of the ears. If so, we shall like you all the better ! "
Сторінка vi - He meant it for that one congenial friend,— more comprehensive of his purposes, more appreciative of his success, more indulgent of his shortcomings, and, in all respects, closer and kinder than a brother,— that all-sympathizing critic, in short, whom an author never actually meets, but to whom he implicitly makes his appeal whenever he is conscious of having done his best. The antique fashion of Prefaces recognized this genial personage as the "Kind Reader," the "Gentle Reader," the "Beloved,