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An angry brook, it sweeps the glade,
Brawls over rock and wild cascade,
And, foaming brown with doubled speed,
Hurries its waters to the Tweed.

No longer Autumn's glowing red
Upon our forest hills is shed;

No more, beneath the evening beam,
Fair Tweed reflects their purple gleam;
Away hath passed the heather-bell,
That bloomed so rich on Needpath-fell;
Sallow his brow, and russet bare,
Are now the sister-heights of Yare.
The sheep before the pinching heaven,
To sheltered dale and down are driven,
Where yet some faded herbage pines,
And yet a watery sun-beam shines:
In meek despondency they eye
The withered sward and wintry sky,
And far beneath their summer hill,
Stray sadly by Glenkinnon's rill:
The shepherd shifts his mantle's fold,
And wraps him closer from the cold;
His dogs no merry circles wheel,
But, shivering, follow at his heel;
A cowering glance they often cast,
As deeper moans the gathering blast.

SCOTT. [From "Marmion."]

The Garden of Adonis.

THERE is continual Spring, and harvest there
Continual, both meeting at one time;

For both the boughs do laughing blossoms bear,
And with fresh colours deck the wanton prime,
And eke at once the heavy trees they climb,
Which seem to labour under their fruits' load;
The whiles the joyous birds make their pastime
Amongst the shady leaves (their sweet abode),
And their true loves without suspicion tell abroad.

Right in the middest of that paradise

There stood a stately mount, on whose round top
A gloomy grove of myrtle trees did rise,
Whose shady boughs sharp steel did never lop,
Nor wicked beasts their tender buds did crop,

But like a garland compassed the height,
And from their fruitful sides sweet gum did drop,
That all the ground, with precious dew bedight,
Threw forth most dainty odours and most sweet delight.

And in the thickest covert of that shade

There was a pleasant arbour, not by art,

But of the trees' own inclination made,

Which knitting their rank branches part to part,

With wanton ivy-twine entrayled athwart,

And eglantine and caprefole among,

Fashioned above within their inmost part,

That neither Phoebus' beams could through them throng,

Nor Eolus' sharp blast could work them any wrong.

And all about grew every sort of flower

To which sad lovers were transformed of yore;
Fresh Hyacinthus, Phoebus' paramour

And dearest love;

Foolish Narcisse, that likes the watery shore;
Sad Amaranthus, made a flower but late,
Sad Amaranthus, in whose purple gore

Me seems I see Amyntas' wretched fate,

To whom sweet poets' verse hath given endless date.

SPENSER. [From "The Faerie Queene." Book 3, Canto 6.]

FROM

The Passionate Pilgrim.

TAKE, oh, take those lips away,
That so sweetly were forsworn;
And those eyes, the break of day,
Lights that do mislead the morn:
But my kisses bring again,
Seals of love, but sealed in vain.

Hide, oh, hide those hills of snow
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are of those that April wears:
But first set my poor heart free,
Bound in those icy chains by thee.

To the Grasshopper and the Cricket.

SHAKSPEARE.

GREEN little vaulter in the sunny grass,
Catching your heart up at the feel of June,
Sole voice that 's heard amidst the lazy noon,
When even the bees lag at the summoning brass;
And you, warm little housekeeper, who class
With those who think the candles come too soon,
Loving the fire, and with your tricksome tune
Nick the glad silent moments as they pass;

Oh sweet and tiny cousins, that belong,

One to the fields, the other to the hearth,

Both have your sunshine; both, though small, are strong At your clear hearts; and both seem given to earth

To ring in thoughtful ears this natural song—

In doors and out, summer and winter, Mirth.

LEIGH HUNT.

Morning its Music.

BUT who the melodies of morn can tell?

The wild brook babbling down the mountain's side;
The lowing herd; the sheepfold's simple bell;
The pipe of early shepherd dim descried
In the lone valley; echoing far and wide
The clamorous horn aolng the cliffs above;
The hollow murmur of the ocean-tide;
The hum of bees, the linnet's lay of love,
And the full choir that wakes the universal grove.

The cottage-curs at early pilgrim bark;
Crowned with her pail the tripping milkmaid sings;
The whistling ploughman stalks afield; and, hark!
Down the rough slope the ponderous waggon rings;
Through rustling corn the hare astonished springs;
Slow tolls the village-clock the drowsy hour;
The partridge bursts away on whirring wings;
Deep moans the turtle in sequestered bower,
And shrill lark carols clear from her aerial tower.

BEATTIE-[From "The Minstrel."]

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