Modern Nicaraguan Poetry: Dialogues with France and the United StatesBucknell University Press, 1993 - 227 стор. This work demonstrates that twentieth-century Nicaraguan poetry can not be comprehended in its fullest dimension without an understanding of the literary traditions of France and the United States. Ever since Ruben Dario established Hispanic America's literary independence from Spain in the nineteenth century with his modernista revolution, poets in Nicaragua actively have engaged in a dialogue with the works of French and North American authors as a means of assimilating and transforming them and thereby inventing a profoundly Nicaraguan literary identity. This process has resulted in what might be called a double genealogy in Nicaraguan poetry: certain poets attracted to the alchemical properties of the poetic word and a transcendent, mythic, meta-reality seem to have descended from French literary forebears; others, interested in an expansive, poeticized version of history and verisimilitude, have roots that might be traced to North American soil. This division is a provisional, experimental means of grouping Nicaraguan poets based not on the traditional compartmentalization of literary generations, but on the "family resemblances" of poetic affinities. Presented here is an effective analysis of the "familial" nature of the Nicaraguan poets achieving their own literary independence by taking into account socio-political and historical considerations, common literary themes, as well as the intertextual relations that form the basis of international literary dialogues. This rigorous, but flexible, approach to modern Nicaraguan poetry enables the reader to accompany the poets on their journeys toward God and the end of the world; into a timeless Nicaraguan landscape invaded by U.S. Marines; beyond a contemporary urban portrait of Los Angeles; through the horrifying European battlefields of World War I and the trenches of Nicaragua's revolution against the Somoza dictatorship. The English-speaking reader probably will be unfamiliar with most of the seven preeminent Nicarguan poets whose works are the subject of this book, but it is hoped that the reader will realize that the poetry of Nicaraguans Alfonso Cortes, Salomon de la Selva, Jose Coronel Urtecho, Pablo Antonio Cuadra, Joaquin Pasos, Carlos Martinez Rivas, and Ernesto Cardenal is worthy of serious study. Furthermore, the poems of these authors take on a richer meaning when they are studied as co-presences in relation to certain texts by Baudelaire, Rimbaud, Mallarme, and Supervielle, or - in an "American" context - by poets such as Whitman, Pound, Eliot, and Masters. A relatively small country with a rich, diverse tradition in poetry, Nicaragua has maintained high literary standards generation after generation and has produced poets of a world-class stature whose time has come for greater recognition. |
З цієї книги
Результати 1-5 із 44
Сторінка 7
... Coronel Urtecho 144 7. Ernesto Cardenal and North American Literature : The Formulation of an Ethical Identity 158 Notes Bibliography 188 207 Index 221 Acknowledgments The author would like to express his gratitude to.
... Coronel Urtecho 144 7. Ernesto Cardenal and North American Literature : The Formulation of an Ethical Identity 158 Notes Bibliography 188 207 Index 221 Acknowledgments The author would like to express his gratitude to.
Сторінка 11
... literatures resembles that of his country's future generations of poets , which are the subject of this book . The work ... literature , common literary themes , the arcane understanding between authors known as " communicating vessels ...
... literatures resembles that of his country's future generations of poets , which are the subject of this book . The work ... literature , common literary themes , the arcane understanding between authors known as " communicating vessels ...
Сторінка 12
... literature is intelligible only in relation to other texts , an understanding of how one text " rewrites " another is a way of entering into the dialogue that literature requires in order to generate meaning and evolve . By creating a ...
... literature is intelligible only in relation to other texts , an understanding of how one text " rewrites " another is a way of entering into the dialogue that literature requires in order to generate meaning and evolve . By creating a ...
Сторінка 13
... literature ; de la Selva consciously rejects the United States for political reasons before history opens and closes his dialogue with England . Nevertheless , the poetry of Nicaragua remains a metamorphosed engendering of its ...
... literature ; de la Selva consciously rejects the United States for political reasons before history opens and closes his dialogue with England . Nevertheless , the poetry of Nicaragua remains a metamorphosed engendering of its ...
Сторінка 14
... Literature , " explores Coronel's dual use of U. S. poetry in translation to renovate Nicaraguan verse and to oppose the negative aspects of North American culture imposed on Nicaragua . The final chapter , " Ernesto Cardenal and North ...
... Literature , " explores Coronel's dual use of U. S. poetry in translation to renovate Nicaraguan verse and to oppose the negative aspects of North American culture imposed on Nicaragua . The final chapter , " Ernesto Cardenal and North ...
Зміст
19 | |
Pablo Antonio Cuadra and Jules Supervielle Utopia National Identity and History | 45 |
Carlos Martinez Rivas and Charles Baudelaire Two Painters of Modern Life | 77 |
A Dialogue with France and the United States | 93 |
The Eschatological Voyage in the Poetry of Joaquin Pasos Vicente Huidobro and T S Eliot | 95 |
A Dialogue with the United States | 117 |
Salomon de la Selva Testimonial Poetry and World War I | 119 |
Translation and Intertextuality in the Poetry of Jose Coronel Urtecho | 144 |
Ernesto Cardenal and North American Literature The Formulation of an Ethical Identity | 158 |
Notes | 188 |
Bibliography | 207 |
Index | 221 |
Інші видання - Показати все
Modern Nicaraguan Poetry: Dialogues with France and the United States Steven F. White Перегляд фрагмента - 1993 |
Загальні терміни та фрази
According Alfonso Cortés Altazor anthology Antología Baudelaire Baudelaire's canción del espacio Canto de guerra Carlos Martínez Rivas chapter Cortés's poem cosas create critic Cuadernos Universitarios culture death describes dialogue Ediciones Editorial English Ernesto Cardenal ethical example Ezra Pound French Gnostic hombre Homenaje human indigenous individual intertextual Irrevocablemente Joaquín Pasos Jorge Eduardo Arellano José Coronel Urtecho Jules Supervielle landscape language León literary literature MacLeish Mallarmé Managua Marianne Moore Merton México modern moral muerte Murales U.S.A. myth mythical Nicaraguan poet North American poetry Nueva Nicaragua Octavio Paz Pablo Antonio Cuadra pampa Paris Pensamiento Centroamericano perhaps poem's Poemas nicaragüenses poesía poet poet's Poeta poetic Proclama del conquistador reader Revista Rimbaud Rubén Darío Salomón Sandino Selva sense soldado desconocido Somoza Spanish Supervielle's T. S. Eliot theme tierra traditional transcendence translation Tropical Town University Press vanguardia Ventana verse Vicente Huidobro vida viejo Walker en Nicaragua words York
Популярні уривки
Сторінка 171 - thing' whether subjective or objective. 2. To use absolutely no word that does not contribute to the presentation. 3. As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of a metronome.
Сторінка 39 - ... e vidi lume in forma di rivera fulvido di fulgore, intra due rive dipinte di mirabil primavera. Di tal fiumana uscian faville vive, e d'ogne parte si mettien ne...
Сторінка 107 - Nada se compara a esa leyenda de semillas que deja tu presencia A esa voz que busca un astro muerto que volver a la vida Tu voz hace un imperio en el espacio Y esa mano que se levanta en ti como si fuera a colgar soles en el aire Y ese mirar que escribe mundos en el infinito...
Сторінка 155 - All, all are sleeping, sleeping, sleeping on the hill. Where are Uncle Isaac and Aunt Emily, And old Towny Kincaid and Sevigne Houghton, And Major Walker who had talked With venerable men of the revolution? — All, all, are sleeping on the hill.
Сторінка 82 - All forms of beauty, like all possible phenomena, contain an element of the eternal and an element of the transitory - of the absolute and of the particular. Absolute and eternal beauty does not exist, or rather it is only an abstraction skimmed from the general surface of different beauties. The particular element in each manifestation comes from the emotions: and just as we have our own particular emotions, so we have our own beauty.
Сторінка 104 - For twenty-seven years we Futurists have rebelled against the branding of war as antiaesthetic Accordingly we state: . . . War is beautiful because it establishes man's dominion over the subjugated machinery by means of gas masks, terrifying megaphones, flame throwers, and small tanks. War is beautiful because it initiates the dreamt-of metalization of the human body.
Сторінка 149 - I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine.
Сторінка 191 - ¡Himnos! Las cosas tienen un ser vital: las cosas tienen raros aspectos, miradas misteriosas; toda forma es un gesto, una cifra, un enigma; en cada átomo existe un incógnito estigma...