The Art of ActingApplause, 2000 - 271 стор. Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. |
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Сторінка 53
... walk around down here , I'm just walking around . If I walk on the stage , on that platform , everyone who watches knows my walk- ing must have some meaning , some significance . One of the first questions you must ask yourself is , How ...
... walk around down here , I'm just walking around . If I walk on the stage , on that platform , everyone who watches knows my walk- ing must have some meaning , some significance . One of the first questions you must ask yourself is , How ...
Сторінка 56
... walk around the stage . It's different from a walk around the park . It's different from a walk around an airplane . It's not a very interesting action , but it has its own nature . Walk up and down . Walk to your seat and back again ...
... walk around the stage . It's different from a walk around the park . It's different from a walk around an airplane . It's not a very interesting action , but it has its own nature . Walk up and down . Walk to your seat and back again ...
Сторінка 215
... walk . Most of you , when you walk , are saying , " I'm young . I'm good looking . I'm stupid . Help me , somebody . " But when you play a character your costume should help you change your walk . Because you're in costume today many of ...
... walk . Most of you , when you walk , are saying , " I'm young . I'm good looking . I'm stupid . Help me , somebody . " But when you play a character your costume should help you change your walk . Because you're in costume today many of ...
Зміст
First Steps On Stage | 9 |
The World of the Stage Isnt Your World | 29 |
Acting Is Doing | 44 |
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acting action actor actress American American upper class animal aristocratic mind Arthur Miller artist attitude audience beautiful become Bessie Smith body Carolingian architecture chair character element chat circumstances Clifford Odets clothes Clurman costume create culture develop discuss dress emotion everything exercise fake father feel garden gesture Gibran give Group Theatre hand Harold Clurman ideas imagination important inner justification instant justification kind live look Luther Adler Marlon Brando means middle class Moscow Art Theatre muscles nature never object paint partner peasant penicillin perform person physical play playwright profession prop reminisce rhythm sense someone speak stage stand Stanislavski Stella Adler Streetcar Named Desire student talk teach technique tell Tennessee Williams theatre There's things tion truth understand voice walk wear what's words