The Art of ActingApplause, 2000 - 271 стор. Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. |
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... stage manager . He doesn't care how good you are . He's just rounded up a bunch of objects . You have to make these objects yours . Realism means the ability to be at home on stage , and the way you do that is to make every object ...
... stage manager . He doesn't care how good you are . He's just rounded up a bunch of objects . You have to make these objects yours . Realism means the ability to be at home on stage , and the way you do that is to make every object ...
Сторінка 107
... stage you can- not afford to be boring even for one instant , and therein lies the difference between real time and stage time between how long it takes to do what you actually do in life and how long it should take to represent what ...
... stage you can- not afford to be boring even for one instant , and therein lies the difference between real time and stage time between how long it takes to do what you actually do in life and how long it should take to represent what ...
Сторінка 130
... stage . Thank you . STELLA : Andrew , why are you sitting on the edge of the stage ? ANDREW : I'm sitting because I want to get a better per- spective of the stage . STELLA : Cut out that phony college word perspective and say instead ...
... stage . Thank you . STELLA : Andrew , why are you sitting on the edge of the stage ? ANDREW : I'm sitting because I want to get a better per- spective of the stage . STELLA : Cut out that phony college word perspective and say instead ...
Зміст
First Steps On Stage | 9 |
The World of the Stage Isnt Your World | 29 |
Acting Is Doing | 44 |
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