The Art of ActingApplause, 2000 - 271 стор. Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. |
З цієї книги
Результати 1-3 із 29
Сторінка 89
... physical control like a lisp or an accent and recite a poem using it . To do this properly the control must be so " second nature " to you that you can concen- trate on the text . An actor must be in control of every part of his body ...
... physical control like a lisp or an accent and recite a poem using it . To do this properly the control must be so " second nature " to you that you can concen- trate on the text . An actor must be in control of every part of his body ...
Сторінка 90
... physical control , the stiff knee . The person for whom the stiff knee is an integral part of his life tries to move as normally as he can . He doesn't want you to be con- stantly aware of it . Nevertheless it affects his every movement ...
... physical control , the stiff knee . The person for whom the stiff knee is an integral part of his life tries to move as normally as he can . He doesn't want you to be con- stantly aware of it . Nevertheless it affects his every movement ...
Сторінка 104
... physical , small things have to be true . Now write this in your head : no physical activity with all its little truths can be done without rehearsal . They cannot be done . When you get very expert , maybe you can do them . But at this ...
... physical , small things have to be true . Now write this in your head : no physical activity with all its little truths can be done without rehearsal . They cannot be done . When you get very expert , maybe you can do them . But at this ...
Зміст
First Steps On Stage | 9 |
The World of the Stage Isnt Your World | 29 |
Acting Is Doing | 44 |
Авторські права | |
18 інших розділів не відображаються
Інші видання - Показати все
Загальні терміни та фрази
acting action actor actress American American upper class animal aristocratic mind Arthur Miller artist attitude audience beautiful become Bessie Smith body Carolingian architecture chair character element chat circumstances Clifford Odets clothes Clurman costume create culture develop discuss dress emotion everything exercise fake father feel garden gesture Gibran give Group Theatre hand Harold Clurman ideas imagination important inner justification instant justification kind live look Luther Adler Marlon Brando means middle class Moscow Art Theatre muscles nature never object paint partner peasant penicillin perform person physical play playwright profession prop reminisce rhythm sense someone speak stage stand Stanislavski Stella Adler Streetcar Named Desire student talk teach technique tell Tennessee Williams theatre There's things tion truth understand voice walk wear what's words