The Art of ActingApplause, 2000 - 271 стор. Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. |
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... person with a lisp doesn't want you to be conscious of it . He tries to communicate as clearly as possible , to overcome his lisp , not to emphasize it . The same is true of the physical control , the stiff knee . The person for whom ...
... person with a lisp doesn't want you to be conscious of it . He tries to communicate as clearly as possible , to overcome his lisp , not to emphasize it . The same is true of the physical control , the stiff knee . The person for whom ...
Сторінка 131
... person singular or words like " love " or " hate , " which have high emotional content , the justi- fication demands are stronger . You have to pay a price for using the " I. " You've raised the stakes to a greater investment in your ...
... person singular or words like " love " or " hate , " which have high emotional content , the justi- fication demands are stronger . You have to pay a price for using the " I. " You've raised the stakes to a greater investment in your ...
Сторінка 202
... person of self- control . He must control his body - in costume , but also con- trol himself in every way . Restrictions of the body make gestures restricted . If your hands were chained together , you could move them only so much . If ...
... person of self- control . He must control his body - in costume , but also con- trol himself in every way . Restrictions of the body make gestures restricted . If your hands were chained together , you could move them only so much . If ...
Зміст
First Steps On Stage | 9 |
The World of the Stage Isnt Your World | 29 |
Acting Is Doing | 44 |
Авторські права | |
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