The Art of ActingApplause, 2000 - 271 стор. Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. |
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... feel that what you can give as an actor is important . You have to feel a great sense of responsibility about what you do . On a practical level what this means is that you have to promise not to miss work , not to miss class . We have ...
... feel that what you can give as an actor is important . You have to feel a great sense of responsibility about what you do . On a practical level what this means is that you have to promise not to miss work , not to miss class . We have ...
Сторінка 37
... feel the importance of communicating them to others . I must feel the to make the audience actually see what you've seen will push your voice forward . urgency of what you have to say . The need you feel Get used to the idea that you're ...
... feel the importance of communicating them to others . I must feel the to make the audience actually see what you've seen will push your voice forward . urgency of what you have to say . The need you feel Get used to the idea that you're ...
Сторінка 99
... feel ... STELLA : Sweetheart , I have to interrupt you . You are not interested in what he's saying . You're anxious to talk . That's not discussion . Discussion comes out of what your partner says , not what you feel . I don't want to ...
... feel ... STELLA : Sweetheart , I have to interrupt you . You are not interested in what he's saying . You're anxious to talk . That's not discussion . Discussion comes out of what your partner says , not what you feel . I don't want to ...
Зміст
First Steps On Stage | 9 |
The World of the Stage Isnt Your World | 29 |
Acting Is Doing | 44 |
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