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tween egotisin and disinterested humanity. No one makes the tour of our southern metropolis, or describes the manners of the last age, so well as Mr. Lamb—with so fine, and yet so formal an air-with such vivid obscurity, with such arch piquancy, such picturesque quaintness, such smiling pathos. How admirably he has sketched the former inmates of the South-Sea House; what “fine fretwork he makes of their double and single entries !” With what a firm, yet subtle pencil he has embodied Mrs. Battle's Opinions on Whist! How notably he embalms a battered beau; how delightfully an amour, that was cold forty years ago, revives in his pages! With what well-disguised humour he introduces us to his relations, and how freely he serves up his friends! Certainly, some of his portraits are fixtures, and will do to hang up as lasting and lively emblems of human infirmity. Then there is no one who has so sure an ear for “ the chimes at midnight,” not even excepting Mr. Justice Shallow.; nor could Master Silence himself take his “ cheese and pippins” with a more significant and satisfactory air. With what a gusto Mr. Lamb describes the inns and courts of law, the Temple and Gray's-Inn, as if he had been a student there for the last two hundred years, and had been as well acquainted with the person of Sir Francis Bacon as he is with his portrait or writings! It is hard to say whether St. John's Gate is connected with more intense and authentic associations in his mind, as a part of old London Wall, or as the frontispiece (time out of mind) of the Gentleman's Magazine. He haunts Watling-street like a gentle spirit; the avenues to the play-houses are thick with panting recollections, and Christ's-Hospital still breathes the balmy breath of infancy in his description of it! Whittington and his Cat are a fine hallucination for Mr. Lamb's historic Muse, and we believe he never heartily forgave a certain writer who took the subject of Guy Faux out of his hands. The streets of London are his fairy-land, teeming with wonder, with life and interest to his retrospective glance, as it did to the eager eye of childhood; he has contrived to weave its tritest traditions into a bright and endless romance!
Mr. Lamb's taste in books is also fine, and it is peculiar. It is not the worse for a little idiosyncrasy. He does not go deep into the Scotch novels, but he is at home in Smollett and Fielding. He is little read in Junius or Gibbon, but no man can give a better account of Burton's Anatomy of Melancholy, or Sir Thomas Brown's Urn-Burial, or Fuller's Worthies, or John Bunyan's Holy War. No one is more unimpressible to a specious declamation ; no one relishes a recondite beauty more. His admiration of Shakespear and Milton does not make him despise. Pope; and he can read Parnell with patience, and Gay with delight. His taste in French and German literature is somewhat defective: nor has he made much progress in the science of Political Economy or other abstruse studies, though he has read vast folios of controversial divinity, merely for the sake of the intricacy of style, and to save himself the pain of thinking. Mr. Lamb is a good judge of prints and pictures. His admiration of Hogarth does credit to both, particularly when it is considered that Leonardo da Vinci is his next greatest favourite, and that his love of the actual does not proceed from a want of taste for the ideal. His worst fault is an over-eagerness of enthusiasm, which occasionally makes him take a surfeit of his highest favourites.-Mr. Lamb excels in familiar conversation almost as much as in writing, when his modesty does not overpower his self-possession. He is as little of a proser as possible; but he blurts out the finest wit and sense in the world. He
keeps a good deal in the back-ground at first, till some excellent conceit pushes him forward, and then he abounds in whim and pleasantry. There is a primitive simplicity and self-denial about his manners; and a Quakerism in his personal appearance, which is, however, relieved by a fine. Titian head, full of dumb eloquence! Mr. Lamb is a general favourite with those who know him. His character is equally singular and amiable. He is endeared to his friends not less by his foibles than his virtues; he insures their esteem by the one, and does not wound their self-love by the other. He gains ground in the opinion of others, by making no advances in his own. We easily admire genius where the diffidence of the possessor makes our acknowledgment of merit seem like a sort of patronage, or act of condescension, as we willingly extend our good offices where they are not exacted as obligations, or repaid with sullen indifference. The style of the Essays of Elia is liable to the charge of a certain mannerism. His sentences are cast in the mould of old authors; his expressions are borrowed from them; but his feelings and observations are genuine and original, taken from actual life, or from his own breast; and he may be said (if any one
can) “ to have coined his heart for jests," and to have split his brain for fine distinctions ! Mr. Lamb, from the peculiarity of his exterior and address as an author, would probably never have made his way by detached and independent efforts ; but, fortunately for himself and others, he has taken advantage of the Periodical Press, where he has been stuck into notice, and the texture of his compositions is assuredly fine enough to bear the broadest glare of popularity that has hitherto shone upon them. Mr. Lamb's literary efforts have procured him civic honours (a thing unheard of in our times), and he has been invited, in his character of Elia, to dine at a select party with the Lord Mayor. We should prefer this distinction to that of being poet-laureat. We would recommend to Mr. Waithman's perusal (if Mr. Lamb has not anticipated us) the Rosamond Gray and the John Woodvil of the same author, as an agreeable relief to the noise of a city feast, and the heat of city elections. A friend, a short time ago, quoted some lines* from the last-mentioned of these works, which
The description of sports in the forest :
Like some hot amourist with glowing eyes,” &c.