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Scotchman is not of a desponding and gloomy turn of mind. He argues well for the future hopes of mankind from the smallest beginnings, watches the slow, gradual, reluctant growth of liberal views, and smiling sees the aloe of Reform blossom at the end of a hundred years ; while the habitual subtlety of his mind makes him perceive decided advantages where vulgar ignorance or passion sees only doubts and difficulty; and a flaw in an adversary's argument stands him instead of the shout of a mob, the votes of a majority, or the fate of a pitched battle. The Editor is satisfied with his own conclusions, and does not make himself uneasy about the fate of mankind. The issue, he thinks, will verify his moderate and wellfounded expectations. We believe also that late events have given a more decided turn to Mr. Jeffrey's mind, and that he feels that as in the struggle between liberty and slavery, the views of the one party have been laid bare with their success, so the exertions on the other side should become more strenuous, and a more positive stand be made against the avowed and appalling encroachments of priestcraft and arbitrary power.
The characteristics of Mr. Jeffrey's general style as a writer correspond, we think, with
what we have here stated as the characteristics of his mind. He is a master of the foils; he makes an exulting display of the dazzling fence of wit and argument. His strength consists in great range of knowledge, an equal familiarity with the principles and the details of a subject, and in a glancing brilliancy and rapidity of style. Indeed, we doubt whether the brilliancy of his manner does not resolve itself into the rapidity, the variety and aptness of his illustrations. His pen is never at a loss, never stands still ; and would dazzle for this reason alone, like an eye that is ever in motion. Mr. Jeffrey is far from a flowery or affected writer; he has few tropes or figures, still less any odd startling thoughts or quaint innovations in expression :—but he has a constant supply of ingenious solutions and pertinent examples; he never proses, never grows dull, never wears an argument to tatters; and by the number, the liveliness and facility of his transitions, keeps up that appearance of vivacity, of novel and sparkling effect, for which others are too often indebted to singularity of combination or tinsel ornaments.
It may be discovered, by a nice observer, that Mr. Jeffrey's style of composition is that of a person accustomed to public speaking.
There is no pause, no meagreness, no inanimateness, but a flow, a redundance and volubility like that of a stream or of a rolling-stone. The language is more copious than select, and sometimes two or three words perform the office of one. This copiousness and facility is perhaps an advantage in extempore speaking, where no stop or break is allowed in the discourse, and where any word or any number of words almost is better than coming to a dead stand; but in written compositions it gives an air of either too much carelessness or too much labour. Mr. Jeffrey's excellence, as a public speaker, has betrayed him into this peculiarity. He makes fewer blots in addressing an audience than any one we remember to have heard. There is not a hair's-breadth space between any two of his words, nor is there a single expression either ill-chosen or out of its place. He speaks without stopping to take breath, with ease, with point, with elegance, and without “ spinning the thread of his verbosity finer than the staple of his argument.
He may be said to weave words into any, shapes he pleases for use or ornament, as the glassblower moulds the vitreous fluid with his breath; and his sentences shine like glass from their polished smoothness, and are equally transparent. His style of eloquence, indeed, is remarkable for neatness, for correctness, and epigrammatic point; and he has applied this as a standard to his written compositions, where the very same degree of correctness and precision produces, from the contrast between writing and speaking, an agreeable diffuseness, freedom, and animation. Whenever the Scotch advocate has appeared at the bar of the English House of Lords, he has been admired by those who were in the habit of attending to speeches there, as having the greatest fluency of language and the greatest subtlety of distinction of any one of the profession. The law-reporters were as little able to follow him from the extreme rapidity of his utterance as from the tenuity and evanescent nature of his reasoning.
Mr. Jeffrey's conversation is equally lively, various, and instructive. There is no subject on which he is not au fait: no company in which he is not ready to scatter his pearls for sport. Whether it be politics, or poetry, or science, or anecdote, or wit, or raillery, he takes up his cue without effort, without preparation, and appears equally incapable of tiring himself or his hearers. His only difficulty seems to be not to speak, but to be silent. There is a constitutional buoyancy and elasti
city of mind about him that cannot subside into repose, much less sink into dulness. There may be more original talkers, persons who occasionally surprise or interest you more; few, if any, with a more uninterrupted flow of cheerfulness and animal spirits, with a greater fund of information, and with fewer specimens of the bathos in their conversation. He is never absurd, nor has he
favourite points which he is always bringing forward. It cannot be denied that there is something bordering on petulance of manner, but it is of that least offensive kind which may be accounted for from merit and from success, and implies no exclusive pretensions nor the least particle of ill-will to others. On the contrary, Mr. Jeffrey is profuse of his encomiums and admiration of others, but still with a certain reservation of a right to differ or to blame. He cannot rest on one side of a question: he is obliged by a mercurial habit and disposition to vary his point of view. If he is ever tedious, it is from an excess of liveliness : he oppresses from a sense of airy lightness. He is always setting out on a fresh scent: there are always relays of topics; the harness is put to, and he rattles away as delightfully and as briskly as ever. New causes are called; he